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Antigone character analysis
Antigone character
Impact of religion in human society
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We should obey God’s laws and surrender our loyalty to him. Curses and punishment will come if we do not stay loyal and follow the laws from God. For example, when Creon first became King. Creon wanted nobody to bury Polynecies and even stated that as a law in his speech. Polynecies was to be left to rot without a proper burial. Antigone comes in a defies Creon’s law putting the laws of God first. Creon questions her asking why and Antigone responds with, “That final Justice that rules the world below makes no such laws”(Ant.2.57-58). Here, Antigone puts the laws of God above Creon’s law. Antigone knows that God is the superior ruler of the world and his laws must be followed. That means that Polynecies was suppose to have a proper burial …show more content…
The choices we make show our true selves and determine our future. King Creon and Antigone have too much pride and it creates many dilemmas in the play. For example, when Antigone is accused of the burial of Polynecies. Antigone reveals that it was her who buried Polynecies. Creon, hearing this, becomes angry and argues with Antigone. Antigone talks back knowing Creon has the power to kill her at any given time. Eventually, Creon orders the guards to arrest Isemene, Antigone’s sister. Creon, Antigone says, what more do you want than my death (Ant.2.93) ? Due to Antigone’s pride, her sister is now dragged into this and now both face death. If pride did not conceal Antigone’s vision, they both probably wouldn’t have ended up like this. Later in the play, Creon has an argument with his son Haemon. They argue about Antigone and how Haemon wants his dad to change his ways. After the argument, Choragus tells Creon and Haemon to listen to each others request. However, Creon responds with “You consider it right for a man of my years and experience, To go to school to a boy” (3.95 emphasis added)? Creon thinks that it is unnecessary for him to listen to Haemon with all of his experience. The problem is how Creon thinks that he is always in the correct bubble but is so full of pride, it clouds his reasoning. This continues when Teiresias, confronts Creon with news about his incorrect reasoning. Teiresias …show more content…
This is shown when King Creon and Haemon argue. Haemon tells his father Creon, “Then she must die [Antigone] but her death will cause another (Ant.3.129). To add to this idea, Teiresias announces to Creon the same idea with what Haemon has said. “The time is not far off Teiresias says, when you shall pay back corpse for corpse [and] flesh of your own flesh” (5.71-72). Teiresias’s message to Creon is that he will have to sacrifice something for the crime that has been committed against God. More death will come according to Teiresias’s message. Basically what Haemon and Teiresias are telling Creon that death will arise from punishment. Furthermore to dive deeper into this idea, Teiresias unfolds the truth to Creon saying, “This is your crime [and]... the dark gods of hell are swift with terrible punishment for you” (5.76-78 emphasis added). Teiresias is a prophet of god. Which means, he is like a teacher and messenger of some sort. The messenger that Teiresias is, warns Creon that punishment will heed no mercy to Creon. Punishment faces Creon because Creon has forgot that the laws of God is number one above all. Creon ignores the laws of the Gods and puts himself higher, believing that he is the best in the universe. Due to Creon defying God’s laws, his whole family died. By taking away his loved ones, the gods showed what would happen if you dare not follow the laws of
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
Ever since the beginning of days, people have pondered the question of whether or not any gods exist and if they do, are they in control? In Sophocles’ Antigone, the reader is introduced to two opposing characters: Antigone and Creon. Creon, the king of Thebes, decrees that Polynices, who led an army against Thebes, is a traitor and therefore may not be buried. Antigone, a strong and persistent woman, disagrees with Creon’s decision to deny Polynices a proper burial and is determined to bury him, disregarding Creon’s ruling. As the monarch, Creon represents human law and the power of kings, while Antigone represents divine law and the belief that the gods are in control and will punish anyone who defies them. At the conclusion of the play, both characters’ futures are doomed, but the original question of is was correct still remains.
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
Creon also defied the laws of the gods. This is what is expressed in the line, "No wisdom but submission to the gods." In Antigone, the edicts and decisions that Creon made demonstrated that his law was more important than the gods laws. His defiance of the laws eventually made him believe, by talking to Teirisias, that something bad would happen to him, so he gave in to his decision. When he gave into the gods, he gained wisdom and learned that his actions would be punished.
If we must accept defeat, let it be from a man; we must not let people say that a woman beat us" (187). While, in light of the moral standards within Greek society, his rationale may have been justified, Creon's actions largely derived from a personal vendetta against Antigone as opposed to a genuine endeavor to establish civil law. To clarify, civil law expresses similar qualities to justice in the regard that civil law generally captures a moral agreement among the civilians; however, civil law, as an interpretation or product of fallible human judgment, remains subject to bias and corruption. Conversely, while the definition of justice varies on an individual basis, justice as a whole remains constant and impartial to prejudice. Therefore, while Creon’s condemnation of Antigone may capture the common reaction towards a woman's defiance, to a large extent his actions do not necessarily correlate with justice as his decrees are tainted by his paternalistic obsession for dominance. While Creon characterized a weak leader as one who yields to fear, limiting him from ruling with his best judgment, Creon capitulates to the societal pressure of establishing paternalistic authority in fear of rejection from his people. Instead of following Haemon's advice, he constantly belittles his son as a "woman's slave"(191), ignoring the fact that "a man who thinks that he alone is right,[that] he is himself, unique, such men, when opened up, are seen to be quite empty" (189). Ironically, once Creon's fears come into fruition at the play's conclusion, the words of the chorus reverberate the previous warnings from Haemon and Teiresias, portraying how Creon's obsession with power ultimately blinds his judgment. Even after accusing Teiresias of malicious intent, Creon finally agrees to follow the advice given to him: bury Polyneices and rescue Antigone. However, even in his final moments of submission,
Following Creon's rise to power, he makes an edict. He declares that Eteocles will be "given full military honors," while for Polynices, the edict "forbids anyone to bury him." (Antigone, p. 659) This is the edict that Antigone wants to defy. Many people might say that Antigone is wrong is defying the law, but I do not. Here in America, we have essentially two sets of laws. One is the laws that are passed be Congress and the state governments. The other law is the Constitution of the United States. Which do you think is the higher law? The Constitution answers that question for us. It says that it is that highest law, and that no other law can defy it. Also, we have our own moral laws that we use to make everyday decisions. In ancient Greece, they had a system of laws very similar to today's system.
Also when the laws he makes are broken or bent he punishes the criminal for their acts. Most people in Thebes understand this like Antigone “I have no strength to break laws that were made for the public good” (1071). One punishment Creon gave was that Polyneices was to have “no burial: no man is to touch him or say the least prayer for him; he shall lie on this plain, unburied” (1074). This meant Polyneices would have no afterlife, but when you think about it, he did try to take over the country “Polyneices, who broke his exile to come back with fire and sword against his native city and shrines of his naïve gods” (1074). This is like if a terrorist tried to take over the United States you wouldn’t give that person a proper and expensive burial for praise. Also, when Antigone broke the law by covering up Polyneices she was pushed to death, while that seems extreme in this time period the death punishment was used
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
In the play Antigone, Creon, king of Thebes faces a harsh conflict with himself, involving the values of family and religion verse the civic responsibility he must maintain for the city of Thebes that comes with being the new king. In theory no decision Creon makes is going to be the rite one. Although both Antigone and Creon have justified reasons for believing in there own laws only one can be upheld by the play and how Sophocles interoperates the play himself. Creon must decide whether to punish Antigone, a princess, daughter of king Oedipus, or fail at enforcing his own law and look weak in front of the citizens of Thebes as their new leader. The law stated that anybody who touched the corpse of Polyneices, a prince, and son of Oedipus would be stoned in the town square.
This is the Crux of the theme, the conflict between the law of King Creon, and the law of the gods. In fact, according to Greek belief, Creon would have been ordained by the gods to be king, and thus, should not his law be their law as well? This is the hurdle that Antigone has to face; should she abide by the law of Creon and leave her brother to rot, under penalty of death? Or should she disregard Creon's edict, follow the law of the gods and bury her brother? Creon is a brother to Jocasta, and thus next in line to become king after Etocles is killed in battle. The king is believed to be the chosen of the gods and to rule in their stead. Why then would the king attempt to punish Polyneices after death and so blatantly violate the rules of the gods? However, Creon is the king, and the penalty for disobeying this law of his is very real and very brutal, death.
In Sophocles’ Antigone, Antigone saw her action of burying her brother as a just one. It may not have been just in the eyes of Creon and the people of Thebes, but she was not concerned with the laws that mortals had made. Antigone saw the divine laws of the gods to be much more important than those of mortals. She felt that if she died while upholding the laws of the gods, that her afterlife would be better than if she had not. Our lives on this earth are so short, that to see a good afterlife over the horizon will make people go against the laws of humans.
Antigone uses the concept of death in many ways when unfolding the tragic story of Antigone and her rebellion. The most obvious way is how death is used as a form of capital punishment and justice against state-dubbed criminals and wrongdoers. The play first exhibits this notion when Antigone states, “No passing humor, for the edict says who’er transgresses shall be stoned to death” (Sophocles, p. 3). The head of the state, Creon, uses death as a form of justice for the man or woman who is to disobey his law. Creon also emphasizes this by threatening a guard when he is notified that his edict has been violated. Creon states, “Go, quibble with thy reason. If thou fail’st to find these malefactors, thou shalt own the wages of ill-gotten gains is death” (Sophocles, p. 8). Death is once again used as a threat and form of justice for people sinning against the state laws. However, death is not only used as a form of state justice, it is also portrayed as a factor in personal justification and completion. The notion that people are not whole or justified until they die is emphasized by Antigone when she states, “A sinless sinner, banned awhile on earth, but by the dead commended; and with them I shall abide for ever” (Sophocles, p. 4). Antigone says that through death, human life is justified and made complete, and that death is essentially the final form of justice for any human l...