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Impact of urban legends
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This documentary directed by Joshua Zeman and Barbara Brancaccio follows the Staten Island urban legend ‘Cropsey’. Cropsey was originally thought to be nothing more than a boogeyman used by parents to scare children out of trouble. Rumored to be lurking near lakes and woods come nightfall, Cropsey took the form of an axe wielding, escaped mental patient who would prey on young children. According to Staten Island natives, exploring Cropsey’s home, Willowbrook Mental Hospital, was a popular pastime amongst the youth who thought him nothing more than myth. However, in the summer of 1987, when 12 year old Jennifer Schweiger disappeared, the legend of Cropsey resurfaced. This time, he posed a much realer threat to the children of Staten Island. With the community in outrage over the loss of one of their children, …show more content…
With a criminal record on file, it is shown that he once kidnapped a bus full of 11 children before returning them home, realizing he could not carry out his plans alone. Despite this, some people held onto their doubts about Rand’s involvement with Julia. Acquaintances thought he might have been set up, and that these convictions were a classic example of authorities creating a culprit when the real one is nowhere to be found. Rand became the face of Cropsey, the real life boogeyman. As the case continued, authorities began making connections between him and children who went missing as far as 25 years before Julia. With Staten Island divided, Joshua and Barbara revisit their childhood in search of answers, exploring Rand's past and linking the cases of five missing children together. Though the camerawork is dated, some might say it only adds to the element of horror in this film, which might be unsuitable for the faint of heart. If you think you can stomach it, follow Joshua and Barbara on their terrifying investigation into the legend of
It takes a lot of courage and boldness to step out of your comfort zone to stand up for yourself and what you believe in. This is clearly shown in the movie, Secondhand Lions, directed by Tim McCanlies, when 14 year-old Walter is dropped off by his irresponsible mother for an unannounced visit with his two great-uncles, Garth and Hub. Walter is dumped with his uncles for the summer because his Vegas-bound floozy of a mother, Mae, decides to attend court reporting school, but ends up engaged to a guy in Vegas. With the bad influence of his mother and a lack of a father figure, Walter has never learned how to stand up for himself but his uncles soon teach him that. As the movie continues, Walter changes from his timid self into someone bold and gallant.
During the Talladega 500, Cal Naughton Jr., Ricky Bobby's former best friend, pulled ahead of Ricky, allowing him to slingshot around his car and pass Jean Girard. Though Cal and Girard were teammates at Dennit Racing, Cal disregarded this and jeopardized his team's success to aid Ricky in the movie Talledega Nights: The Ballad of Ricky Bobby. This moment was crucial to Ricky, he having fallen from grace, going from NASCAR's top driver to being let go by Dennit Racing. The love Cal exhibited was a selfless form of love that was centered entirely around Ricky's happiness, not his own. Because of this selflessness, Cal compromised his own agenda, winning for Dennit, and disregarded personal consequence in hopes that Ricky would win the race. If you truly love someone as Cal loved Ricky, you must sometimes compromise your own interests for their benefit.
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
Damien Echols is found guilty and sentenced to death for the crime of killing three eight-year old boys; for eighteen years he spends his life on Death Row before he is released. Before being placed on Death Row at Varner Super Max Security Unit in Grady, Arkansas and Tucker Max Security Unit, Echols also spent time in Crittenden County Jail for misdemeanor charges he received as minor. While on Death Row Damien explains that it was the guards that he had to watch out for and not the other prisoners. The visits from spiritual advisors as well as the media caused Echols to receive hatred from the guards. They destroyed everything in is cell, planted a knife in his bunk, sent to solitary confinement for no reason, beat up by a team of five guards,
To be a True Blue Aussie you have to have a mate because “You've to have a mate,” as verbalized by poet Dave Butler in 2013. For in Aussie culture, a mate is a person whose actions speak louder than their words. In Australia, being a mate is a value that is held in the highest respect.
The entire movie is littered with anxiety. The movie makes you anxious as to what may happen next. This primary example is the scene where Skeeter ask Aibileen to tell her personal stories for the book Skeeter is writing. This rose a very serious anxiety in both women. Skeeter also found other maids to also share their personal stories. This scenario caused extreme anxiety because in that day and time if you were to publish or talk about what the maids have to endure, you could be prosecuted or maybe even killed.
At any point in time, someone’s world can be turned upside down by an unthinkable horror in a matter of seconds. On June 20th, 2001 in a small, suburban household in Houston, TX, Andrea Yates drowned her five children in a bathtub after her husband left for work. The crime is unimaginable, yes, but the history leading up to the crime is just as important to the story. Andrea Yates childhood, adulthood, and medical history are all potent pieces of knowledge necessary to understanding the crime she committed.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Imagine the most heinous act, a human sacrifice, Satanic cult, or devil worshipers. Now imagine a shadowy forest, several busy freeways, a murky stream, and three lifeless young bodies. One parent describes the act; “Imagine all the evil that you could think of, of how someone could be murdered, and that’s how these three children died.” The fear of such things quickly spread through the town of West Memphis, Arkansas on May 6, 1993. The scene at Robin Hood Hills was a gruesome one on that hot afternoon. The discovery of three bodies, each an eight-year-old boy, sent shock across the community instantly. Stevie Branch, Michael Moore, and Christopher Byers were last seen riding their bicycles into the woods, a popular playground for the cub scouts, around six o’clock on the evening of May 5, 1993. At approximately eight o’clock that evening, the three frightened parents phoned the West Memphis Police Department.
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
On November third, nineteen eighty-three at two o’clock in the morning, the Wilsons were awakened by a loud banging noise upstairs, except for Joe, a middle-aged, heavyset man with blonde hair and blue eyes. The noise sounded like someone had just hit a bench with a wooden baseball bat. Maggie, a dark hair, brown-eyed mother of fraternal twins, Reagan and Chandler, and wife to Joe Wilson, rushed to her kid’s room. When she finally made it down the hallway and up the stairs of their large split level house, the twins were already leaping out of their beds heading out the door. Maggie peeked inside the room and saw a young boy who appeared to be floating into the house through the window. The strange looking boy floating in mid-air was bald
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
The world before her is a film of hope and dreams for Indian women. We examine two girls with different paths but one goal in common, empowerment. This term conveys a wide range of interpretations and definitions one of them being power over oneself. Both Prachi and Ruhi manifest a will for female empowerment but both have distinct views on how this is achieved. Prachi believes the way to achieve empowerment is through her mind and strength, while she still confines to tradition views of Indian culture. Ruhi desires to achieve female empowerment by exposing her beauty in a non-conservative way while maintaining her Indian identity.
After watching "Harvest of Shame” I thought the movie was very fair, accurate, and responsible. In the movie Murrow informed the audience of the issue that was happening in society. Murrow makes the audience aware of his message by interviewing families and people who are living and experiencing what is going on. I thought that this movie was fair because he did not stereotype or have a bias standpoint on the top. His story line was accurate and he informed his audience on how people were suffering through these times. When he used facts on how much they got paid, and by showing them working it shows the information he was portraying to his audience was accurate. In one of the rules in SPJ code it states, “ Be vigilant and courageous about holding those with power accountable. Give voice to the voiceless.” This shows Munro was accurate in his movie because he gathered information from people that were being slaves and experiencing what he was talking about.
Animal Farm was a bestseller novel and written by George Orwell. and now it was an