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The study of Gothic literature
Gothic literature and culture
Elements of gothic literature
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Recommended: The study of Gothic literature
Similar to any other day, the decaying, dark town of Bodie silently stood still, muted of any kind of significant sound but the powerful winds that violently shook from day till dusk. Thick, foggy, clouds lurked over the impoverished lands, and ever so slowly made their way to the dull skies. Somehow, all of what was once here, was lost. This deserted town had no hope left. Murky pathways, deprived of water, cracked and broke, as they would slowly rot away as all the remaining moisture in the broad, burning air evaporated, swallowed by the wandering clouds above. All nature; permanently silenced; desiccated by burning heat waves. Delicately crafted and carved with precious time, these buildings once called ‘home’ struggled to support something as light as a feather. This once beautiful town - disappeared- vanished into non existence, but the barren place of Bodie remains: lost, abandoned, …show more content…
Broken bricks fell, decaying, struggling to support the delicate rooftops that chipped off, slowly decomposing away to their inevitable deaths, slowly fading. The windows, not as they once were before, broke away, carelessly smashed and shattered from forced entry of the deceased convicts who were trapped in the past, but the devastating results remained. Along with the ‘bank’, more so like piles of debris, there was one thing left standing. A slumped building, what could be made out to look like almost anything. The mysterious figure seemed to resemble a decayed, half-buried family home. The mysterious building caved in, leaving a hollow shape inside, as trapped, suffocating memories of the home expeditiously rushed out to escape. It all flooded out, the haunted feeling escaping from the collapsing building adding to the already eerie ambience. What wasn't destroyed was left broken instead - and the unresolved mystery of the home was, simply gone with what was
The mentioning of there being only bare horizon between buildings and the farming characteristics help determine the town is what is usually pictured as a small farming town, The road they walk on is dirt, the guilt letters on the bank, and the string of houses with the weathered grey or peeling paint almost represents a lifeless area with little to nothing occurring there and being affected by the dog and the whole situation and how it leads to the trees death eliminates any positive vibes in the town.
“A vast silence reigned over the land. The land itself was a desolation, lifeless, without
Ted Kooser’s “Abandoned Farmhouse” is a tragic piece about a woman fleeing with her child, the husband ditched in isolation. The mood of the poem is dark and lonesome, by imagining the painting the writer was describing I felt grim because of what the family went through. As reported in the text, ”Money was scarce, say the jars of plum preserves and canned tomatoes sealed in the cellar hole.” This demonstrates the understanding of why they deserted the farmhouse. The author also composes, “And the winters cold, say the rags in the window frames.” This proves that the residence was unaccompanied. When placing the final touches, the reader begins feeling dark and lonesome, asking about the families disappearance.
cold, harsh, wintry days, when my brothers and sister and I trudged home from school burdened down by the silence and frigidity of our long trek from the main road, down the hill to our shabby-looking house. More rundown than any of our classmates’ houses. In winter my mother’s riotous flowers would be absent, and the shack stood revealed for what it was. A gray, decaying...
The buildings appear to be glued together, mostly small houses and apartment blocks that look nervous. There is murky snow spread out like a carpet. There is concrete, empty hat stand trees, and grey hair.” (pg. 27)
The house is a representation of what is left after the world is destroyed by nuclear warfare. There are no humans present in the story only traces of them. “The five spots of pain – the man, the woman, the children, the ball – remained. The rest was a thin charcoaled layer” (Bradbury). Bradb...
I stumbled onto the porch and hear the decrepit wooden planks creak beneath my feet. The cabin had aged and had succumb to the power of the prime mover in its neglected state. Kudzu vines ran along the structure, strangling the the cedar pillars that held the roof above the porch. One side of the debacle had been defeated by the ensnarement and slouched toward the earth. However, the somber structure survives in spite. It contests sanguine in the grip of the strangling savage. But the master shall prevail and the slave will fall. It will one day be devoured and its remains, buried by its master, never to be unearthed, misinterpreted as a ridge rather than a
The village had shutdown, the once giddy streets became grim. Flowers that once flourished in the meadows around the village wilted and rot. Death took over homes. Blissful faces became helpless.
“Abandoned Farmhouse” is a poem in Ted Kooser’s book Flying at Night, which discusses themes such as loss, loneliness, and scarcity of basic human necessities; the poem also incorporates literary devices such as simile and alliteration. “Abandoned Farmhouse” invokes a sense of sadness in the reader, because Kooser shows the remnants of things left behind by a couple and their child. It can be inferred that the poem was meant to paint a picture of how these people lived their lives before the house was forgotten.
Such is the Old Town of Manchester, and on re-reading my description, I am forced to admit that instead of being exaggerated, it is far from black enough to convey a true impression of the filth, ruin, and uninhabitableness, the defiance of all considerations of cleanliness, ventilation, and health which characterise the construction of this single district, containing at least twenty to thirty thousand inhabitants. And such a district exists in the heart of the second city of England, the first manufacturing city in the world. If anyone wishes to see how little space a human being can move, how little air - and such air! he can breathe, how little of civilisation he may share and yet live, it is only necessary to travel hither." Angels.
The sun dried grass crunched under David’s feet as he reached the mailbox, sweat plastering his golden hair to his forehead. The rural landscape of Shark Bay is bone dry; the lingering heat wave serving as a slap in the face with the wind blowing what is left of his fields into whirlwinds of dirt. His was once a land of luscious green landscape, the soft air turned branches into wind chimes as the trees swayed. These same trees have been bleached by the heat ridden gusts carving tortured sculpture in their trunks. Some might now see this world as one of desolate wasteland but David grew up with the land, this land was a living, growing friend that he knew, loved, and cared for as much as he did his wife and children.
I haven’t seen you in years, and now, here?” “What is this place—” Abraham surveyed the cove, following the cliffs until they vanished into a black sky, lit by some unearthly glow. RED BARN “You’re not doing much with it anyway. It’s just rotting.
Sitting in the back seat between two towering piles of clothes and snacks we drive up the abandoned streets of Adell. I see vast open fields of corn and dense wooded forest filled with life, along with the occasional, towering grain house. We pull into a dry, dusty, driveway of rock and thriving, overgrown weeds. We come up to an aged log cabin with a massive crab apple tree with its sharp thorns like claws. The ancient weeping willow provides, with is huge sagging arms, shade from the intense rays of the sun. Near the back of the house there is a rotten, wobbly dock slowly rotting in the dark blue, cool water. Near that we store our old rusted canoes, to which the desperate frogs hop for shelter. When I venture out to the water I feel the thick gooey mud squish through my toes and the fish mindlessly try to escape but instead swim into my legs. On the lively river banks I see great blue herring and there attempt to catch a fish for their dinner. They gracefully fly with their beautiful wings arching in the sun to silvery points.
We all remember these grey gloomy days filled with a feeling of despair that saddens the heart from top to bottom. Even though, there may be joy in one’s heart, the atmosphere turns the soul cold and inert. Autumn is the nest of this particular type of days despite its hidden beauty. The sun seems foreign, and the nights are darker than usual enveloped by a thrill that generates chills to travel through the spine leaving you with a feeling of insecurity. Nevertheless, the thinnest of light will always shine through the deepest darkness; in fact, darkness amplifies the beauty and intensity of a sparkle. There I found myself trapped within the four walls of my house, all alone, surrounded by the viscosity of this type of day. I could hear some horrifying voices going through my mind led by unappealing suicidal thought. Boredom had me encaged, completely at its mercy. I needed to go far away, and escape from this morbid house which was wearing me down to the grave. Hope was purely what I was seeking in the middle of the city. Outside, the air was heavy. No beautifully rounded clouds, nor sunrays where available to be admired through the thick grey coat formed by the mist embedded in the streets. Though, I felt quite relieved to notice that I was not alone to feel that emptiness inside myself as I was trying to engage merchant who shown similar “symptoms” of my condition. The atmosphere definitely had a contagious effect spreading through the hearts of every pedestrian that day. Very quickly, what seemed to be comforting me at first, turned out to be deepening me in solitude. In the city park, walking ahead of me, I saw a little boy who had long hair attached with a black bandana.
My childhood was a playground for imagination. Joyous nights were spent surrounded by family at my home in Brooklyn, NY. The constantly shaded red bricks of my family’s unattached town house located on West Street in Gravesend, a mere hop away from the beach and a short walk to the commotion of Brooklyn’s various commercial areas. In the winter, all the houses looked alike, rigid and militant, like red-faced old generals with icicles hanging from their moustaches. One townhouse after the other lined the streets in strict parallel formation, block after block, interrupted only by my home, whose fortunate zoning provided for a uniquely situa...