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Analyze sonnet 73 for essay
Critical analysis of sonnet 73 by Shakespeare
Analysis of sonnet 71
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Sonnet 73 is about a speaker who is trying to break it gently to his beloved the news that he’s going to die, that he’s in the last stages of his life, the fall of his life, and that the beloved, the loved one, will have to go on alone. He starts out this way:
“That time of year thou may’st in me behold
When yellow leaves or none, or few, do hang
Upon these boughs which shake against the cold,
Bare ruin’d choirs, where late the sweet birds sang.”
So he’s saying to his beloved that (s)he will see right now in him that fall or even late fall time of year when the leaves are just barely hanging on the trees, or when the leaves are already blown away by the winter winds. This image is quite sad, quite lonely, and that fits with the purpose of
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Twilight being right before night falls, after the sun has set, that little purple hour of light. The speaker says that time of day is where he is in. And the black night will take away the twilight, and then night is compared to death, death’s second self. The same way death closes down someone’s life, night closes down the day. Night and death are often compared in poetry of this time period, and the readers see that night seals up all in rest. Death seals humans up in coffins, and night seals humans in rest. Of course, he’s saying to the beloved, “I am in the time before death, in the twilight when death’s second self, the night, is going to seal me up in rest.” The word “seal” can mean the seals on the coffin or the just closing the …show more content…
The loved one notices, which makes her(his) love more strong. The beloved’s love is even stronger as they see him dying. And this is appropriate because many of us feel so much closer to people when realizing that we’re going to lose them. Suddenly we appreciate them more and more, and the very last line refers to this, “To love that well,” meaning to love that. The thing that the beloved loves the speaker, “to love that well, which thou must leave ere long,” to love the person very well, which the beloved is going to be leaving soon. The irony here is that Shakespeare has the person who’s going to continue to living leave. The beloved will leave before the time of the speaker’s death. So we would expect him to be saying that “I’m going to leave you by dying,” but he says, “No, you’re going to need to leave me.” This shows the grieving process that is really is about the survivors being willing to let go of the departed one. Basically saying: “To love me well, which you must leave before long. And one does love well that which is going to be left behind. We realize that, in having to leave someone, that we want to appreciate them and enjoy the last moment we have with them, because we’re going to be
"Sonnet 73" by William Shakespeare contains many metaphors to form a descriptive image. Shakespeare used conceits, which are "fanciful extended metaphors" (567), used in love poems of earlier centuries. Shakespeare used these beautifully in "Sonnet 73." A metaphor is a "brief, compressed comparison that talks about one thing as if it were another" (554). Shakespeare expresses three major metaphors in this sonnet. The first is about age, the second about death, and of course, love follows. These three metaphors create an enjoyable poem.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
This is an enjoyable sonnet that uses nature imagery, found extensively in Petrarca, that Shakespeare uses to get his point across. Not much explication is needed, aside the sustained images of nature, to fully understand its intent, but I would like to point out a peculiar allusion. When reading line 3, "the violet past prime" has made me think of Venus and Adonis. In the end, Adonis melts into the earth and a violet sprouts where his body was, which Venus then places in her heart, signifying the love she has for him. Reading this into the poem makes the few following lines more significant. Having Adonis portrayed as the handsome youth, Shakespeare is alluding to the death of youth (in general and to the young man) through the sonnet. In the next line, it is not certain if "sable" is an adjective or a noun and if "curls" is a noun, referring to hair (which is plausible) or a verb modifying "sable." Invoking the allusion to Adonis here, Shakespeare portends that if Adonis did live longer, he too would have greying hair; thus, Shakespeare sees ["behold"] an Adonis figure, the young man, past his youth.
One of the poems that William Shakespeare wrote is called “That time of year thou mayst in me behold.” It is also known as William Shakespeare’s Sonnet 73. This Sonnet is viewed as being comprised of metaphors, which capture the struggle of life. Life in which there is an end to everything but beauty within it. The speaker within this poem is one that reflects on his life and how nature is closely connected with his journey. In order to understand the theme of the poem, the reader must first recognize and understand the three major metaphors within the poem.
In me thou seest the twilight of such day As after sunset fadeth in the west, Which by and by black night doth take away, Death's second self, that seals up all in rest. In me thou see'st the glowing of such fire That on the ashes of his youth doth lie, As the death-bed whereon it must expire Consumed with that which it was nourish'd by. This thou perceivest, which makes thy love more strong, To love that well which thou must leave ere long.
Shakespeare's Sonnet 116, denying Time's harvest of love, contains 46 iambic, 15 spondaic, 6 pyrrhic, and 3 trochaic feet. Like the varying magnitudes of stars that distinguish the sky's constellations, infused with myths describing all degrees and types of love, the spondaic, trochaic, and pyrrhic substitutions create a pattern of meaning that can be inferred by the discerning eye and mind. Shakespeare emphasizes his denial of the effects of Time on love by accenting "not" in lines 1, 2, 9, and 11, and "no" in lines 5 and 14. The forceful spondees at the beginning and the regular iambic feet at the end of each quatrain progressively build the poet's passionate rejection of love's transience. Quatrains 1 and 3, declaring what love cannot be, enfold his definition of love in Quatrain 2. The spondee, "It is," draws attention to the word "star" and the poem's essential metaphor, equating love and the North Star, at the poem's heart in lines 7 and 8. This figure of speech implies that while one can feel the intensity of one's love, i.e. measur...
The love described in this sonnet is a dangerous, obsessive, and possessive love. Fenghua Ma states “the love that appears in Shakespeare’s early works takes on a bright and optimistic look” (Ma 920). Following Shakespeare’s early works, he transitioned to a period focused primarily on themes discussing tragic love. In a sense, the development of the theme in Sonnet 75 could be compared to Shakespeare 's career. The beginning of the sonnet discusses how essential the narrator 's lover is to his life. However, as the sonnet continues, the positive, optimistic view of love disappears, just as Shakespeare 's themes transitioned from optimistic views of love to tragic love throughout his career. On certain days, the narrator describes that he is over satisfied by looking at his lover excessively, but on other days, he is deprived of not having seen his lover at all. Shakespeare writes, “Thus do I pine and surfeit day by day, / Or gluttoning on all, or all away” (Shakespeare l.13-14). The narrator is admitting to having an obsession and unhealthy relationship with his lover. He either sees too much or not enough of his
In William Shakespeare’s poem “That time of year,” Shakespeare creates various pictures to describe the passing of time. Each metaphor provides a different way expressing death, and each way expressed shortens as the poem continues. The quickening of events provides a contrast to the deceleration of life. The sequence of time-associated metaphors contributes to the theme of realizing deaths inevitability and taking advantage of final moments by providing very distinct and vivid comparisons between the elapsing of time in life and the illustrations of consumption.In the first quatrain autumn is used as a metaphor. The few leaves that remain to hang are yellowed with age, as illustrated in the following quotation: “When yellow leaves, or none, or few, do hang, / Upon the boughs which shake against the cold,” (1-3). Showing that age takes its toll, these exposed and bare limbs are left to shake. They have declined in their physical beauty and are more susceptible to the cold and harsh elements of life. Not only are the branches shaking in the cold, they are shaking in fear of what is approaching. Death. The next line speaking of “Bare ruined choirs, where late the sweet birds sang.” (4), seems to refer to the remains of what is left, the exposed and raw elements. The branches of the tree are barren. The place where the “choir” would sing it’s sweet melody is now vacant space. The word “late” can possibly mean dead or approaching death. This leads into the next quatrain that takes place late in the day and on the edge of darkness.The next quatrain contains a more expected metaphor between sleep and death. The sunset symbolizes warmth and life that is fading into darkness. When Shakespeare says, “Which by and by black night doth take a...
The first quatrain In this sonnet the speaker starts to reveal more about the relationship between him and the Dark Lady, and also his fear of growing old. He starts the sonnet by saying “When my love swears she is made of truth/ I do believe her, though I know she lies” (1-2). In these first two lines the speaker contradicts himself right away by saying that he believes her, but knows she is not telling the truth. He is very aware of the delusion he is in, but he is willing to let it pass. He is willing to let it pass because of the mutual dishonesty that exists in the relationship. In the next two lines, he talks about youth, and age. He is talking about the Dark Lady considering him a younger ma...
Sonnet 71 follows the typical rhyme scheme of the form, ABAB CDCD EFEF GG and is composed in iambic pentameter. The way the lines rhyme creates a rhythm that lingers in the minds of the readers by flowing flawlessly. Shakespeare use of many doleful sounding adjectives provides us with a better understanding of what the poet is talking about. For example, the poet uses the word “vile” when he’s describing the world which in turn helps us gather the sense that he thinks of the world is evil. During the Renaissance Era, the world was often considered a vile
Sonnet 73 by William Shakespeare is widely read and studied. But what is Shakespeare trying to say? Though it seems there will not be a simple answer, for a better understanding of Shakespeare's Sonnet 73, this essay offers an explication of the sonnet from The Norton Anthology of English Literature:
Milton returned to England about 1641 when the political and religious affairs were very disturbing to many. He started to apply his work in practice for that one great work like Paradise Lost when penning the Sonnets. Not every sonnet is identical but they can be difficult in interpretation, styles, word use, and so forth. The purpose of this paper is to analyze Milton’s Sonnet 8 (ca 1642), “Captain or Colonel.” This will be done by explaining the type of theme and then separating the sonnet into three sections: lines 1-4, 5-8, and 9-14 for a better understanding of how Milton used the development of ongoing events to present problems with a mystical resolution.
Darkness may also symbolize the mystery of the yet to be discovered secrets deep within the woods. (8) The silence makes the speaker feel secluded from all other aspects of reality. (11-12) Stopping by the woods provides the speaker with a temporary escape from reality. Frost does not ever tell what business the speaker is on, but you can assume it may be very stressful. This escape from reality is very important even in today’s world. This poem was written in 1923 and still has aspects of 20th century society.
It is the loss and gain of love that makes us who we are. Loss of a parent, who you thought you might be, whom you thought you could trust, and the people you love. . One of the things Shakespeare revealed was that love makes life complicated. Whether you were a peasant or nobility attending this play; everybody can relate. Love brings struggle but it also brings so much joy in the process. It opens your heart to new beginnings and chances. The same way Claudio opened up to Hero’s doppelgänger or the way Beatrice forgave Benedick and loved him anyway. It opens your heart to new places. Love isn’t a fantasy we all hope exists, it is real. We just have to work to find it and work even harder to keep it. Who do you love?
Death is the inevitable and unavoidable conclusion to life. Every human being in the phase of this planet is born with a death sentence. Shakespeare’s “Sonnet 73” tackles the theme of aging and death with an aging speaker who compares his late life to late autumn or early winter. The speaker goes on to explain to his loved one that he/she must express his/her love to him more than ever, as death is upon him. The song “When I Get Where I’m Going”performed by Brad Paisley also tackles the theme of death. The song accomplishes such thing by taking the approach of a man who knows is dying, and who takes a nice approach to it. Before the man dies and gets to experience the beauty of heaven, he explains to his loved ones that he doesn 't want them