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The importance of setting in a story
Importance of setting in literature
The importance of setting in a story
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They beckoned to him, the trees. Their knotted arms rose ever upwards, stretching towards the sky as if impersonating conductors. An orchestra of birdsong – unlike any other, broke out from within the thicket, wavering like the flame from Alastair’s lantern. His hair combed into a neat part; small, vexed mouth, and pale skin revealed his habit of remaining indoors. A calm young boy; but his drawn features and half lidded eyes bore the stamp of unutterable weariness, and a disgruntled expression hovered round his mouth. However, his eyelids stood as if in shock, legs moving in response. Lifting after another, his thick rimmed glasses nodding as he broke into a sprint, approving of his find. Between the leaves lay an ebony pocket watch, devoid …show more content…
of lustre of any kind. Alastair grasped it quickly, smoothing it with his fingers. A brooding atmosphere hung over the forest, soaking the groves in wispy mists, but Alastair seemed not to care. Having found his most prized possession pleased him, although, he could not vanquish the sudden feeling rising within him. His blood pulsing through his body quicker than he ever thought, and as if sensing his uneasiness, the ravens that frolicked between the boughs laden with putrescent leaves sang – or rather screamed, intertwining with the despondent melody that weaved into the orchard, a ghastly symphony of song. The melody played with his ears, prodding at his eardrums, expecting a response, although, his ears had become calloused to the sounds of the forest, or rather to the remorseful weeping of the harp.
Nevertheless, Alastair sought for the source causing the disturbances, rekindling his lantern before taking a step forward. The forest had become more twisted, deteriorating sharply, gagging as if the melody was a toxin. And boles grew dark, their eyes obscured by the masses of wrinkles surrounding them, as if in disgust or perhaps in distress, their thick sap oozing from beneath their skin. And amongst their branches, there perched crows; swooping down upon seeing Alastair, their parched cries mocking …show more content…
him. Suddenly a stream emerged within the gloomy thicket, it wound its way through the grove.
Whispering and murmuring, it sprung over the limestone rocks in its way. Pebbles whisked about in the under wash like corpses on the battle field, their blood tainting the water a murky brown. Alastair approached cautiously, sighting a young girl playing a harp on an island surrounded by the water, a friend that had once been his. Feeling the cold water biting at his skin, he winced, his shoes overflowing with the tears of the stream. Upon arriving on the island, he was greeted by the young girl. Her palm outstretched and a gentle smile carved onto her face, her brunette locks dangled past her bosom and her dress hung like one on a coat hanger. He held her hand in his and smiled; a rare sight. Arabella? He thought, surely this had to be
true. She motioned him towards her harp; consisting of forty-six strings, one seeming to be absent and its ebony frame tarnished by the rain. She insisted for him to play, speaking to him, although he could not hear. Pressured, Alastair sat before the harp, plucking at the strings, the same melancholic melody consuming the forest. The trees writhed in agony, their arms flailing and the ravens wailing. She gazed at the forest surrounding her, it seemed to cower in terror at the sight of her; her limbs bedecked with reds and blues, coiling her legs, a traumatic memory for Alastair. The sound of a sickening snap broke the melody of death, like that of legs, twisting until they snapped in their joints. Alastair whimpered upon realising the string had become separated, and the feeling he could not vanquish grew fierce, choking him. Denial perhaps? Afraid of Arabella’s thoughts, he loped into the stream and into the forest, disregarding her cries of: “Please Alastair, accept”. His face drenched with tears, his features drawn into a frown, and red like her blood, which poured forth from her mouth that day. Alastair ran although his legs ached, recalling his distraught as she died within his arms. The trees convulsed, as if expressing his emotions. He recalled the delight that spread across her face that day, giving her pocket watch as a token of acceptance, and the joy that pulsed through his body, vowing to cherish acceptance. His weeping grew louder, her pocket watch clung to the threads of his coat, dropping among a pile of leaves. Her death had impacted him greatly, the ravens once more mocking his cowardice, abandoning acceptance; the value he cherished most. He stopped, panting and swallowing the air in hiccups as he wiped the tears from his face. He lifted his head and gazed upon the trees, they beckoned to him.
The poem opens upon comparisons, with lines 3 through 8 reading, “Ripe apples were caught like red fish in the nets/ of their branches. The maples/ were colored like apples,/part orange and red, part green./ The elms, already transparent trees,/ seemed swaying vases full of sky.” The narrator’s surroundings in this poem illustrate him; and the similes suggest that he is not himself, and instead he acts like others. Just as the maples are colored like apples, he
But the other men, who were like hook-clawed, beak-bent vultures,/ descending from the mountains to pounce upon the lesser birds;/ and these on the plain, shrinking away from the clouds, speed off,/ but the vultures plunge on them and destroy them, nor is there any/ defense, nor any escape, and men are glad for the hunting;/ so these men, sweeping about the palace, struck down/ the suitors, one man after another; the floor was smoking/ with blood, and the horrible cries rose up as their heads were broken.
One night he sprang from sleep with a start, eager-eyed, nostrils quivering and scenting, his mane bristling in recurrent waves. From the forest came the call(or one note of it, for the call was many noted), distinct and definite as never before—a long-drawn howl, like, yet unlike, any noise made by husky dog. And he knew it, in the old familiar way, as for as sound heard before. He sprang through the sleeping camp and in swift silence dashed through the woods. As he drew closer to the cry
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
He went on down the hill, toward the dark woods within which the liquid silver voices of the birds called unceasing - the rapid and urgent beating of the urgent and quiring heart of the late spring night. He did not look
‘Instantly, in the emptiness of the landscape, a cry arose whose shrillness pierced the still air like a sharp arrow flying strait to the very heart of the land; and, as if by enchantment, streams of naked human beings – with spears in their hands, with bows, with shields, with wild glances and savage movements, were poured into the clearing by the dark – faced and pensive forest.... ... middle of paper ... ... This demonstrates the lack of communication skills between each other, with dire consequences.
The big tree loomed bigger and closer, and as they bore down on it he thought: ‘It’s waiting for us, it seems to know.’ But suddenly his wife’s face, with its monstrous lineaments, thrust itself between him and his goal, and he made an instinctive movement to brush it aside. The sled swerved in response, but he righted it again and drove down on the black projecting mass. There was a last instant when the air shot past him like millions of fiery wires, and then elm…’Oh, Matt, I thought we’d fetched it,’ he moaned; and far off, up the hill, he heard the sorrel whinny and thought: ‘I ought to be getting him his feed… (Wharton,
“Men, for many of you, today is your first day training as a Knight of Camelot,” said Prince Arthur to the group standing before him. “And be grateful you’re not stuck in a torrential downpour as I was on my first day of training here on this very field. The sun is shining and I plan to work you hard.”
The fog was heavy, the distance we were able to see was less than 30 yards from our position.
“ Ya I guess you are right”. Jack said. He sadly wrapped himself in a bear hug with his grandpa .
Located in the popular Yosemite National Park, Yosemite Falls is the tallest waterfall in California. Every year, mother nature’s breathtaking beauty attracts millions of people from around the world. People hike for three long and fatiguing hours in anticipation of witnessing forceful water rushing down the steep mountain from 2,425 feet above. Last summer, my family and I backpacked through the Yosemite Falls Trail and I came to learn what a truly exhausting experience it is.
Honey, this has been the longest year of my life, life here is absolutely terrible. It’s only been a year since I have been ranked to Specialist E-7 and sent to Verdun and it has been nothing but pure chaos. As of Last week the 21st of February at 7:12 AM the first shot from a German Krupp landed at Verdun. Lifting up your head you can only see bullets flying everywhere nonstop, it’s a constant battle for land and to weaken the oppositions army. We were told to stay low until ordered to fire, but then our Commanding Officer almost forced us into charging into the Krauts Trenches. Luckily they chose to send a different divisions to risk their lives, God bless their souls. Though since they charged we got bombarded with hundreds of shells the next few days. Disease ran rapid as well, such as Trench Foot it has been a major disease here, my friend Private John Huberts shot himself in his foot after getting this disease, he’s been sent back to Dijon to be treated ever since I haven’t heard from him since. The mud is the second worst part of these trenches, though the constant Rats running around definitely take the cake, every night being woken up from these rats running across you is infuriating for the most part. Also these rats have been eating all our food supply leaving many to starve in the trenches.
The day has come. The day I've feared but tried so hard not to. Two men grab me by the arms and lead outside to the blinding sunlight, reluctantly. My tattered shoes scrape along the rocky sand of the camp, everyones watching me now. They all know what's happening and feel sorry for me, except for a smug figure in the distance, obviously Sergeant Hanley. My eyes dart helplessly around the camp, I see the firing squad and a lump swells in my throat. Then I see Tommo, and remember my promise to him.
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
she always used to wish for a way to escape her life. She saw memories