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Role of a knight in Medieval society
The ideal of knighthood
Role of a knight in Medieval society
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“Men, for many of you, today is your first day training as a Knight of Camelot,” said Prince Arthur to the group standing before him. “And be grateful you’re not stuck in a torrential downpour as I was on my first day of training here on this very field. The sun is shining and I plan to work you hard.” Percival, no, Sir Percival now, stood at attention and listened intently to Prince Arthur’s words. It was an honor to be a Knight of Camelot, and Percival took his title and duties seriously. And today, as one of the newly knighted, he possessed a deep desire to prove himself. As the tallest and largest man on the field, he knew people expected him to be strong, but what he wanted to prove was that he was agile, fast, and smart. Too many assumed he was a simple-minded lummox who barreled his way through life …show more content…
thanks to brute strength alone. That was not the case, and he was ready to demonstrate his skills to all. “All right, you may choose any weapon you like, except swords,” said Prince Arthur, and the men groaned. “I don’t want to hear a word of complaint! It cannot always be about the sword, sword, sword! Grab any other weapon and pair up, but no head blows today, since you’re not wearing helmets. Exercise care.” Percival’s friend and fellow new knight, Gwaine, clapped Percival on the shoulder. “You and me, big man?” Gwaine eyed the trunk of weapons. “What do you think? Maces, flails, or hammers?” “Maces. Let’s go with maces.” The men selected their weapons and took their places on the field. Meanwhile, Percival’s face grew hot and sweat dampened the back of his neck. Prince Arthur would be watching. All the men would be watching. He needed to be flawless today. “And… go!” shouted Prince Arthur. Two dozen pairs of men circled one another on the grassy training field, including Percival and Gwaine. Gwaine advanced, swinging his mace as if he was engaging with Camelot’s worst enemies. Fine. If that was how Gwaine wanted it… Percival spun away, then dealt a hard blow to Gwaine’s back. Unaffected and smiling, Gwaine turned and did a foolish little dance. “Such immaturity,” muttered Percival, rolling his eyes as Gwaine continued his ridiculous jig. However, in the midst of Percival’s eye roll, Gwaine lost his footing and careened forward. Gwaine’s mace connected with the top of Percival’s skull with a horrid cracking sound. No. No, I am fine, thought Percival. It hurts, but I’ve suffered worse. He tried to shake off the pain, but stars crossed his vision and his knees buckled. He wanted to remain upright, but his body demanded otherwise. With his thoughts slow and muddled, he collapsed to the ground and knew no more. XXXX The sound of men howling with laughter jolted Percival into consciousness. He opened his eyes and took in his surroundings. He lay on a cot in the castle infirmary with Court Physician Gaius hovering. Percival tried to sit up, but Gaius placed a hand on Percival’s chest and urged him to stay put. “Percival, I must ask you a few questions to assess your alertness,” said Gaius in a grave tone. “Who is the Prince of Camelot?” “What are you talking about?” Percival shoved away Gaius’s hand. “How did I get here? And why are the men standing in the corner and laughing?” Percival glared at his comrades, Gwaine, Elyan, Lancelot, and Leon, who cackled so hard they could barely stand up. What was so amusing? “Never mind them,” ordered Gaius.
“please answer my question.” “Arthur is the Prince of Camelot.” “And what day of the week is it?” Percival had to think hard for a moment; his thoughts were coming a little slowly. “Erm… Thursday.” “And who is that man?” Gaius pointed at Gwaine. “Gwaine, the biggest fool who ever lived.” With tears of laughter in his eyes, Gwaine sauntered over to the cot. “Do you remember us helping you up here?” asked Gwaine, chortling. “No.” Percival frowned. “I don’t.” “Then you do not recall babbling the whole way about your ‘fluffy pink blanket’ and your ‘fluffy pink bunny’?” Percival shot to his feet, but dizziness forced him to sit right back down on the edge of the cot. “I said no such thing.” The knights chuckled from the corner, and Percival turned to Gaius. “Did I, Gaius?” “You, ah, you might have spoken a word or two about blankets or bunnies, perhaps ones pink in color…” With a groan, Percival fell back against the cot. On his first day of training as a knight, he’d been bashed over the head, passed out in front of everyone, and then proceeded to embarrass himself by prattling about topics a young princess might speak
of. “Leave me,” Percival told his comrades, rolling onto his side, facing away from them, Humiliation burned his insides and he did not want to speak. “Oh, come on! It was hilarious,” said Gwaine. “Gentlemen, perhaps you should leave for a time. Allow Percival to rest and recover,” ordered Gaius, shooing the men out of the room. The knights heeded the order, and Percival turned to face them as they left; Lancelot was the only one to give Percival a small smile and nod of support. “I’ll need you to remain here overnight for observation, Percival,” said Gaius. “No, I must return to training.” “You shall not until I deem it is safe.” Great. Now Percival had to lie here overnight like a wounded girl. How much more awful could things be? XXXX It was after dark, and Percival lay on the cramped cot in the infirmary, stewing and not sleeping. Gaius had allowed Percival to eat a measly portion of pea-and-turnip pottage for supper, because Gaius insisted too much food after a head blow could “irritate one’s stomach,” Percival’s stomach was irritated, all right. Irritated with hunger. And why did Gaius keep sweeping over to the doorway and gathering something from the floor? He had done it at least five times now. But this last time, Percival saw what it was: a pink blanket. As a joke, the men must have been stuffing them under the door and Gaius had been trying to hide them. “Gaius, I know what’s going on,” moaned Percival from his cot. “Just give them here.” With a frown, Gaius collected all the pink blankets he had stashed away and handed them over. There were at least ten of them. How would Percival ever live this down? “I find, at times like these, it can be best to laugh along with the men,” said Gaius, his voice low and friendly. “Right. I’ll try.” But at the moment, the fresh sting of mortification made levity seem impossible. XXXX At sunrise, Gaius examined Percival and declared him fit to return to training today, but with the order he was to “take it easy” and “not engage in any full-contact exercises.” Then what was the point of training at all? After washing up and stretching, Percival glared at the evil pile of pink blankets bunched on the floor, when suddenly, an idea came to him. A slow smile spread across his face. Gaius was right! To laugh along with the men was best, show them he could take a joke and move on. “Gaius, can you help me for a moment?” “Of course, Percival.” XXXX Right after the morning meal, Percival strode from the castle onto the training field, not wearing his usual knight’s cloak, but a cloak made of pink blankets. Under his arm, he carried a bunny he had fashioned from one of the blankets, though it looked more like a lumpy goat. Nervous, Percival approached the line of knights standing in front of the weapons trunk. At first, the men pointed and laughed, but right after, they rushed Percival and expressed genuine concern for his well-being. Then, Gwaine, Elyan, Leon, and Lancelot all took turns wearing the pink cloak and petting the bunny. Prince Arthur even took a turn and declared the bunny would be named Gwaine. After all the fooling around, Arthur took Percival aside. “I respect what you did,” said the prince. “Are you truly well enough to train today?” “I am, sire.” Arthur ordered the men to line up for a run, and Percival took his place. Before he set off on the run through the woods, Percival glanced at the pink blankets, which now lay discarded in the grass. He would keep them as a reminder to never take life too seriously, and that nearly any situation could be turned around for the better with a little good humor and patience. THE END
One of the most enduring myths in the Western world is that of Arthur and his Knights of the Round Table. Regardless of the origins of the tales, the fact is that by the time they had been filtered through a French sensibility and re-exported to England, they were representations of not one but several ideals. Courtly love and chivalry and the various components thereof, such as martial prowess, chastity, bravery, courtesy, and so on, were presented as the chief virtues to aspire to, and the knights as role models. Arthur's eventual fall is precisely because of having failed at some level to fulfill these ideals in his life.
T.H. White is directly referenced within the film and Malory’s idealization of the glory of chivalry can once again be seen. In my essay, I will show how chivalry is used in all the texts above as a bonding agent between all Arthurian knights. As Arthur’s knights honor and respect chivalry they remain as one cohesive group, but once they begin to abandon chivalry the Round Table begins to crumble and chaos ensues. Annotated Bibliography Sprague, Kurth “Conclusion.” Arthuriana 16.3 (2006): 129-152.
As could be foreseen, Sir Gawain’s and Thomas Becket’s journeys converge into the molded pattern of the Hero’s Journey. First and foremost, they respond to the “Call to Adventure.” Gawain rises up to take the Green Knight’s challenge from King Arthur’s hands (Tolkien 36). Thomas Becket accepts his fate while preaching in the Cathedral on Christmas morning: “…I do not think I...
The poem, Sir Gawain and the Green Knight, tells of one knights struggle to uphold the code of chivalry. What makes a knight a noble knight? Why does this social standard force us to hold this individual to higher expectations? What should we think about Sir Gawain when he breaks his vows in Sir Gawain and The Green Knight? How does Sir Gawain and Arthur’s court pass the test of The Green Knight? This paper will argue that Sir Gawain, despite his mistakes, is the greatest knight because of his repentance and the lesson he learns when he encounters The Green Knight.
Dissimilar to King Arthur’s opulent and boyish description, the Green Knight appears earthly, like an overgrown lumberjack in a debutante ball. His very entrance to the narrative aims to shatter Camelot’s superficial relationship with earthly trials. While Arthur seeks pleasure in hearing tales “of some fair feat” (92), the Green Knight undermines all formality known to be chivalrous challenging the king to a life risking game. With a “broad neck to buttocks” (137), (opposed to Arthur’s’ court depicted in the ever regal color red,) the Knight is clothed in green, the color of nature. He appears with no armor other then his faith, merely a utilitarian woodsman’s ax. While Green Knight is described like an animal who is said to have “wagged his beard” (306) yet understands the cyclical nature of life and truth of mans futility, it is only after Sir Gawain proclaims his lack of strength (though he says it at that point as a matter of chivalry) that he is able to ...
This monologue represents an exercise in creative writing. It was created to convey something that Sir Gawain might say:
The passage (130-202) of Sir Gawain and the Green Knight describes the appearance of a strange knight in King Arthur's court. The anonymous author of the epic describes the rider in great detail, emphasizing the importance of this character. The passage is intended to arouse readers' curiosity, and at the same time, to introduce the mighty danger that the main character, Sir Gawain, will have to face. Furthermore, the strange knight is shown to be a test or trial for King Arthur and his knights. Finally, the passage presents the actual dynamics of Arthur's court as incompatible with the poet's initial praising of nobility, justice and chivalric ideals.
Sir Gawain is the nephew of the most famous King Arthur. Gawain being in line of the throne knew he must show his bravery and man up in front of his fellow knights. The Green Knight stormed into the king’s courts riding on a mystical horse. He taunted the men asking for the bravest knight in the kingdom to stand up and take his outrageous challenge. As the men sat quietly not knowing what to do, Sir Gawain decides t...
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
“’Whoso pulleth out this sword is by right of birth king of England’” (Lang, pg. 21). These thirteen words define in every way how Arthur gained his early recognition. People from far and wide pulled with all their might, with hopes of drawing that sword out of the stone. However, not even the most noble and prestigious knights could do so. The only person to do so was young Arthur, who pulled the sword out so his foster-brother Sir Kay could participate in the tourney that day. After proving himself, he obtained the titl...
When looking back at the medieval ages, one may realize that the knights had many extraordinary abilities- they were like superheroes. In different Arthurian Legends, like The Crowning of Arthur, Arthur Becomes King, and Sir Launcelot du Lake, many people admire the person who has these inhumane abilities. Arthur and Sir Launcelot are both characters that initially seem like ordinary people, but show their superior strength and power by the end of the story. Arthur releases a sword from a stone that not even the strongest man can pull out, while Sir Launcelot murders a knight who is known to be an undefeated fighter. Because of these actions, both characters grew to fame. Sir Thomas Malory and T. H. White use unique abilities to exhibit the theme that one should never underestimate who they are and their capabilities in doing something.
In the fourth century A.D. the Roman Empire fell and Europe was invaded by various barbarian tribes. One of the dominant groups was the Franks of central and western Europe, who gradually expanded their power until their leader Charlemagne became emperor of the West. Powerful local lords and their mounted warriors offered protection to peasants, who became their serfs in return. By the 11the century a new social order was formed my armored knights, who served a local lord, count, or duke, and were in turn served by serfs. When males were about seven, a boy of noble birth who was going to become a knight was usually sent away to a nobleman’s household, often that of his uncle or great lord, to be a page. Here he learned how to behave and how to ride. About 14, he was apprenticed to a knight whom he served as a squire. He was taught how to handle weapons and how to look after his master’s armor and horses. He even went into battle with his knight, helping him put on his armor and assisting him if he was hurt or unhorsed. He learned how to shoot a bow and to carve meat for food. Successful squired were knighted when they were about 21 years old. Young men who wanted to be knights had to keep fit. So squires trained constantly to exercise their muscles, and improve their skills. They practiced with each other and also sometimes with their knightly masters.
Arthur reflects ideals of chivalric behaviour such as reputation. However Charny’s hypothesis suggests that chivalry is about one’s external chivalric appearance and argues that one gains reputation through “physical strength” and “skill” and sometimes “putting oneself in danger of death”. He states that because one participates in such activity ones “fame increases in their territory and that of their neighbours.” Thus one is driven to continue this activity because of one’s success and being worthy of praise. The importance of one’s reputation is seen in the tale when King Uther from Wales threatens Arthur’s court and kills his people. Arthur reacts by saying “it were grete shame unto myne astate” (p.38). Here it can be seen how although he is king he doesn’t have all the power. Therefore, fortune is in control and one’s fate can change at any given time despite ones power and fame. Furthermore this also suggests that chivalry is a band of extremes either you withstand and defeat people and gain power and glory or you don’t and get defeated and it is great shame. Here Arthur is showing a concern in how he is perceived as he has to put forward an image of strength. Thus pride is an important chivalric ideal. Arthur is showing a chivalric preoccupation with external appearance and having his peers respect him but this
Chaucer’s Knight has been shaped, not only by the battles he has fought in, but also the places his crusades have taken him. The Knight is characterized as a very “worthy” man in his portrait. Chaucer initially informs the audience explicitly that the Knight is worthy, by repeating the word four times throughout the Knight’s portrait. The over-repetition of the word, to some scholars1, has suggested irony, but it is the travels that Chaucer alludes to in the portrait that show the audience that the Knight was indeed worthy of his title as a Knight, and wort...
One of Geoffrey's less believable main characters is the Knight, for reasons of chivalry. The knight displays many traits which make him seem almost too good to be true, and a true gentleman that rarely exists in reality. The narrator sums up the knights character by stating that "Though he were worthy, he was wys,/And of his port as meeke as is a mayde." (pg. 5, The Canterbury Tales) The knight holds four main admirable traits, making him the most liked traveler in "The Canterbury Tales," and also amplying the doubt of his realism. The reader is prepared to learn of each of his noble accomplishments and importance when the narrator remarks that" A knight ther was, and that a worthy man,/That fro the tyme that he first bigan/To ryden out, he loved chivalrye,/Trouthe and honour, fredom and curteisye." (pg. 4, The Canterbury Tales) From the characters impressive introduction, it is clear that this man is the most valued and honorable traveler among the group. This perfect gentleman holds a love of ideals that are often not displayed by people. First and foremost, he believes in the ideals of chivalry, and always stays true to its principles. He also feels that one should be honest, truthful and faithful, which many people are not all of these ideals. The knight thinks one should only do what is right, and what will gain him honor and reputation. This character also believes in freedom and generosity towards all, and displays this ideal repeatedly throughout the novel. And lastly, the knight also strongly feels that any proper person should display courtesy and elegance at all times. Another aspect of this character's life which makes him seem too prestigious to be truthful is his impressive military career. He fought in the holy war, known as the Crusades and was involved in 15 "mortal battles." In the prologue, the narrator informs the reader that "Ful worthy was he in his lordes werre,/And therto hadde he riden, no man ferre,/As wel in Cristendom as hethenesse,/And ever honoured for his worthinesse.