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Gender Issues In Literature
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Article 4: Furry Hentai Furry Hentai is, roughly “Perverted Animals”. Typically it is porn with human like animals. Think Zootopia when you think human like animals. And with this new Movie, and the world seeing how thick a rabbit can be. I think that the furry hentai genre and theme is really booming and I have become slightky encumbered by it. There are so many avenues to fuel any kind of dark pleasure with hentai furry, you just need to know where to look. Here is your Furry Hentai 101; Best furry Hentai Pics Lets start with a few pictures, below you will find links and previews of the best furry hentai pics. The picture will link you back to the artist or blog I found them on. These are Furry Only sites. If you are looking for hentai Pics see my other article Here 1. E621.net …show more content…
Hentai Box. Net / Furry http://www.hentaibox.net/tags/Furry As I mentioned in my article about Hentai Manga (Link) Hentai Box has a lot of awesome content, and they have a section dedicated to furry hentai themselves. There are a lot of options on this site and allowes you to search not only by furry but also by furry tags (if you are more into canines than felines if you get my drift). 3. Straight Furry Hentai Manga @ Tumblr (https://straightfurryhentaimanga.tumblr.com/) The title really says it all for this Furry Hentai Comic Blog. No Ifs and or buts about this Blog, you come here you will find Furry Hentai Manga, with Heterosexual characters. It's always nice to know what you are getting into, since a lot of the other places have, lets just say, more penises that others may want? Haha Lastly Furry Hentai Game; I was at Origins (gaming convention) 2014 and picked up a great card game that is furry hentai oriented. It is a deck builder, and has very erotic and AHHHMAZING art. Since I acquired mine at Origins, I recieved a poster (my favorite Slutty Squirrel) for free. Below you will find pics, and link back to the developer and distributor; Furoticon! (https://furoticon.com/) Furry Hentai
She states that most, if not all, of the movies that make up this new genre of movie “works not to emphasize the difference between humans and nonhumans, as it does in so many other Pixar features, but instead makes the characters into virtual puppets…” (284). Once puppetized, these characters can be made to do whatever they, the directors, please. Such as re-write and re enforce gender roles, as it is shown in March of the Penguins, with how the directors showed how the males were in charge of watching and protecting the eggs while the females left to find food (whereas in human society it is the opposite). Or they can solidify heterosexuality, by stating that all of the penguin relationships are strictly male/ female. Then by taking this bourgeois concept of heterosexuality and advertising it as full of variety and elasticity.
A pornographic world [What is normal] by Robert Jensen takes an inside look at the culture of masculinity and what role pornography takes in shaping that culture. Jensen describes how he was forced to play a “macho” role as a child out of fear of being bullied and ridiculed for not being manly enough. Pornography use started for him and his friends in grade school – they would steal magazines and hide them to share in a group later. He talks of how he learned of a social concept, called the “ideal of prostitution” (the notion of men “buying” women in various forms of undress, solely for their pleasure), at a young age. While there has always been a stigma around pornography, whether stemming from moral or religious reasons, Jenson continued to use porn until his 30s.
Women have spent a large amount of time throughout the 20th century fighting for liberation from a patriarchal form that told them that they must be quiet and loyal to their husbands and fathers. For the duration of this essay, I will be discussing how the “Modern Woman” image that appeared through the Art Deco style — that emulated ideas such as the femme fatale and masqueraded woman, and presented new styles to enhance women’s comfortability and freedom — is still prevalent and has grown in contemporary art and design since. Overall I will describing to you how fashion, sexuality, and the newly emerged ‘female gaze’, and how these tie in together — in both periods of time — to produce what can be described as powerful femininity.
Jessica Dunegan is an incredible artist from Charleston who currently resides in Boston. Her works have been displayed in numerous shows in the United States, and her art went through different stages over the years. At one point Jessica created a series of works titled Scrambled Porn. According to her, she has an issue with porn because “this media epitomizes and fosters a male-centered culture” and “contributes to the degradation of women” (“About Scrambled Porn”). The show at the Robert Lange Studios called the Other Side has nothing to do with porn; however, it continues to explore the issues contemporary women have to struggle with.
The existence of pornography is not a new invention. For years, humans have found certain depictions to be sexually arousing. Holmes and Holmes (2009), for example discuss how in ancient civilizations, Mesopotamia, for example, there were depictions of men and women in sexually explicit scenes on various household goods, such as plates and washbasi...
Though images of women may cluster in many categories, the basic medieval archetypes are these: foremost is the Courtly Lady, a physically perfect and emotionally restrained creature that any gallant knight would pine for, the subject of innumerable poems. Her supporting cast include the lascivious Wanton Woman, a subhuman creature designed to tempt and torture men...
In the graphic novel Fun Home, by Allison Bechdel, sexual self-discovery plays a critical role in the development of the main character, Allison Bechdel herself; furthermore, Bechdel depicts the plethora of factors that are pivotal in the shaping of who she is before, during and after her sexual self-development. Bechdel’s anguish and pain begins with all of her accounts that she encountered at home, with her respective family member – most importantly her father – at school, and the community she grew up within. Bechdel’s arduous process of her queer sexual self-development is throughout the novel as complex as her subjectivity itself. Main points highlight the difficulties behind which are all mostly focused on the dynamics between her and her father. Throughout the novel, she spotlights many accounts where she felt lost and ashamed of her coming out and having the proper courage to express this to her parents. Many events and factors contributed to this development that many seem to fear.
In Jun'ichirō Tanizaki’s short story “The Tattooer”, Tanizaki features an ambitious tattoo artist who yearns to create a masterpiece on the skin of his ideal woman. Initially, this woman is anticipated as the one who holds the potential to achieve the status of a twisted goddess. Moreover, the artist’s process of forging his masterpiece on this particular woman acts as a stepping-stone to his imminent demise; she is a lethal double-edged sword. The tattoo, which takes the form of a black widow, metaphorically transforms the woman into a Japanized “black widow” herself. Accordingly, the dual nature of woman is portrayed as timeless beauty and infinite destruction.
Winge, Theresa (2006) “Costuming the Imagination: Origins of Anime and Manga Cosplay.” Mechademia (1): 65-76.
Again, there are different ideas of what is considered pornographic from artwork, movies, and books. While one may look at a painting that depicts nude forms or read a book that includes sexual acts may not see this as a form of pornography while others would find it morally offensive. Feminist would argue that the morality of porn is it is degrading and humiliating to those involved, not of its sexual nature. Their concern is that it promotes sexism and violence against women or children. “What is objectionable about pornography…is its abusive and degrading portrayal of females and female sexuality, not its content or explicitness” (Rodgerson & Wilson, 1994) However, others may feel that it is sexually liberating and in no way degrading to those involved. Those women feel in control of their sexuality and choose to participate in acts as a way of expressing themselves while feeling it has no barring on their moral character. While others would argue that it promotes immoral behavior which would lead to criminal acts or an unhealthy obsession with sex. “The most commonly feared adverse effects of pornography include undesirable sexual behaviors (e.g. adultery), sexual aggression, and loss of respect for traditional family structures and values, loss of respect for authorities, and a general nonspecific moral decay.” (Hald & Linz,
The piece in this series that really caught my attention was the Female Rejection (Fig. 2) where she metaphorically rejects her role in femininity and celebrates herself as an assertive woman. The piece comes from the midst of Chicago’s use of what she calls the “central core” or blatant focal point of the work. In Female Rejection an objective vagina acts as the central core for this piece framed with (what seems to be) flower petals descending into the center, drawing and locking the eye onto the focal point of the vagina. The work not only celebrates the anatomy of a woman but masculinity that can be found in women rejecting the normative femininity that is inherently associated with women today. Judy Chicago is a wonderful female feminist artist who has begun to create a community of fellow feminist artists as to add members to the movement to strive for equality within the art world, as well as creating some pretty stellar pieces that have their own place in feminist art history. Judy Chicago is one woman to watch and it will be interesting as to how she incorporates her vaginal imagery into later works that have yet to
The painting I chose was done by the Baroque artist Artemisia Gentileschi, entitled “Self-Portrait as the Allegory of Painting” and also called “Autoritratto in veste di Pittura” in Italian. Artemisia Gentileschi is boldly stating that she is the emblem of art, especially during a time when men dominated the world of art and women weren’t respected as artists or as functioning people in general. To me, this painting captures her looking beyond the struggles that female artists faced, and creating a new future of women composing art that surpasses them only being nude in paintings. Her facial expression is determined and focused, but also insightful and hopeful. Rather than painting herself in a way that accentuates her body in a desirable way,
With it's powerful emphasis on diverse textures, shapes, use of natural materials and emotional significance to it's creator(s) and viewers, The Dinner Party is art that epitomizes the conjunction of feminists ideals and historical
Literature has learned to grow and progress over the years, but still till this day graphic novels are having trouble with being accepted as literature. Good literature is a piece of work that can incorporate writing and illustrations that pulls the reader in and leads them throughout the book. After reading a couple of graphic novels I have to disagree with the scholars who believe that they aren’t a piece of literature. Each graphic novel tells a story just like “regular” novels do. They each capture your imagination and keep you interested. They may look childish to some, but you should never judge a book by its cover. “Graphic novels that succeed as literature escape the norm and invite critical discussion, analysis, and, often, comparison with text-only books featuring similar situations, climactic crises, or aesthetics” (Goldsmith). Graphic novels tell a story, draw in a different audience, and expands a reader’s imagination, so with that said, they should be considered as literature.
They both have symbolism that is linked back to the Japanese culture, fig 1 has the red circle which is also on the Japanese flag and fig 2 has something hanging in the background with Japanese writing on it, these are both subtle features about Yamamoto’s work that clearly link his culture into his art. Both images involve a very limited and muted colour palette with red and orange being a main pop of colour used in both. There is a clear use of contrast with a lot of light to dark tones place within a close range of each other. Although the lines are thin there are plenty of them creating a lot of detail within each of the painted objects. Each of the female subjects have similar facial expressions on their face and all look away as if they have given in or submitted to whatever put them there, they all look defeated and yet still portrayed as effortlessly beautiful. I think that Yamamoto uses imperialism to extend Japanese culture through his art by using sex to gain power and influence others. I feel that this type of art is slightly corrupt as it almost glamourizes abuse and makes it as if it’s okay, it is sexualizing women and when looking at this I can’t help but think about the male gaze. This art could also be linked to how women are/were mistreated in Japanese culture. I feel that through my research I came across many different Japanese artists that seem to have a connection with power in their work, I’m unsure if this is supposed to relate to breaking free from the stereotypes that the western world has quite clearly placed them in or if it is them trying to break free from their own culture and the stereotype’s that remain within that alone. What I can say is there is definitely movement and change on the rise and in today’s modern society anything is