Antigone The characters in the play Antigone all suffer a downfall of some sort. The major characters suffer the most, though. In this short essay, I will document on how the two main characters, Creon and Antigone, both inevitably become tragic heroes. The first example that I observed in Antigone was her self-righteous plight to bury her brother. She believes that what she is doing is right, and that she will do it no matter what the consequences, because he was her brother, her blood. This establishes the first part of a tragic hero, the part about doing something for the good of someone else, rather for than the greater glory of doing it. The first impression that Creon made upon me was his stern, ironclad manner and ethical code. When the reader is first introduced to Creon, his or her first impression is that Creon will eventually die, as the villain does in nearly any play, movie, novel, etc. But in actuality, Creon suffers the most of all, losing his one key to immortality, his son. …show more content…
A real hero of any sort always does what they think is right. Since Creon still hadn't changed his mind at that point, I was perplexed on who would become the one who regretted their actions later, and was eventually going to experience a catharsis. Haimon was the "silent" tragic hero of the play, suffering at the hands of his strict father. Haimon remained loyal up to a certain point, until the question of whether Creon's decision was possibly the right one. Haimon established himself as a tragic hero when he tried to kill Creon in revenge for Antigone's suicide. Haimon not only lost Antigone's love, he lost his life. Earlier, I mentioned Antigone's self-righteousness. Creon had an egotistical point of view as
There are certain qualities that a character must posses in order to qualify as a tragic hero. Ideally, the subject is to be a person of high rank, so that they may have much to lose. (Most frequently a monarch is used.) Granted, Antigone is a member of the royal bloodline. But we must not forget that she is the daughter of incest, hardly a glamorous position to start with. In Oedipus Rex, Antigone was indirectly disgraced, while Creon was socially elevated by inheriting kingship from Oedipus. Also, Creon’s being king comparatively trumps Antigone’s lesser status of orphaned princess. While this in itself objectively proves nothing, it does at a minimum make Creon the more likely choice of protagonist.
Creon would qualify as the tragic hero if the only condition were not being excessively moral or immoral. Antigone's “immoral” side is shown by her (thought-to-be) incestuous behavior with her brother, Polyneicês. In contrast, Antigone’s positive side is shown by the way the she persistent on respecting her brother’s right to be buried in the religious tradition of the time in Greece, so that his soul can live on in the afterlife. “Listen, Ismenê: Creon buried our brother Eteoclês with military honors, gave him a soldier’s funeral, and it was right that he should; but Polyneicês, they fought as bravely and died as miserably, - they say that Creon has sworn no one shall bury him, no one mourn for him, but this body must lie in the fields, a sweet treasure for carrion birds to find as they search for food. That is what they say, and our good Creon is coming here to announce it publicly; and the penalty- stoning to death I the public squarel. There it is, and now you can prove what you are: a true sister, or a traitor to your family.” (Sophocles; Antigone, 3)
From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
In the greek tragedy Antigone , the author Sophocles conveys Antigone as the tragic hero because she arouses the most fear, she shows both good and bad which is a tragic hero characteristic and Antigone has the tragic flaw of loyalty to her family and to the gods.
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero, but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end. In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong.
Creon, the king of Thebes, was compelled to witness the death of all his family members, simply because of his one oafish decision. The almighty king of Thebes watched the downfall of all of his beloved ones, right before he had the opportunity to prevent it. Antigone, by Sophocles, portrays the courageous deeds of the female heroine, Antigone. Throughout the play, Antigone attempts to avenge her brother, but confronts a series of difficult obstacles, laid out by her uncle, Creon, the antagonist. Antigone, feeling excessively depressed about her life, ends up committing suicide, which leads to a series of events that actually causes the downfall of Creon. Her suicide leads to the death of Creon’s beloved ones, Haemon and Eurydice. Creon ought
After the arguments above, readers should recognize that Creon is the tragic hero of Antigone. Creon and Antigone are both main person of the play, but Creon more of a tragic hero than Antigone. Creon’s dominance in society, his high rank, and his tragic flaw self-pride helps prove this topic. Because of Creon’s sophisticated characteristics and position in the story, it makes Antigone’s character seem less of a major character. Almost every reader thinks that since Antigone is the protagonist, and the main character she is definitely the tragic hero. Creon is the tragic hero of the Greek Tragedy, Antigone because of his dominance, high rank, and self-pride.
In the play Antigone, the debate over who is the real tragic hero is and the controversy of Greek ideals in the Antigone continues on to this day. Who is the tragic hero in Antigone? Is it Antigone herself or is it Creon the ruler of Thebes? The belief that Antigone is, is a strong one. Still there are people who think Creon is the tragic hero. Antigone is widely thought as the tragic her. The play is named after her. In addition, she is the antagonist in it. Many people usually associate the antagonist, the good guy as a tragic hero. Look at much television shows, especially cartoons, the good person usually wins. Then there are those who might think Creon was the tragic hero because the gods were against him, and that he truly loved his country. There are five criteria or standards you must meet first in order to be a tragic hero. First, you must be a person of high character or status. The character must not be too overwhelmingly evil or good. Then they must be brought from happiness to misery. Then brought from happiness to misery. Second, the hero enacts a harmartia, "wrong act." This either may be a flaw in judgment or an error. Third, the hero experiences a perpateia, reversal of fortune. This is the tragic downfall or plot twist in the story. Fourth, the hero recognizes his or her responsibility. Fifth, the story ends with a catastrophe. The catastrophe either may be an emotional event, this even may be a death.
Creon in the play Antigone by Sophocles plays a major role within the play. Antigone also plays an important role, as these two character’s conflicting views led to utter disaster, which highlights Creon as a tragic figure. Within the play Creon attempted to establish decisions for the common good; however, his decisions resulted in tragedy. Creon highlighted as the tragic figure, initially created decisions he thought were for the welfare and well-being of Thebes. However, Antigone, who rebelled against Creon’s decisions, caused Creon’s rage to cloud his rational way of thinking.
A tragic hero is supposed to either have a character flaw or an error of judgment. In the play, Creon has two flaws. He has the character flaw of willful arrogance and his unyielding behavior and he has the flaw of making and error of judgment when he passes the proclamation. Along with a character flaw, a tragic hero must realize the fall. Creon truly realizes his fall when he states “Alas, how miserable I feel to look upon this second horror.” (line 1430-1440) The mistakes that he made are exemplified when Creon states, “Alas, my son, you died so young a death before your time.”(line 1410) He is feeling so much regret and disappointment in himself. This is the first part in the play where he realizes his mistake in passing an unjust proclamation and accepts responsibility for all that has happened. It is the first time that he has woken up to the realities of what he has done to his family. He had already taken the first step towards repentance of his wrong doing when he personally sees to it that the body of Polynices received a proper burial. However, he was too late to rescue Haemon, Antigone, or his wife. Creon is truly paying the consequences of being inflexible and
... for his mistakes in the denouement. Devastated by Antigone’s death, Haimon ends up committing suicide. Creon then realizes how wrong he was, however it is too late. This is not the only karma that Creon receives though. Creon’s beloved wife, Eurydice, also met her death when she was told the fate of her son. Creon finally realizes how blinded he was, and how he was continuously making foolish decisions. Two losses in one day- Creon is filled with great remorse and regret. Like the ‘Sun King’, all the sunlight in Creon’s life has faded. The world no longer revolves around Creon, as all his valued things in life have vanished. If you attain power, use it wisely. Otherwise you will end up heartbroken and repentant, just like Creon.
Since Creon has a tragic flaw of hubris and comes to an increased awareness about his wrongdoings, it is clear that he perfectly fits the characteristics of a tragic hero. Many readers may not be able to visualize how difficult it is for someone who loses something very important to them, unless they have experienced it firsthand. Creon's choices in the story are an example that signifies the use of the brain instead of emotions that could interfere with the decision. When given the choice of different paths, one should make compromises to satisfy not only themselves, but others around them when needed. Without doing this, it can lead to several disputes and severe devastation in life.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.