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Sophocles portrayal of antigone
Character analysis in Antigone
Literary analysis of antigone
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Creon’s Principles analysis
It only takes one word or one thoughtless action to change a person’s life forever. The things that people do and say are based on their principles for how they think life should be lived. This idea of principles shaping lives and actions can be seen in the greek tragedy by Sophocles called “Antigone”. Characters such as Creon and Antigone act on act on their principles which turns a simple decree from the king into a climactic story that ends in the death of several main characters including Antigone(who hanged herself), and Creon’s wife and son (who also committed suicide.) All of this could have been avoided had Creon not been so adamant about leaving his traitor of a nephew to rot without a proper burial,
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and had Antigone not been so determined to bury him. As Creon reacted to Antigone’s defiance of his law, he revealed three of his major principles as a character. the first is protection of his personal dignity as he fights to maintain a powerful public image. The second is his absolute lack of obligation or loyalty to is family, and the third and final principle that he acts on is his desire to obey the civil laws. These three fundamental beliefs of Creon’s inevitably led to many of his family members’ deaths. Because Creon was a proud and haughty king, protection of personal dignity was very important to him. When Antigone disobeyed him he must have felt this very principle being attacked because he said “If we must lose, let’s lose to a man at least. Is a woman stronger than we?” (III, 47-48) This just goes to show that Creon was a strong man and he cared about being manly so he refused to be shown up by a girl. At one point, Creon also retorted “Do you want me to show myself weak before the people? Or to break my sworn word?” ( III, 26-27) More proof of how Creon wants so desperately to uphold his public image is not needed. He obviously holds his dignity in such a high regard that he has become headstrong and obstinate. He wouldn’t dare to show weakness by admitting that he was wrong. After all of this has been considered, one cannot possibly be of any opinion other than that of Creon being overly obsessed with himself and very much worried about his own personal dignity and public image. This makes him a poor leader because a good leader needs to have a mind for the people and not just be concerned with what he looks like or whether he appears strong. Besides being big headed and trying to protect his dignity, lack of obligation or loyalty to his family was also a major part of Creon’s character.
After Antigone was found to be guilty of burying her brother Polyneices, Creon said “I suppose she’ll plead family ties, well, let her. If I permit my own family to rebel then how shall I earn the world’s obedience?” (III, 29-31) Creon was so egotistic and sententious that he would even look down on his own family. He really did not care at all that he was sentencing his own niece to death. by the end of the play Creon began to realize just how terribly he had treated his family so he said “Lead me away, I have been rash and foolish. I have killed my son and wife.” (Exodos, 134-135) Creon killed his son and wife because he chose to ignore the fact that he was single handedly tearing his family apart. He was conceited and too self-absorbed to notice just how much damage he had been causing. This proves that he was a bad father and husband and that he felt no obligation to his family as long as he was in charge of …show more content…
Thebes. Finally, Creon held the civil laws above all else.
This included the enforcement of laws that he wrote himself. The edict he gave saying that Polyneices was not to be buried was very important to him so he said “You will give no support to whoever breaks the law” (I, 54). This shows that Creon was a law abiding man who always tried to obey. This does not mean that he was righteous or virtuous because some of his morals were a little off kilter, but at least he tried to be a good citizen. He also paid no mind to inauspicious signs that Tiresias tried to warn him about because acting on them meant breaking the law. It was no wonder that Creon was furious when Antigone consciously broke the law or that, in an outburst of rage, he said “This girl is guilty of a double insurance; breaking the given law and boasting about it”(II, 80). This shows that he was a very strict man when it came to rule breaking and that the law of the land, at least, was very near and dear to his heart. Upon reflection of all the things Creon said and did as a reaction to someone breaking the law, it becomes obvious that his respect for civil law is very great
indeed. As a person, Creon would be nobody if not for the principles that defined him. He made protection of his dignity foremost important. in fact, it was so important to him that he puffed himself up and preserved himself above all else, proving him to be hot-headed and self-absorbed. on top of protecting his pride, Creon had no regard for his family until it was too late. Creon was not a good husband, father, or uncle because he totally disregarded his own flesh and blood. The reason that he ignored his family and came off as so cold hearted was that he was too obsessed with upholding the civil law. As king, Creon went on a power trip and used the law to justify smiting his niece. This proved that he was a self-righteous powerhouse who cared more about the law than his own family. Creon’s entire life took a turn for the worst and he wrecked his family, all because he felt the need to adhere to his heart-felt principles. While living by one’s principles is all well and good, there comes a point where one must make the logical decision not to act on those principles. Creon was cocky and sententious which caused him to focus most of his attention on himself. As a result of this, he acted on his principles without giving a second thought to how it might affect the people around him. When Antigone buried her brother she damaged creon’s sense of pride and dignity, caused him to prove how little he cared for his family and made him furious at her for breaking the law. Creon’s principles may not have been very moral but they meant the world to him. In fact, Creon was so driven by his need to uphold the law that he was blind to everything else. The lessoned to be learned from Creon and Antigone’s tragic story is that a person should stand up for what he believes is right but he should also be aware of other people’s beliefs and how his actions affect everybody around him either positively or negatively. “All things in moderation” is a good way of saying act on what you believe is right but stop once you’ve made your point.
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
In the poem Creon doesn't understand how to use his power for good and uses it to empower himself and help him. In the poem when Creon and his son Haemon are arguing about what is right in regards to Antigone and what she has done with her brothers corpse.(line 776-819 pg.353-354). Creon doesn't understand that by doing this thing to Antigone it is destroying his relationship with his whole family. He would rather lose his family than be wrong about what he is doing. Also Antigone denying the law to do something for her brother that was against the law. (Lines 51-60 pg.318). When Creons people found Antigone they didn't even give her a chance to explain herself and even though she is part of Creons family, his sons soon to be wife. There was no lightening of the law
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
In Antigone, especially with the feminist movement now holding the title character, as prototypical downtrodden woman, the king Creon is often villified. While accepting the fact that Creon has misogynist tendencies, the gender issues can cause the pure argument of validity of actions, to fall by the wayside. So supposing for a moment, that Antigone's rebellion had been undertaken by a male, would Creon's choices have been different. Did he choose such harsh punishment and intractable course because Antigone was a woman ? As I read him, this is not the case. He has made a value judgement as to who is traitor and who is worthy. He has made a secondary judgement as to the rights of traitors, and the need of the people to know the consequences of traitorous acts. While one may disagree, with the value judgements he has made, as king he is well within his rights, indeed his obligation, to rule according to what he believes best at the time. Outcomes are not always the best vantage point from which to judge a man. Creon did not have the advantage the reader has of seeing final outcomes, indeed we must remember these outcomes were contrived by Sophocles, to illustrate his point of view. Is it not conceivable that in real life, these outcomes are far from assured, indeed a bit preposterous ? So then to summarize, Creon simply made his best decision, and that decision was with in his right to rule as the recognized sovereign.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
A popular teaching of ancient Greek philosophers, was the ideal of “Sophrosyne” (wisdom), which rooted from self-knowledge, or “Know thyself” which was intended to be learned throughout a life time. Self knowledge would eventually lead to wisdom, good judgement, balance, control and harmony. In the play Antigone written by Sophocles we are presented with King Creon who believes he is righteous and blessed with wisdom from the heavens declares a ruling that no traitor of the nation shall receive burial, which goes against divine law. Did Creon make a wise judgement when dictating his new law or was it his pride that got the best out of him, leading him to his downfall.
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
In complete disregard to Creon’s threatening laws, Antigone knowingly risks capital punishment and seals her fate by choosing to bury Polynices out of respect for Theban tradition. Antigone declares her independence by stating that “[she] will bury him [herself]. And even if [she] die[s] in the act, that death will be a glory,” (85–86). She takes full responsibility for her own actions, and recognizes that her inevitable death may come sooner than planned due to this deed. Antigone’s self-governing demeanor and ability to make her own decisions allows her to establish the course of her future. She self-determines her destiny by not sitting idle and working hard to honor her family. Antigone’s bluntness towards Ismene while trying to convince
These big words that he proclaimed would bring down his downfall. Because Creon locked Antigone up, to bury Polyneices, she killed herself. Creon's son Haimon, who was engaged to Antigone, also committed suicide upon seeing his beloved Antigone dead. Creon's wife took her own life. If Creon hadn't gone against what was right, by making his laws more important than the god's laws, and issuing his edict, he would not have suffered the way he did.
Attitude is everything. In Antigone by Sophocles, one of the characters makes the remark, “Think all men make mistakes, but a good man yields when he knows his course is wrong, and repairs the evil. The only crime is pride” (line 34-36 scene 5). Pride is being shown in many ways throughout the play. Sophocles emphasizes different ironies to bring out Antigone’s arrogance. Creon’s intelligence, but also to show his irresponsibility and foolishness.
This is the Crux of the theme, the conflict between the law of King Creon, and the law of the gods. In fact, according to Greek belief, Creon would have been ordained by the gods to be king, and thus, should not his law be their law as well? This is the hurdle that Antigone has to face; should she abide by the law of Creon and leave her brother to rot, under penalty of death? Or should she disregard Creon's edict, follow the law of the gods and bury her brother? Creon is a brother to Jocasta, and thus next in line to become king after Etocles is killed in battle. The king is believed to be the chosen of the gods and to rule in their stead. Why then would the king attempt to punish Polyneices after death and so blatantly violate the rules of the gods? However, Creon is the king, and the penalty for disobeying this law of his is very real and very brutal, death.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.
In Antigone, Creon feels his duty as king has a great importance than his family and their happiness. One moment this is observed is when he exclaims, “Unworthy wives for sons of mine I hate” (Sophocles 22). The women he once thought were good for his sons are now unworthy. Creon is caught up in his job and his duty to his people that he forgets about his morals and the values that are more important than the law. Creon does not realize he is neglecting his family until the very end of the play and soon finds that all he once loved is now lost. Oedipus finds himself in a similar situation when he realizes he is the one that killed his own father and married his mother. His sense of duty to his people and to himself is so strong that he took it upon himself to banish himself from the land and to gouge his own eyes out. He felt the shame that he had caused and decided that his people would be better off if he were not there. Antigone, on the other hand, is in a different situation. She feels that it is her duty to bury her brother Polynices even though this meant that her own life would be lost.
“The Law is the Law is the Law is the Law.” This is a saying often used by many to justify the situation of someone who has done something that they feel is right, but the law says is wrong. Within the Sophocles classic “Antigone”, such a situation is presented when Antigone buries her brother against the will of her uncle: King Creon. The author of the play (Sophocles) uses morals, ethics, and the concept of age v. youth to examine the thought of “Why Creon puts his law above all else?” This over-ethical complex shows in Creon multiple times throughout the play. In instances such as: the discussions with the Choragos, the conviction of his own niece, and his quarrel between him and the young Haimon. What could be considered the worst demonstration of Creon’s haughtiness towards the law would be when he is informed of the public’s distaste of his decisions and still doesn't change his thinking……at least he didn't for the time being.