Both Riot Antigone and Antigone focus heavily on the dwindling relationships Antigone has with members of her family. However, although the foundational aspects of Antigone’s relationships with her family, as portrayed in the original play, remain they were slightly warped in Riot Antigone in order to make the relationships more relevant under the circumstances of today’s society. Specifically, her relationship between her sister and uncle. In the original writing of Sophocles’ Antigone, similar to how it occurred in Riot Antigone, Antigone calls on her little sister, Ismene, to help her carry out her mission to bury her brother’s body that has been sentenced to never be buried. However, in the original Antigone, Antigone’s reaction to Ismene’s …show more content…
Obviously, after Antigone disobeys Creon’s statewide orders and buries her brother’s body, Creon is extremely mad and frustrated at Antigone. This is true in both versions. Additionally, in both, during Creon’s announcements to the entire city of Thebes, he seems very large and intimidating. In Antigone, this notion lasts throughout the entire play. However, in Riot Antigone, when Creon was not making announcements projected throughout all of Thebes, he was much more humanized and less frightening. Even when confronting Antigone, he was not accusatory, but tried to seek understanding as to why Antigone did what she did. This was an interesting take, and although after this conversation, just like in the original, Antigone was sentenced into exile and eventually felt compelled to commit suicide, allowed the audience to feel like Creon was morally conflicted about punishing Antigone. This moral conflict provided additional layers to Creon’s personality, and instead of making him seem completely evil, made the audience sympathize with his decisions slightly. This demonstrated a certain understanding of human nature that the members of the Riot Antigone team had; even the most seemingly evil people still have a heart and moral conflicts in certain
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
A tragedy is when someone drops my chocolate milkshake from Chick-Fil-A in the parking lot, but the Greek definition of a tragedy is,”a play in which the protagonist, usually a man of importance and outstanding personal qualities, falls to disaster through the combination of a personal failing and circumstances with which he cannot deal”(Collins). In Sophocles’ play Antigone, Creon is the most tragic character because of his hubris, hamartia, and he is the primary Antagonist.
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
Jodi Picoult once said “Some lessons can’t be taught. They simply have to be learned.”; in life what defines a person is what they become after they go through a series of trials and tribulations. Oedipus The King tells the story of a king who tries to outrun his fate and in the end self-banishes himself out of guilt leaving the kingdom of Thebes to Creon. The play starts with King Laius, who appoints Creon to rule in his kingdom while he consults the oracle at Delphi. Enraged by the death of King Laius, the gods cast a plague upon Thebes, which is the Sphinx, who starts to destroy the city. Terrified by the destruction of the kingdom, Creon states that anyone who might solve this riddle,
Creon's pride is that of a tyrant. He is inflexible and unyielding, unwilling throughout the play to listen to advice or Antigone. Creon’s love for the city-state cause him to abandon all other beliefs. He tries to enforce this upon the people of Thebes. He wants them to think that his laws should be followed before any other personal, moral, or religious belief. This is where the conflict of character occurs between Antigone and Creon. Antigone knows that the sacred laws held by heaven are far more important...
In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong. Creon so harshly yells Stop right there, before I am gorged with rage! (Page 12). The personality trait of being unyieldingly stubborn is one a majority can of people relate to. Therefore the audience might have felt sympathy towards him during that moment. Often the audience relates well to the tragic and can ...
Creon is an antagonist in Antigone he is the bad guy and he opposes certain things like the right to burial. An example of his actions is can be seen here: “Polynices, who returned from exile with hopes of burning his native land and ancestral gods from top to bottom, wishing to feast on kindred blood and lead the rest into slavery, it has been decreed that in this city he shall be neither buried nor mourned by anyone, but everyone must leave him unburied, a feast for birds and dogs, an outrage to see” (Sophocles 200-209). Even though he is known for doing bad things he is still considered superior to everyone of Thebes. Antigone was known as the niece of Creon but she did not express herself as a famous and important person. Creon is proud of his position as king and he takes pride in his city and his decisions. “Do you realize you speak these lies to your king?” (Sophocles 1065). Creon shows his dominance in this quote. Antigone, however, is only recognized for being the niece of the former king and committing a crime against her own family member.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
The views of Antigone and Creon are opposed, and they both possess the same stubborn belief in their own righteousness. This ultimately brings them both to their tragic fate. At first we believe that Creon acts from sincere, patriotic and unselfish motives, and that he is acting out of a sincere belief that his decision is best for the state. This is shown in the first episode (lines 163 - 331), where Creon hopes to be a wise and good ruler. Later on we learn that he is too inflexible and narrow to heed criticism or admit fault, and that this causes all the misery in his life. The same is true of Antigone. She appears to be a very compassionate individual in the prologue; however, later on we learn that she is also stubborn and unwilling to bend in her beliefs, which ultimately leads her to her tragic fate.
Antigone is about a girl who wants to bury her brother to keep his soul at peace. Although this would seem simple to do but when the King forbids her for doing so, it becomes a hassle. She goes against all odds in order to give her dear brother a proper burial. She risked her own life for her dead brother and didn't care who tried to stop her, especially King Creon. Antigone was engaged to Haemon, who is King Creons son. Haemon was against his fathers wishes because what his father believed wasn't what he believed in. Haemon supported Antigone through everything she decided to do. Even though she was breaking the law and going against his father, he didn't mind having her back. Haemon and his father views were very different and they disagree
The main source of conflict between Antigone and Creon is the issue of the burial of Antigone’s dead brother. Both of her brothers were killed in battle, however one brother fought against their home city and was considered a traitor. Creon issued a law that whoever tries to bury this man will be put to death. Antigone is very upset because her one brother is graced with all the rites of a hero while the other is disgraced.
Elizabeth Bobrick’s Sophocles’ Antigone and the Self-Isolation of the Tragic Hero declares “the heroic code may be summarized as follows: I protect my philoi—a term that includes family, kin, loved ones, and loyal community members—and they honor me. To hate my friend is to hate me. To help my enemy is to harm me. Being dishonored by my philoi is the equivalent of death. I will either kill them, or myself, or both.” This can explain Antigone’s excessive desire to bury her brother and even further be supported in lines 25-28 when Antigone challenges her sister’s loyalty. Aristotle himself said that a tragic hero should be neither better nor worse normally than a normal person. With that being said Antigone’s sister, Ismene, was in the same position as her. Originally invoking a sense of naturalism this changes with Ismene’s refusal to help bury their brother. The lack of support for Antigone’s plan leaves her no choice, but distances herself from her sister who obviously doesn’t share the same family loyalty beliefs as her (Lines 77-81). Ismene later in the play tries to claim some guilt in order to help Antigone’s cause. Yet again, Antigone refused to allow her sister to assume any punishment for her crime. Sophocles, Peter Meineck, Paul Woodruff’s Theban plays acknowledges Antigone would rather be dead with her brother than alive with a husband (Line 55-58). This is
Antigone thought at first that her actions were justified and righteous when it came to the question of morals and ethics. Creon was not at all different, believing that his way was the "right" way, or the way the "Gods" would have chosen. Both realized the mistake they made, and regretted it later, when it was too late.
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.