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Crimes and punishment essay summary
Critical overview of crime and punishment
Dostoevsky and his influence on psychology
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One July day in St. Petersburg, a poor young man slips out of his apartment and goes out. He is Rodion Romanych Raskolnikov, a former student, and he is preoccupied with something. He arrives at the apartment of Alyona Ivanovna, a pawnbroker, where he is attempting a trial of the unknown deed obsessing him.
He has pawned something to this woman a month before, and now pawns an old watch for much less than he had hoped to get. As the woman gets her money, he watches and listens very carefully, storing up details in his memory. He leaves after vaguely mentioning that he may come back soon with another pledge.
Tormented, he wanders down the street, mentally at war with himself. He happens upon a tavern, where he stops to eat and drink something, and feels better after doing so. There, he meets Semyon Zakharovich Marmeladov, a retired official and a drunkard. Marmeladov pours out his life story to Raskolnikov, telling about his consumptive wife Katerina Ivanovna, his three small children, and his oldest daughter Sofya (Sonya), who has had to prostitute herself to earn money for the family. Marmeladov himself had recently acquired a position, but almost immediately lost it through his alcoholism. He has been away from home for five days, having stolen his salary money and spent it all on drink.
Marmeladov asks Raskolnikov to take him home. Rodion does so, and witnesses how Katerina Ivanovna falls on her husband and drags him about by his hair. She kicks Raskolnikov out, assuming him to be a drinking partner of her husband's. As he leaves, he places a handful of change on their windowsill unnoticed. Outside, he regrets this action, but knows he cannot go back to get the money.
The next day, he awakens feeling unrested. Nastasya, the landlady's servant, comes in with some tea for him, as well as leftovers from the previous day's meal (since he is behind on his rent, the landlady has stopped sending his dinner up to him). She also tells him that he has received a letter. Agitated, he sends her to get it, and orders her out of the room so he can read it.
The letter is from his mother, Pulcheria Alexandrovna, and mostly concerns his sister Avdotya Romanovna, or Dunya. Dunya had been working as a governess in the house of the Svidrigailov family, but the husband's unfortunate attraction to her led the wife to kick Dunya out on the assumption that the girl had ini...
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...ainder of the day wandering about and settling his affairs, and shoots himself the next morning.
Later that day, Rodya goes to see his mother for the last time before turning himself in. He then hurries home, where he finds Dunya waiting for him. He takes leave of her and goes to Sonya. She gives him a cross. He rushes out rudely, not even saying goodbye to her, impatient to get it over with, even though he can't understand why he should go, because he still does not see his act as a crime.
He goes to the station, with Sonya following him. He finds out that Svidrigailov is dead, and, stunned, leaves without confessing; but Sonya is waiting for him, and he goes back upstairs and confesses.
Rodya is exiled to Siberia, where Sonya follows him. Dunya marries Razumikhin. Pulcheria Alexandrovna dies. Sonya writes to the Razumikhins about Rodya. He is unsociable and hated by his fellow prisoners. He falls ill. At the end of his illness, Sonya herself is ill, and he misses her. When she recovers, she goes to him, and he at last repents truly, falling at her feet and weeping. Having finally recognized his sin, he is resurrected‹able to love Sonya and look forward to his life with her.
The Punishment Imperative, a book based on the transition from a time when punishment was thought to be necessarily harsh to a time where reform in the prion system is needed, explains the reasons why the grand social experiment of severe punishment did not work. The authors of the book, Todd R. Clear and Natasha A. Frost, strongly argue that the previous mindset of harsh punishment has been replaced due to political shifts, firsthand evidence, and spending issues within the government. Clear and Frost successfully assert their argument throughout the book using quantitative and qualitative information spanning from government policies to the reintegration of previous convicts into society.
In his book Crime and Punishment, Dostoevsky explores the paths of two men, Raskolnikov and Svidrigailov. These two men encompass many similar problems and obstacles throughout their lives. Both commit murders and are faced with the long and mentally excruciating journey of seeking redemption. They also share many characteristics of their personalities. The reason that the outcomes of their lives are so drastically different is due to the fact that they have completely different perspectives on life.
...ime for his own sake. Raskolnikov realizes this as he gets to know and love Sofya, and accepts his mistakes as something unwarrantable in the end of the novel.
Despite serving No 1 now, compassion and understanding did not disappear completely in Ivanov. He refrains from using physical violence against Rubashov; instead, through the twisted and complex logic of the Party, he tries to “recall him to his former acceptance of party discipline”, and persuade him, that he has erred. However, in the eyes of No 1, Ivanov has treated Rubashov too kindly, and he himself is later
In One Day in the Life of Ivan Denisovich, Aleksandr Solzhenitsyn creates many characters that are memorable to the reader because of both their personal situations and their responses to those situations. Through characters such as Ivan Shukhov Denisovich, Fetyukov, Aloyska the Baptist, and the two Estonians, Solzhenitsyn explores the varied reactions of the characters and the effect of these reactions on other characters' perceptions of them.
Crime and Punishment, written by Fyodor Dostoyevsky, establishes his motifs through the use of. This novel reinstates the motif of self-sacrifice into different characters that interact with the main character, Raskolnikov. Although the largest case of self-sacrifice lies in the character of Sonya which is not thoroughly discussed in Chapter III and IV of Part One, pages 35 to 64 contributes the largest variety of self-sacrifice that is found within Crime and Punishment. Here, self-sacrifice comes in three different forms: the sacrifice of ones own body, the sacrifice of someone you love, and the sacrifice for someone you love. The slight contrast between the three situations allow for a greater understanding of this motif. In Crime and Punishment, the motif of self-sacrifice is established through the characterization of Dunya and Raskolnikov’s mother in the letter and his encounters with a potential young prostitute.
As a college student, is the idea of your final grade being based off of just a midterm and final very stressful? O 'Malley argues in his essay "More Testing, More Learning" that professors should give out more quizzes and assignments to reduce the stress and procrastination students face before midterms and finals. Although this might be helpful for a high school setting, it would not be completely efficient at a college level. This is because frequent testing takes up a significant amount of students and professors time, are added stress throughout the year, will not fix a students procrastination, and having high stake tests prepares students for their future. Some of O 'Malley 's ideas seem reasonable and would help students while others are an inconvenience for the professor and students.
Crime and Punishment and Notes from the Underground Fyodor Dostoyevsky's stories are stories of a sort of rebirth. He weaves a tale of severe human suffering and how each character attempts to escape from this misery. In the novel Crime and Punishment, he tells the story of Raskolnikov, a former student who murders an old pawnbroker as an attempt to prove a theory. In Notes from the Underground, we are given a chance to explore Dostoyevsky's opinion of human beings.
Raskolnikov is an impoverished ex-student living in St. Petersburg, the grimy, plagued, and urbanized capital of the Russian Empire. He “is nothing but a poor half-crazed creature, soft in temperament, confused in intellect” (Waliszewski), a maverick who believes he must deliver society from mediocrity. Deluded, he murders Alyona Ivanovna, a pawnbroker, and her unsuspecting half-sister, Lizaveta. Throughout the story, Raskolnikov undergoes transformations in all facets of his life, many of which are attributed to his infatuation with Marmeladov’s humble daughter, Sonia. Forced into prostitution, she is seen by Raskolnikov as a fellow transgressor of morality, but also as a savior that will renew him. This new development causes him to decry his nihilistic lifestyle as desolate and insufferable and to expiate, ending his self-imposed alienation and long suffering. Notwithstanding the title, the story has little to do with the crime or the punishment; the true focus is the turbulent internal conflict of Raskolnikov - the constant doubting of his motives and the psychological torment he endures.
...es confused when he realizes that he has feelings for Princess Marya, and rather than being conflicted on who to choose, he merely wonders how he will explain to Sonya the situation without overly hurting her. This is an example of a more powerful love, one that his ‘soul mate’ Marya inspires in him. Nikolai is almost easily able to cast off his lifelong ‘love’ for his cousin in favor of this strange and “frightening” woman, with whom his future is unimaginable simply because he does not know her character or quirks, but her soul. When the two meet for the first time in proper circumstances, each knows exactly what to say, and Nikolai felt that he didn’t need to say that which he had prepared, but what “instantly and always appropriately came to his mind.” It is with this comfort with Marya that Nikolai is able to successfully run his estate later on in the novel.
It is initially difficult to understand why Raskolnikov plots to murder the old pawnbroker. As a compassionate person, Raskolnikov finds the idea of violence abhorrent. Contemplating the murder of Alena Ivanovna, he dreams of an incident from his childhood when several peasants beat a horse to death. He is horrified at the senseless brutality and cruelty of the peasants; after Mikolka, the owner of the horse, slams a crowbar into the mare and finally kills her, the young Raskolnikov runs to the body, sobbing, and kisses the mare, then tries to attack Mikolka. He asks his father, "Papa, why did t...
...th and Russian nationalism. Rodya is a testament to what may go wrong with the morality of the superman. Rodya is also a symbol of someone who does not follow Nietzsche’s path to becoming a superman and this is reason alone for his failure. The two writers are an ominous prediction of what was to come in Europe. For Dostoevsky, Russia did become a global powerhouse with the creation of the Soviet Union. For Nietzsche, man partially left behind Christianity. Christianity did lose a great amount of power with the creation of a more secular society. Papal authority battles state authority and it is papal doctrine that seems to be coming up on the shorthand of this battle. Nietzsche’s sentiments were echoed after the two world wars. His philosophy was the harbinger of existentialism. 20th century philosophers like Jean-Paul Sartre compounded many of Nietzsche’s ideas. It is clear from crime and punishment as well as beyond good and evil that Nietzsche and Dostoevsky share many views while on others they could not be more rigidly divided. In all, one fact remains. These two great men continue to have a resounding affect on European and global culture, whether society likes it or not.
...nfess his crimes in front of everyone. By admitting to his crimes, God would forgive his sins. Sonya is an important individual in Raskolinkov’s life because she gives him strength to confess and redeem himself.. As they both found in love at the ending, Raskolinkov starts following the theory of the ordinary men. He has a relationship with another ordinary person who helps him understand morals.
He sees Gusev and Masha as they are about to board a train and told them what hbe has done and that he is going back. They follow him only to see that Los and Natasha embracing. Apparently he had missed when he shot at her. Natasha then convinces Los that she never had any affair with Viktor, who has been arrested for his theft. After their embrace, Los takjes his plans for the ship and burns them, saying that their work must be focused on Earth and making the Soviet Union
The play centers on the life and estate of Lubov Ranevskya, a middle-aged woman of land-owning lineage. She is extremely emotional and allows her feelings to guide her decisions. As a result, she is generous and even frivolous with her money, giving her an incredible debt. Mme. Ranevskaya's brother Gayev is just as emotional as his sister is; however, he possesses a certain intellectual prowess that Lubov lacks. Both characters exhibit Lubov's tragic flaw: they must continually re-strain themselves from over-expression of their feelings. Another significant character is Lopahin, a local merchant who was raised a peasant but has since acquired much wealth. While the reader enjoys his optimism and respects his business ways, it is tragic that Lopahin sees only the monetary value rather than the sentimental. Lopahin's character is the opposite of Mme. R., and the reader is just as ambivalent toward both. It is also regrettable that almost every character finds his satisfaction fro...