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William Blake lived and wrote in the city of London; Blake’s writings often criticize the political and social environment of his time. “London” is one of Blake’s most political powerful criticisms. Most of his writings analyze different sides of a subject, and this dichotomy of opposing sides is apparent in his collection Songs of Innocence and Songs of Experience. The ominous and grim poem, “London,” is a part of Blake’s experience collection. In “London,” William Blake’s use of symbolism and imagery creates a grotesque and disturbing portrait of London and conveys his theme of a corrupt and oppressive society. Blake was a part of the Romantic Era (1800-1850), a time period that was focused on the individual and the glorification of nature. …show more content…
The speaker describes the human misery he witnesses: “And in every face I meet/Marks of weakness, marks of woe.” The source of the miserable behavior is the restriction of human freewill and consciousness (Edmunson 1). These people are victims of the “mind-forg 'd manacles” Blake mentions later in the poem. The phrase symbolizes mental limitations established to enable people from progressing through life. This restriction is thought to be self-inflicted; Blake describes it as a state of selfhood that destroys the idea of community and solidarity (2). Blake continues this horrific picture as he describes the soldiers: “And the hapless Soldiers sigh/Runs in blood down Palace walls.” This gruesome image represents the government’s abuse of soldiers that causes needless fighting and sacrifice (Lambert 1). Blake’s powerful symbolism created the terrifying images to reinforce the development of his …show more content…
The oppression can be divided into two categories the self inflicted, the mind-forg 'd manacles, and the forced, the hapless solider. The mindset of the society was at a certain level of complacency; Blake viewed ‘selfhood’ as a cause to the worsening condition. He is suggesting that in order to defeat the corruption of society people should unite and create a sense of community. In the case of the solider, the oppression is controlled by a higher power. Blake suggests that corruption and oppression has reached the government in
Blake's View on Oppression of Children by Adults Blake was a poet who wrote in the Romantic period. He had idealistic views about life, and believed that the traditional country way of life was the best way to live. He despised the industry that was establishing itself in England because it was the opposite of the ideal country lifestyle that Blake idealised. The idea that Blake believed that children were oppressed is an interesting one, because, there are a number of poems which suggest different ideas about this topic.
The theme of the suffering innocent person, dying and being diseased, throws a dark light onto the London seen through the eyes of William Blake. He shows us his experiences, fears and hopes with passionate images and metaphors creating a sensibility against oppression hypocrisy. His words come alive and ask for changes in society, government and church. But they remind us also that the continued renewal of society begins with new ideas, imagination and new works in every area of human experience.
angered him and inspired him to convey his ideas and feelings through the poem 'London'. In the poem, Blake travels through London and describes what he sees. And as a result, he sees a severely oppressed society that is caused by the authority, such as royalty, and the church. This is as Blake sees. that even the streets and the thames are 'chartered' and governed.
William Blake, born in 1757 and died in 1827, created the poems “The Lamb,” “The Tyger,” and Proverbs of Hell. Blake grew up in a poor environment. He studied to become an engraver and a professional artist. His engraving took part in the Romanticism era. Romanticism is a movement that developed during the 18th and early 19th century as a reaction against the Restoration and Enlightenment periods focusing on logic and reason.
William Blake is remembered by his poetry, engravements, printmaking, and paintings. He was born in Soho, London, Great Britain on November 28, 1757. William was the third of seven siblings, which two of them died from infancy. As a kid he didn’t attend school, instead he was homeschooled by his mother. His mother thought him to read and write. As a little boy he was always different. Most kids of his age were going to school, hanging out with friends, or just simply playing. While William was getting visions of unusual things. At the age of four he had a vision of god and when he was nine he had another vision of angles on trees.
William Blake was one of those 19th century figures who could have and should have been beatniks, along with Rimbaud, Verlaine, Manet, Cezanne and Whitman. He began his career as an engraver and artist, and was an apprentice to the highly original Romantic painter Henry Fuseli. In his own time he was valued as an artist, and created a set of watercolor illustrations for the Book of Job that were so wildly but subtly colored they would have looked perfectly at home in next month's issue of Wired.
According to William Richey the phrase "mind-forg'd manacles" has two contributors, the oppressors and the victims (1). Both contributors help set and reinforce the psychological distress and sense of entrapment each citizen of "London" suffers from. The oppressors are presented as disease, Royalty, the Church, and the state of London. The victims are presented as soldiers, harlots, infants, and older children (Richey 1).
As a child, Blake spent his time engraving drawings of the Greek antiquities his father bought for him “(Early Years”). James and Catherine supported and encouraged Blake’s artistic ability and enrolled him in Henry Par’s drawing school in the Strand when Blake was 10 years old, there he first started writing poetry (Harris 5). He enjoyed the works of Shakespeare, Jonson and Spenser and ancient ballads as opposed to current literature at the time (“The Young Artist”). Some of Blake’s favorite artists ranged from Raphael, Michelangelo, Giulio Romano, Albrecht Dürer, and Maerten Heemskerck. (Merriman 2)
Mason, Michael. Notes to William Blake: A Critical Edition of the Major Works. Ed. Michael Mason. Oxford: Oxford University Press, 1988.
He employed a brilliant approach as he took in the uncomfortable political and moral topics of his day and from them he created unique artistic representations. His poetry recounts in symbolic allegory the negative effects of the French and American revolutions and his visual art portrays the violence and sadistic nature of slavery. Blake was arguably one of the most stubbornly anti-oppression and anti-establishment writers in the English canon. Blake had an uncanny ability to use his work to illustrate the unpleasant and often painful realities around him. His poetry consistently embodies an attitude of revolt against the abuse of class and power that appears guided by a unique brand of spirituality.
Romanticism was both an artistic and intellectual movement geared essentially toward emphasizing nature’s subliminal aura, the individual’s expression of emotion and imagination, and ultimately a heightened sense of consciousness. Widely acknowledged for his contributions to Romanticism, English poet William Blake is considered to be one of the most influential poets of the nineteenth century. Blake, a visionary far beyond his years, was adamant in expressing his views on the cosmos; that one cannot simply have the good without experiencing the bad nor can one have the bad without experiencing the good. Near the end of the seventeen hundreds, Blake published two highly acclaimed works supporting his claim that in order for the world to function as it does, all things in the universe must have an opposite, or a contrast. He published his poem collection entitled “Songs of Innocence and of Experience” in 1794 and finished composing his book “The Marriage of Heaven and Hell”, a few years prior to it. These two brilliant works exemplify exactly just how important a positive balance in the cosmos really is. William Black depicts good and evil in his poems with the use of the reference to joy and sorrow.
Although written prior to what became know as Marxism, William Blake’s poem London exhibits many of the qualities favored by Marxism. The poem, in its sixteen lines, centers on both the political background and the social background of London. Keeping with Marxist beliefs, it exemplifies the differences between the upper class citizens and the poverty stricken lower class. He also attacks the Church and the Palace for contributing to the plights of those on the lowest spectrum of society. Blake starts his poem with
During the mid 1800’s was a remarkable era called the Romanticism. Some political and social milestones of this era included The American Revolution, The French Revolution, and The Industrial Revolution. During these events, the “theme” more or less was a type of laissez faire which means, “let the people do as they please.” WIlliam Blake was a famous poet in this time period, as well as Samuel Coleridge, William Wordsworth, and George Gordon. Novels and poems were written in this time to express the ways Romanticism was shown and how melancholy was trending.
William Blake uses his two compilations of poems, The Songs of Innocence (1789) and The Songs of Experience (1794) to present two opposing pictures of human divinity and human corruption in his two poems “The Divine Image” and “A Divine Image.” In these two poems Blake uses several techniques and literary devices to transmit his thoughts on the ideal and more realistic views of human nature.
William Blake was one of England’s greatest writers (Tejvan) in the nineteenth century, but his brilliancy was not noticed until after he was deceased. Blake was very much a free spirit who often spoke his mind and was very sensitive to cruelty. At the age of twenty five he married a woman named Catherine Boucher. They created a book of all Blake’s poems called Songs on Innocence, which was not very popular while he was alive. On the other hand Blake’s other book of poems, Songs of Experience, were much more popular. These two collections are so magnificent because it is two different forms of writing successfully written by one man. Two major poems written by William Blake were “The Tyger” and “The Lamb”. The Lamb is from Songs of Innocence while The Tyger is from Songs of Experience, they may share different perspectives on the world yet they both complement one another very well. Blake believed that life could be viewed from two different perspectives, those being innocence and experience. To Blake, innocence is not better than experience. Both states have their good and bad sides. The positive side of innocence is joy and optimism, while the bad side is naivety. The negative side of experience is cynicism, but the good side is wisdom (Shmoop Editorial Team). The Tyger and The Lamb are two completely different styles of poems yet it wouldn’t have the same affect on a reader if one poem didn’t exist.