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The disadvantages of criticism
The nature and function of criticism
Hemingway and war themes
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Critiques of Ernest Hemingway's Novel, Death in the Afternoon
Ernest Hemingway's Death in the Afternoon shows a new side of Hemingway's writing which initially disappointed the critics. Published in 1932, Death in the Afternoon was not the expected fictional novel, but instead was more of a nonfiction description of bullfighting and Spanish culture in the 1920's and 1930's. In Curtis Patterson's words, "It is a tripartite work: bullfighting in Spain, plus semi-autobiographical details of the author, plus smut. The smut is lugged in by the ears, is unnecessary, is not amusing. The semi-autobiographical details make me faintly sick at my stomach. The explanation of, guide book to, apology for bull-fighting is absorbingly interesting."1 This book's focus on bullfighting is a complete transformation from Hemingway's previous novel A Farewell to Arms, which focuses on the war. Many critics see through this switch in subject matter, however, and propose that Hemingway's focus on bullfighting is really just a different way for him to express his emotions towards the war. According to Malcolm Cowley, "Hemingway had found in bullfighting an emotional substitute for the war. It provided everything, travel, excitement, crowds like armies watching the spectacle of danger."2 The violent descriptions of the death and injuries of the bulls, horses, and bullfighters are expressions of his pent up feelings towards death and the war.
When this book was first published, it sold poorly, in part because of the depression, and also because of the strange topic of bullfighting, which was unfamiliar to his readers. Although his writing style was still praised and respected, his subject matter was widely criticized, as H.L. Mencken...
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...has interesting biographical facts and many pictures of Hemingway on his travels.
www.lostgeneration.com/keywest.htm
This website has excellent comments by Hemingway and reviewers about Death in the Afternoon, and his trips to Spain.
1 Stephens, Robert O., ed. Ernest Hemingway: The Critical Reception. New York: Burt Franklin & Co., Inc., 1997 p 118
2 Ryan, Frank L., The Immediate Critical Reception of Ernest Hemingway. Washington, D.C.: University of America Press, 1980 p. 19
3 Stephens, p. 123
4 Meyers, Jeffrey, ed. Hemingway: The Critical Heritage. London: Routledge &Kegan Paul Ltd., 1982 p.173
5 Stephens, p. 121
6 www.lostgeneration.com/keywest.htm
7 Meyers, p. 22
8 Stephens, p. 115
9 Stephens, p. 119
10 Stephens, p.109
11 Stephens, p. 108
12 Stephens, p. 111
13 Stephens, p. 131
14 Meyers, p. 22
15 Meyers, p.24
16 Stephens, p. 112
2.Flora, Joseph M. Ernest Hemingway: A Study of the Short Fiction. G.K. Hall & Co., 1989.
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
Stewart, Matthew. Modernism and Tradition in Ernest Hemingway’s In Our Time: A Guide for Students and Readers. Rochester, NY: Camden House, 2001.
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
The typical idea of a dancer is that they are tall, slender, full of energy, and lucky because they dance with all of the “stars”. Much of this is true, however, what many people do not think of are the many hardships that a dancer goes through in order to achieve their high status in the dance world. It takes much hard work and determination along with good direction to become a dancer. However, nothing good comes without a price. Dancers often times have many pressures put on them which can lead to physical and emotional damages. These damages occur through the pressures from the media, parents, teammates, and the stereotype that society has placed on dancers.
Healthcare reform has been debated throughout history, and continues to be a debate today. An initial healthcare plan was supported by Theodore Roosevelt in 1910. He campaigned on the promise of national healthcare, but he was defeated. Harry Truman proposed it thirty years later but the plan was vigorously opposed by American Medical Association (AMA) as socialized medicine (Palmer, 2010). As a Family Nurse Practitioner (FNP) who has been practicing for more than a year, an advanced nurse with a Master of Science in Administration for ten years, a military nurse leader for twenty years, and a home health and ICU nurse for more than twenty – five years, I agree that we need to rethink the direction of healthcare. Without healthcare reform, the number of uninsured is predicted to increase to 54 million in 2019 according to Deutsche Bank Research trends (2010). This increase in uninsured patients will put a strain on emergency rooms (ERs) as many uninsured patients use ERs as their primary care, which increases healthcare costs and offers poor follow-up care for the patient.
About 32 million people will represent the newly insured, affecting the health care system and nurses are the fundamental in health system. Health care reform is positive for nurses. The health care bill provides money for advance practice and general nurse education. The law also creates a grant program for innovative safety net programs, such as nurse-managed health clinics. Due to the shortage of family Physicians, nurse practitioner programs are going strong. The health care reform is a good opportunity for nurses; the law will permit different approaches to deliver primary care and with the decreasing number of physicians going in to primary care, Nurses represent the best way to provide primary care to the millions of new insured people. (Satowski, 2010)
Bryant, Janine. "Dancers as Athletes." The Dance Journal. N.p., n.d. Web. 19 May 2014. .
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Kerner, David. “The Manuscripts Establishing Hemingway's Anti-Metronomic Dialogue.” American Literature. 54.3 (1982): 385-396. JSTOR. Web. 8 Feb. 2014.
15 Feb. 2003. http://www.cnn.com/SPECIALS/books/1999/hemingway/stories/biography/part1/index.html. Stanford, Judith A. & Co. Responding to Literature: Stories, Poems, Plays, and Essays. New York: McGraw-Hill, 2003.
With the passage of the ACA, the Federal government in collaboration with the states, reformed the “healthcare system by giving more Americans access to quality, affordable health insurance” (Obama Care Facts, Summary, n.d.). Thus, the ANA Agenda for Reform had been partly achieved. In addition, the Agenda also served as a wake-up call that brought key nursing and patients’ issues to the fore, e.g., Safe Staffing, Safe Patient Handling, and Title VIII (Nursing Workforce Development) Funding (ANA, 2016), just to mention a
middle of paper ... ... so provided the reader with realistic descriptions of the warfront. Ernest Hemingway’s A Farewell to Arms realistically explores the inglorious and brutal truths of war, and idealistically analyzes the power of true love. Works Cited “A Farewell to Arms Essay – A Farewell to Arms, Ernest Hemingway.”