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Gender role stereotypes in literature
Man and technology essay
Literature and gender stereotypes
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Both Tess, of the D’Urbervilles, and The Hound, of the Baskervilles, take a critical approach to man’s use of modern technology is manners that impose on or damage the natural world. The theme is explored in several instances in Tess of the D’Urbervilles, with the first clear example being the death of the Durbeyville horse, Prince, by a modernized mail-cart. The new form of transportation sped along the road “like an arrow” and drove into the Durbeyville’s “slow and unlighted equipage. The pointed shaft of the cart had entered the breast of the unhappy Prince like a sword, and from the wound his life's blood was spouting in a stream. [...] Tess became splashed from face to skirt with the crimson drops.” The death of the Prince symbolizes nature’s suffering at the mercy of advancing technology. Arguably, Tess also imposes on nature by using the horse for transportation. However, Hardy is more concerned with the irresponsible haste of techological innovation that was destroying the natural world during the early 20th century. To this end, Abraham later remarks that, “Tis because we be on a blighted star, and not a sound one, isn't it, Tess?" implying that the horse’s death occurred because our relationship with nature is growing increasingly unstable. Another example of humanity’s increasing imposition on nature is the D’Urberville mansion, that Tess describes as being, “almost new—and of the same rich red colour that formed such a contrast with the evergreens of the lodge.” The contrasting bright colors of the house with the calm surrounding landscape emphasizes the intrusion which the capitalist Alec D’Urberville has made upon nature. This idea foreshadow Alec’s rape of Tess, which is also symbolic of the new industrialized capit...
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... against intrusions by man. Even the brilliant protagonist Sherlock Holmes is disrupted by the appearance of fog on the moors that he claims is, “the one thing upon earth which could have disarranged [his] plans.” The ending of The Hounds of the Baskervilles concludes with Stapleton meeting his fate for violating nature at the hands of the Grimpen Mire, “down in the foul slime of the huge morass which had sucked him in, this cold and cruel-hearted man is forever buried.” Interestingly, in the 21st century reinterpretation of the novel in Sherlock, the director of project H.O.U.N.D is not killed by nature, rather a government force indicating we have outpaced nature’s resilliance and now rely on social order to punish those who abuse nature.
(Hardy)
Bibliography
Hardy, Thomas. Tess of D'Urbervilles: A Pure Woman. London: MacMillan & Co. Ltd., 1953.
Coverdale’s “moral,” which implicates all of the reformers, including both Hollingsworth and himself, implies that an Edenic world created by individuals unwilling to acknowledge a deterministic universe ultimately proves destructive, both to the self and to others. It not only proves fatal for the individual—as evidenced in Hollingsworth’s “ruling passion,” Coverdale’s disillusionment, and Zenobia’s suicide—but it also proves fatal to the community, composed of “rich juices” symbolically depicted throughout the novel as fruit, specifically grapes and wine, that represent its members and their desires. When “pressed violently,” these “ruling passion[s]” follow an “unnatural process” that cannot accommodate a “life sweet, bland, and gently beneficent,” or one that accepts a predetermined course not governed by individual human will.
“There is pleasure in the pathless woods, there is rapture in the lonely shore, there is society where none intrudes, by the deep sea, and music in its roar;...” These are the thoughts of Lord Byron, a british poet, on experiencing the power of nature. A similar sentiment is seen in Ray Bradbury’s Fahrenheit 451 as one of the main themes. The thought is expressed a little differently, but it can be seen in many situations throughout the book. Although people try to feel alive using objects or superficial feelings, nature and people are what truly bring a person the feeling of being alive.
Perceptions of the natural world have fluctuated throughout humanity’s short time on this earth, going in and out of style as societies and technologies have grown and died. As is the the very nature of literature itself, literature and its authors have managed to capture these shifting views, expressed and illustrated by the art of written word. Naturally, the literature chosen for us to read based on this fluid theme of nature encompasses an array of perspectives. One of these views is that nature is sublime and above all else, a reflection of all that which is perfection. Another is that nature is cold, uncaring, and indifferent to the vanities of humanity.
to keep her out of the house” (138). The sexist and racist attitudes of that era, in addition to the idolized Kurtz’s savage behaviour towards the Africans, amplify the anomaly of an African woman instilling fear into colonial white men. Conrad establishes the influence that women can have, as it clearly contrasts Hardy’s insinuation of the powerless nature of females when compared to men. While both novels show women embodying traditional male roles and characteristics, the chivalric trait of honour in a woman is most prominent in Tess of the D’Urbervilles.
Both Tess of the D’Urbervilles and The Hound of the Baskervilles take a critical approach to humanity’s use of modern technology in manners that impose on or damage the natural world. The theme is explored in several instances in Tess of the D’Urbervilles, with the first clear example being a modernized mail-cart killing the Durbyville horse, Prince. The new form of transportation sped along the road “like an arrow” and drove into the Durbeyville’s “slow and unlighted equipage. The pointed shaft of the cart had entered the breast of the unhappy Prince like a sword, and from the wound his life's blood was spouting in a stream. [...] Tess became splashed from face to skirt with the crimson...
By developing the symbols of scarecrows, blue-flies, and dogs, Dickens portrays the theme of man’s inhumanity. But, the French Revolution was not the first time ruthlessness and savagery have overcome mankind. Throughout history the same power struggle between upper and lower classes repeats itself over and over again, with the result always being the same—bloodshed. Mankind is a greedy, power-craving race who is never satisfied with what they have. Due to the fact that man will do anything to gain more authority no matter how morally wrong it is, bloodshed and war is inevitable. Wickedness and barbarity will continue to poison the human race so long as it is in human nature to yearn for power.
The great and disastrous impact of nature against man proves to play a central role as an external conflict in London's short story. The extreme cold and immense amount of snow has a powerful and dangerous hold against the man. The numbing cold proved so chilling that the man could not even spit without the spit freezing. “He knew that at fifty below spittle crackled on the snow, but this spittle had crackled in the air."(604). That deadly force of nature goes on to further challenge the man, preventing him from continuing his goal. "At a place where there were no signs, where the soft unbroken snow seemed to advertise solidity beneath, the man broke through."(608). At this point in the story, nature overtakes the man, a conflict that directly stops him from achieving his goal, establishing nature as an external conflict providing the man with a struggle.
In the book Fahrenheit 451 by Ray Bradbury, there are many themes, symbols, and motifs that are found throughout the novel. For my journal response, I have chosen to discuss nature as a prevalent symbol in the book. The main character, Montag, lives in a society where technology is overwhelmingly popular, and nature is regarded as an unpredictable variable that should be avoided. Technology is used to repress the citizens, but the oppression is disguised as entertainment, like the TV parlour. On the opposite end of the spectrum, nature is viewed as boring and dull, but it is a way to escape the brainwashing that technology brings. People who enjoy nature are deemed insane and are forced to go into therapy. Clarisse says “My psychiatrist wants to know why I go out and hike around in the forests and watch the birds and collect butterflies,” (Bradbury 23) which shows she is a threat to the control that the government has put upon the people by enjoying nature.
The Victorian Age was a virtuous era, full of chaste women and hard-working men. As with any seemingly utopian society, there are the misfits: those who always seem to go against the grain. Hidden in the shadows of towns were bastardized babies and public outcasts. The flourishing literature of the era attacks the societal stereotypes and standards that make for such failures and devastating tragedies. In Tess of the d'Urbervilles, by Thomas Hardy, Tess Durbeyfield's initial loss of innocence brings her down to an insurmountable low, and the victorian society, of which she is a part, dooms her to a horrible fate with its "normal" shunning of her innocent misbehaviors. Tess' rapid downward spiral to her death is caused by the chauvinistic actions of the men in the story, solidified by society's loss of acceptance of Tess based on the actions taken against her, and brought to home by Tess' imminent doom to the rigid ways of the Victorian society.
In Robert Frost's "The Need of Being Versed in Country Things," the speaker provides the readers with a juxtaposition between humans and nature. In the poem, a farmhouse was burned down, yet the reactions of humans and of nature to this tragedy are completely opposite. Frost, an avid advocate of nature over society, attempts to show his readers how nature essentially triumphs over mankind through its strength, resiliency to tragedies, and resourcefulness of what seems to be broken down and beyond help. Frost uses personification, anthropomorphizing, and the idea of cycles along with the contrasting responses of nature and man to their disruption to fully convey to the readers nature's dominance over humans.
Tess is no stranger to casual wrong. Throughout her life indifferent nature has occurred. Her parents were not the greatest of parents. She had a tough life, she was poor. When she met Alec d'Urberville, she was considerate and kind, but later on Alec took advantage of her and seduced her in a forest called the Chase, "He knelt and bent lower, till her breath warmed his face, and in a moment his cheek was in contact with hers.
Hardy uses imagery throughout the novel in order to explicitly define the ways in which life is unjust. This injustice is first displayed at Prince?s death, then again at his burial. Hardy chooses specific words to enable the reader to see exactly what is happing. He describes the mail-cart to be ?speeding along?like an arrow.? He explains that the mail-cart had ?driven into her slow and unlighted equipage,? and now the horse?s ?life?s blood was spouting in a stream and falling with a hiss into the road.? (Hardy 22). The descriptive words, such as ?speeding,? ?arrow,? ?driven,? ?unlighted,? ?spouting,? and ?hiss? allow the reader?s senses to capture the enormity of the situation. This quote also helps the reader to envision the misery of the situation. Tess is only attempting to help her family by bringing the hives to market to draw some income them. Her desire to help her family backfires with Prince?s accidental death, as he was their only form of income. The desperation induced by Prince?s death is shown when Hardy explains that Mr. Durbeyfield worked harder than ever before in digging a grave for Prince. Hardy states that the young girls ?discharged their griefs in loud blares,? and that when Prince was ?tumbled in? the family gathered around the grave (Hardy 24). Hard...
This novel was written in the Victorian Era, a time when society faces many social difficulties such as industrialization, prostitu...
Tess Being a Victim of Fate in Tess of the D'Urbervilles “The president of the Immortals had done his sport with Tess” In his novel Tess of the d’Urbervilles Thomas Hardy expresses his dissatisfaction, weariness, and an overwhelming sense of injustice at the cruelty of ‘our’ universal fate disappointment and disillusionment. Hardy puts out an argument that the hopes and desires of Men are cruelly saddened by a strong combination of fate, unwanted accidents, mistakes and many sad flaws. Although Tess is strong willed and is clearly educated emotionally and mentally she soon becomes a victim of ‘fate’. Many people would say that Tess was just unlucky, “Had a stroke of bad luck,” others would prefer to differ and argue that she has fallen into fates hands.
Hardy’s novels are ultimately permeated upon his own examination of the contemporary world surrounding him, Tess’s life battles are ultimately foreshadowed by the condemnation of her working class background, which is uniquely explored throughout the text. The class struggles of her time are explored throughout her life in Marlott and the preconception of middle class ideals are challenged throughout Hardy’s exploration of the rural class. Tess of the D’Urbervilles revolves around Hardy’s views of Victorian social taboos and continues to be a greatly influential piece from a novelist who did not conform to the Victorian bourgeois standards of literature.