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Give account of chivalry
The analysis of king Arthur
The analysis of king Arthur
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Chivalry can be defined as an evocative word conjuring up images in the mind” of how a knight should appear. Therefore “for that reason it is a word elusive of definition” (Keen, 1). Differently, Charny suggests that chivalry consists of an “ascending scale” of glory to be the best knight. He purposes that by following an ethos of martial, competition and aggression, the best people will eventually reach the top and be rewarded by god thus “he who does more is of greater worth”. For the purpose of this essay chivalry is taken to be a multi-layered term, impossible to pin down. However it does have stereotypical features such as prowess, loyalty, franchise, and generosity. This essay will examine four key scenes of the presentation of chivalric …show more content…
Arthur reflects ideals of chivalric behaviour such as reputation. However Charny’s hypothesis suggests that chivalry is about one’s external chivalric appearance and argues that one gains reputation through “physical strength” and “skill” and sometimes “putting oneself in danger of death”. He states that because one participates in such activity ones “fame increases in their territory and that of their neighbours.” Thus one is driven to continue this activity because of one’s success and being worthy of praise. The importance of one’s reputation is seen in the tale when King Uther from Wales threatens Arthur’s court and kills his people. Arthur reacts by saying “it were grete shame unto myne astate” (p.38). Here it can be seen how although he is king he doesn’t have all the power. Therefore, fortune is in control and one’s fate can change at any given time despite ones power and fame. Furthermore this also suggests that chivalry is a band of extremes either you withstand and defeat people and gain power and glory or you don’t and get defeated and it is great shame. Here Arthur is showing a concern in how he is perceived as he has to put forward an image of strength. Thus pride is an important chivalric ideal. Arthur is showing a chivalric preoccupation with external appearance and having his peers respect him but this …show more content…
Pauls verse from the bible which describes how one is incapable of seeing themselves as they really are as one doesn’t have the full view of God or themself. “For now we see through a glass, darkly; …” (1 Corinthians, 13: 12). This opaque glass one is looking through does not show anything except the self that one see themself thus this stops one from living. God seeing one as they really are is held as hope for the future. Therefore here it can be suggested that Malory is mirroring how one cannot find happiness through perfection or external appearances as they can never truly be seen but one can find happiness if they focus on the part of them that cannot be seen by them such as wisdom. Wisdom can be seen by God and fortune is subject to wisdom. Thus God seeing one as they really are is held as hope for the future as wisdom brings happiness. This is reflected in the tale through the character of Balin as Malory demonstrates how external appearances can be misleading. For example Balin is imprisoned for committing a minor crime. He appears to look “poore and poorly arayde”(p.39). Nevertheless Balin believes he has a worthy hearth and demonstrates this when he manages to pull the sword despite his external imperfections. This echoes not only how ones fortune can change, but also how
Life during the Middle Ages was full of social change, division, and classism. This feudal society of Britain was divided into three estates. (social classes) Within the second estate was the the knight who was a soldier for the king who fought in many battles. Even though the knight is expected to have the strength and the skills to fight in battle, all knights during the Medieval period additionally had a chivalrous aspect to them. Chivalry was the honor code of a knight which included bravery, courtesy, honor, and gallantry toward women. Within the stories of the “Wife of Bath’s Tale” and “Le Morte d’Arthur”, the code of chivalry was broken by knights which show the corruption of England’s feudal society.
This code of chivalry all came from King Arthur. It all began with Arthur’s father, Uther. Uther gets a sword from the Lady of the Lake and this sword is named Excalibur. Later on in the battle among England, Merlin (the magician) grants Uther his wish in return for whatever he asked for. As for this wish, Uther slept with Egrain’s wife as he asked and impregnated her with his soon to be son, Arthur. When Arthur was born Merlin came for what he was promised, and took Arthur away with him, raising him. What Merlin did know was that Uther’s son was soon to be the new King of England. This soon to be king, Arthur, must become a knight and granted the right to be king. However; there are three examples of chivalry from the two texts, "Sir Gawain and the Green Knight" and "Morte d’Arthur" are courage, honor and to protect the queen and all women.
The tales of Sir Gawain and the Green Knight and Lanval offer their readers insight into a common knightly quandary. Gawain and Lanval are both faced with challenges that threaten their ability to protect, uphold, and affirm their very knightliness. The two knights repeatedly see several knightly traits--- each invaluable to the essence of a knight--- brought into conflict. While the knights are glorified in their respective texts, they are faced with impossible dilemmas; in each story, both reader and knight are confronted with the reality that knightly perfection is unattainable: concessions must be made--- bits and pieces of their honor must be sacrificed.
When Maurice Keen set out to write a book on the components and development of chivalry, he did not know it would be “the last word on a seductive subject,” as stated by one Washington Post reviewer. Instead, Keen was merely satisfying a curiosity that derived from a childhood fascination of stories filled with “knights in shining armour.” This juvenile captivation was then transformed into a serious scholarly interest by Keen’s teachers, the product of which is a work based upon literary, artifactual, and academic evidence. Keen’s Chivalry strives to prove that chivalry existed not as a fantastical distraction, as erroneously portrayed by romances, but instead as an integral and functional feature of medieval politics, religion, and society. The thirteen chapters use an exposition format to quietly champion Keen’s opinion of chivalry as being an element of an essentially secular code of “honour” derived from military practices.
Across different tales of male heroism and chivalric bravery dating back to the 14th century, chivalric literature has been centered on a hero who sets off to conquer a task but is then encumbered by several games and tests. Sir Gawain and the Green Knight is no exception, by matter of fact; it is even a prime example of such a tale. In each specific story, these games and tests all serve different purposes, whether to prove the protagonist’s worth as a hero or to serve as some sort of plot filler. Their purpose in each specific story’s plot is not in question, what is in question is chivalric literature 's particular obsession with the employment of games and tests in its storylines. Why is this a common trend and what is its greater purpose in chivalric literature in general? These games and tests are of importance to the story as they serve as a driving force of the storyline and backbone. They are integral to Arthurian legends; the storyline would not be able to function without them. They offer further exhibitions into the story 's plot and the protagonist themselves.
Many forms of chivalrous code can be found today, from The Cowboy’s Code to the Rules of Courtly Love. These codes are stated with the hope that people will try and follow them to some degree; yet only the perfect could adhere to them all. Considering the fact that such perfection is impossible, the authors merely set out a guideline for honorable behavior. In the context of medieval times, a knight was expected to have faith in his beliefs; for faith was considered to give hope against the despair that human failings create.
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
The epic poem, “The Lay of the Nibelungs” (1200’s), set to practice the major pillars in the code of chivalry that the Duke of Burgundy in the 14th century eventually condensed and ascribed to the Burgundian Knights: Faith, Charity, Justice, Sagacity, Prudence, Temperance, Resolution, Truth, Liberality, Diligence, Hope, and Valor. Though values bear merit, “The Lay of the Nibelungs” teaches that true worth and longevity comes from assessing the situation and applying intellect to the code, from submitting to God, and from not cheating the system (the laws and cultural norms of the time that be).
...ghthood within their story. Both poets remind the readers of the disparity between the ideals of chivalries presented in romances, and the reality of lived knighthood, highlighting how problematic the understanding of chivalry and Christianity (knighthood) could be for medieval audiences. Though chivalry shines as a brilliant light of the high civilization in the fourteenth century, both tales suggests that chivalry is at best a limited system, which achieves its brilliant at the cost of a distortion of natural life. It was part of the social and ethical system but did not take into account the entire range of human needs, mainly the fact of human morality and sense of human frailty. The context in which knights are depicted and celebrated in the medieval romance does not support a smooth connection between the harsh realities of a century of internecine strife.
Closely associated to the romance tradition are two idealized standards of behavior, especially for knights: courage and chivalry. The protagonist within many medieval romances proved their worth by going on quests, as many a knights went in those times, thus returning with great tales of their travels and deeds. Many modern people think of chivalry as referring to a man's gallant treatment of women, and although that sense is derived from the medieval chivalric ideal, chivalry could be seen as more than that. Knights were expected to be brave, loyal, and honorable-sent to protect the weak, be noble to...
Even court life need not be washed completely of human sin and the natural instincts all animals rely on, for being godly, as Gawain is, should not be viewed as the primary characteristic of being moral. There should be a balance between humanity and godliness, similar to Aristotle's idea of a golden mean, that all these knights seek. By showing that knights should achieve this balance, the author extends his message to the common people, who look to knights as role models of morality. Sir Gawain and the Green Knight challenges the contemporary ideals of morality, presenting instead a golden mean that the common people would not have associated with their knightly role models before.
In the tale, The Knight’s Tale, Chaucer made sure not to deviate away from what he saw during his time because some qualities emerged as prominent figures. The Knight’s Tale made sure to exemplify the idea of courtly love and what it truly means to be a knight who follows the code of chivalry. Some of the qualities of being chivalrous is being generous, honest, courageous, and supporting the notion of justice, which the readers can see that Chaucer understood the significance of the noble behavior and how that affected people at that time. Furthermore, the article, “The Canterbury Tales for Poetry of Students” highlighted how the noble life of the chivalry was a momentous part of the tale since the tale was “a comment on the possibilities
In today’s society the differences in morals between the rich and the poorer classes are virtually non-existent, but during Medieval times “morals and, above all, the virtues at its center, played an important role not only for distinguishing between good and bad, but, more importantly, even for the structuring of society” (Virtus 1). The aristocracy class and the immoral poor class had morals but how they demonstrated them varied; the aristocratic class used chivalry as the basis of their morals, while the immoral poor class did not. Chivalry was not only a code of conduct for those who followed it; chivalry was a way of life. ‘Chivalry first arose in Europe during the Crusades.
In everybody's life, there is something that makes him or her strive for success. That something can be money, a significant other, fame or many other incentives. To the medieval knights, victory renown and glory are the ambitions they strive for. Breaking a law in this code would be considered a disgrace, and would bring a dishonor worse than death itself. However, by applying the Code of Chivalry, the knights in medieval time displayed certain character traits that would secure success and honor in both battle and morality. In the book Ivanhoe, by Sir Walter Scott, a knight named Wilfred of Ivanhoe illustrates this by devoting his attention to keeping the rules of the Code of Chivalry, which consisted of love of adventure, integrity and loyalty to the king, to name just a few. These character traits of Ivanhoe coupled with strong characters and a realistic setting allow the reader to understand the importance of a strong set of moral guidelines to all individuals of all times in spite of Sir Scott's excessive detail and confusing subplot.
The pale knight suffers from a disease of idealism. This is evidenced by the very description as a knight. A knight is a traditionally honor bound ideal of chivalry. Conceptually he may have assumed a fixed and eter...