1924's Aelita Feminism

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1924’s Aelita, directed by Yakov Protazanov is a silent science-fiction film made during the rise of the Soviet Union after the October Revolution and the civil war. The film focuses around an engineer named Los who becomes obsessed with building a rocket to travel to Mars after receiving a strange message no one can decipher. As he works for the government, his wife Natasha is taking care of refugees from the civil war that had recently ended. There we are introduced to a recovering soldier named Gusev, a nurse named Masha, and a former member of the bourgeoisie named Viktor. Various events happen throughout the first half of the film that involve Gusev and Masha falling in love, as well as Viktor tries to woo Natasha while he and his wife try to scam other tenants of their appartment. Los sees Viktor with Natasha several times and becomes more and more convinced that she is having an affair. Meanwhile Tuskub, the king of Mars, and his engineer, Gol, are looking at a device that Gol has made to observe other planets. Aelita, the queen of Mars. and her servant see this and it peeks the queens curiosity. She manages to convince Gol to let her look through the device. In it she sees various scenes of life on Earth including Los happily embracing and kissing his wife. She is surprised by this and asks Gol to, “Touch my lips with your lips as those …show more content…

He sees Gusev and Masha as they are about to board a train and told them what hbe has done and that he is going back. They follow him only to see that Los and Natasha embracing. Apparently he had missed when he shot at her. Natasha then convinces Los that she never had any affair with Viktor, who has been arrested for his theft. After their embrace, Los takjes his plans for the ship and burns them, saying that their work must be focused on Earth and making the Soviet Union

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