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Relation to fashion lifestyle
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Fashion is a form of non-verbal communication, expressing various aspects of an individual’s life and character. If it is true that ‘clothes make the man. Naked people have little or no influence on society,’ (Twain, 1927, pg6) then a woman can make herself a man through fashion. Society constructs an image of what is masculine or feminine and, although those who choose to cross genders may believe themselves to be individual and out of the mould of what is considered the norm, they are more often than not subconsciously following society’s ideal of femininity versus masculinity by using society’s definition of this as a basis for their individuality. However, society’s expectations may also portray a message much more than indicated by the individual. Cross-dressing in entertainment has shown what is entailed to dress as another gender and sets expectations for society. This can be seen in the James Franco cover of the transgendered magazine ‘Candy’ and the Lady Gaga cross-dressing performance at the VMAs.
Society has stereotyped the male figure as masculine and powerful through the formation of fashion, allowing women to use these characteristics to portray a stronger image. Masculinity in fashion is usually associated with the suit, broad shoulders, monochromatic colour schemes based on the traditional male attire. Women cross-dressing are associated as strong and independent because they are ‘wearing the pants’. ‘ Cropped hair, menswear suits, thin flanks-these are not only the signature characteristics of ‘cross-dressed’ entertainment figures like Annie Lennox or K.D Lang or Madonna, but also the high-style looks of the mainstream fashion magazines since the sixties’ (Garber, 1992). The female to male cross-dressing has bee...
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Today we can see items of clothing that are commonly worn that have grown out of this initial innovation of freeing a woman’s body. This can be seen in clothing from the Spring 2017 New York Fashion week (see Figure 2), as the model’s bodies are freed by the more minimal use of material. The lowering of necklines and the increase in skin shown in haute couture over the decades is owed to Art Deco fashion and is symbolic of the rise of women’s rights over the years, as the physical discomfort and restrictions that the tight corsets of previous eras could be considered of women’s place in society. The new style being a stance against the oppression. It dictates that a persons own comfort and style is to the upmost importance, not to contort one’s body into something it is not meant to. Today it is shown in loose and cropped pants, shorts, low necklines, cropped tops, and various other clothing that reveals skin that was once covered. Art Deco fashion is also seen today through “chic garçonne” ideal that emerged out of early feminism that made women want to do the same things that men could, and so adopted smoking, sport, an interest in vehicles, a flirty sense of
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This paper will look at the different conceptions highlighted by Bulman in his article through the use of different methods used by the actors in the play. Twelfth Night, by William Shakespeare captures the different conceptions of gender identity and different sexualities within the Elizabethan period.
Sarah Crawley’s article, They Still Don’t Understand Why I Hate Wearing Dresses: An Autoethnographic Rant on Dresses, Boats, and Butchness, draws on how society distinguishes appearance, responsibility and expectations in regards to women and men. She observes the gendered discrimination people often have, for women in particular, using her personal experiences; she focuses on women wearing or performing tasks that are strongly associated with femininity, contrary to the‘masculine’ responsibilities that are designated for men. In the article, Crawley expresses her disassociation of the typical gendered traits for both women and men, by being butch. Butchness, Crawley explains, “is a practice in a sexist, heterosexist culture that engages female-bodied people in the expression of ableness” (81). By performing butch, Crawley breaks away from what
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There have been many instances where I am stopped and commented on what I’m wearing. Depending on a single item of clothing, I am either a “certified hippie”, “lesbian”, or “law student”. This has brought me to raise an important social question: How have fashion and advertising built identity stereotypes? Stereotyping can have a strong and negative impact on a person, especially younger generations that are now at an influential stage in their mental development. By subjecting them to these stereotypes based on what they wear, they may begin to think of and see themselves as society claims, rather than who they are or aspire to be. By conducting further research on stereotyping in fashion designs through their advertisements, the aim of this research is to understand the history and social ideas behind fashion. By thoroughly understanding the problem, a solution would be easier to reach. In order to gain further insight on the matter, two practitioners have been selected: Dr. Rebecca Arnold and Dr. Roman Meinhold.
... Critical Interpretations, ed. Harold Bloom (New York: Chelsea House Publishers, 1987) 43. For further discussion on renaissance gender performance and identity politics among Shakespeare's cross-dressed heroines, see Michael Shapiro's Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages (Ann Arbor: The University of MIchigan Press, 1994).