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Explaination about Understanding the Self
Explaination about Understanding the Self
Explaination about Understanding the Self
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Who would have thought that having an affair would ruin my life, but also me as a person? My marriage was falling apart before it even began. Myra and I were perfect for each other, we first met in college in the Boston area, she was in her first year of medical school while I was in my second but was studying business. I never believed in love at first sight, but I think it was pretty close. She was the most beautiful individual I have ever seen; her skin was flawless along with long black hair and her smile could stop a truck from a mile away. I knew from that moment on that I was going to make her mine. I waited a couple of days before I approached her, my heart was beating so fast that I swore I was having a heart attack. I planned our …show more content…
While Myra was away I kept seeing Miranda and let’s say I didn’t think about being alone as much, it was like my mind was distracted from the loneliness that was in me. But even Miranda couldn’t fully take my pain away. Miranda is a lovely person that’s why I felt so bad for her as well because I used her. I could sense that she was getting feelings for me and deep down I knew that I should stop what I was doing but I kept doing it anyway. When Myra came back from India I said to myself that I was going to stop what I was doing with Miranda and act like it never happened. But things didn’t change even though Myra was home. I still would always be waiting for the phone to ring and for her boss to tell her that she had to leave again. It’s been a couple of months of myself and Miranda having an affair. She kept asking me questions about my life and where I was from but I didn’t feel comfortable enough with her to tell her all about me, defiantly since I would never end up having a proper relationship with her. The only person I have told about myself is my wife …show more content…
I tried to define to Myra so many times that I was going to end it with her that’s why she came over and I never loved Miranda that I love you and that I didn’t want to lose her. But she didn’t have a bar of it and would either slam the door in my face or hang up the phone. Now I am in an apartment all by myself with no one around because I made this one mistake that lost me the love of my life. I regret everything that I did and still to this day I am trying to get Myra back but I think it’s going to take me a while before I get a
In this passage, Williams’ emphasises the nature of Blanche’s demise through the contrapuntal mode of the scene juxtaposing Blanche’s bathing with Stanley and Stella’s conversation. Williams wrote in a letter to Elia Kazan, who was to direct the film production of the play, that ‘It is a thing (misunderstanding) not a person (Stanley) that destroys (Blanche) in the ends’. This passage is significant as it shows the extent of Stanley’s misunderstanding of Blanche and his stubbornness to ascertain his condemnations to Stella. Furthermore, the use of colloquial lexis shows the true feebleness of Stanley’s claim because his judicial façade is diminished and shows the dangerous influence of claims as he sways Mitch away from Blanche. Stella’s character
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
When discussing the notion that “Love can often lead to the creation of an ‘Outsider’." there are cases in our literary examples that would agree with the statement, and some that would not. Outsiders in Much Ado About Nothing, Pride and Prejudice and A Streetcar Named Desire are created by both love and other themes, whether it be class, power, disinterest or a scandal.
she was told "to take a streetcar named Desire, and then to transfer to one
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
Everyone has experienced a situation in life where it's like a rug has been pulled out from under them. Well, T. Williams’ novel A Streetcar Named Desire portrays a similar situation of three unconventional characters whose reality is not the American Dream that they are striving for. Blanche, Stella, and Stanley approach life hoping for different outcomes in their lives. But what is the American Dream they were striving for? Simply put, by looking at the principles of America, the primary dream for everyone is to have a well-lived life. For some people this includes a family, success, happiness, independence, money, and love. If these are T. Williams’ constructs of the American Dream, then Stella and Stanley Kowalski may never find their
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
A Streetcar Named Desire was written by Tennessee Williams in 1947 and it is a play that takes place after the second World War in the South of the United States; New Orleans, Louisiana. The play ultimately explores on the conflict amongst Blanche Dubois and Stanley Kowalski as they both have a connection to Stella Dubois. Blanche being her sister, and Stanley being her partner. This play is considered to be a tragedy. Twelfth Night was written by the World renowned William Shakespeare and it explores the story of siblings being separated after a tragic accident at sea. ‘Without character there can be no drama’ is the overall theme of this comparison as every character contributes to a story, causing drama to arise in one way or another. This piece will ultimately explore the similarities and differences between Viola from ‘Twelfth Night’ and Blanche from ‘A Streetcar Named Desire’. Although Viola and Blanche come from two different books written by two different authors in different time periods, we can draw the conclusion that they both possess the theme of deception.
Written in 1947, by playwright Tennessee Williams, the play A Streetcar Named Desire opens in the 1940s in the well-known city of New Orleans. Readers are presented with the young couple Stan and Stella Kowalski who live below another young couple, Eunice and Steve. While Stan and Stella manage to maintain a relationship, it is abusive. Stella reunites with her alcoholic sister Blanche, after learning that the family plantation had been lost due to bankruptcy. Blanche, a widow often finds herself in difficult and unforeseen circumstances. Blanche’s poor choices and vulnerability leads to an affair with Stan’s poker buddy Mitch. Coinciding with his abusive nature, Stanley rapes Blanche. No one believes her until the very end, causing her to get sent away to a mental institution. While the play and film were smashing, each had their similarities overall, in regards to setting, plot, and characters while differences concerned narrative technique.
Secondly, Williams reveals how Blanche lies over and over again to try to make her sounds like a more dignified person. In the beginning of the play she tries to represent herself as a good sister that has just fallen on hard times. She arrives and rushes to the closet looking for alcohol. She finds what she's looking for and remarks “Now don’t get worried, your sister hasn’t turned into a drunkard, she's just all shaken up and hot and tired and dirty” (William 19). In reality she’s a person that can not live without her alcohol. She doesn't even want, as stella offered her, a coke to mix with hard alcohol. She is an experienced drinker so she does not need a “chaser” to protect her throat from the strong liquor. Next, Blanch
While reading “The Kugelmass Episode,” I realized the emotional distress that someone can be put through after being a part of an affair. I also came to the realization Sidney’s affair might have been caused by a midlife crisis. A midlife crisis can cause several different changes in people’s normal life style, an affair being one of them. An affair is a relationship between two people without the other spouse knowing. Usually complications with the marriage will be the first thing considered when an affair is occurring. Not only does this create problems with the marriage as a whole, but also with each spouse individually. Although affairs do happen often, they could be avoided with noticing the signs of a midlife crisis early on. Married
A Streetcar Named Desire sets the decaying values of the antebellum South against those of the new America. The civil, kindly ways of Blanche’s past are a marked contrast to the rough, dynamic New Orleans inhabited by Stella and Stanley, which leads Tennessee Williams’s “tragedy of incomprehension” (qtd. in Alder, 48). The central protagonist, Blanche, has many flaws; she lies, is vain and deceitful, yet can be witty and sardonic. These multifaceted layers balance what Jessica Tandy, who played Blanche in the first stage production in 1947, “saw as her ‘pathetic elegance’ . . . ‘indomitable spirit and ‘innate tenderness’” (Alder 49). Through a connected sequence of vignettes, our performance presented a deconstruction of Blanche that revealed the lack of comprehension and understanding her different facets and personas created. Initially Blanche is aware of what she is doing and reveals
Human conflict is ever-present in sex and desire. But, not until the streetcar named Desire was first shown in 1947 had the corporeal act of sex been so openly depicted on stage as a basis of dominance and power. The streetcar in the New Orleans Street, Elysian Fields, is an urban harsh world, where the laws of nature are the enduring rules of engagement. As the wild sex and violence are intimately connected, Intercourse is a product of aggressive dominance, competition and submission to a certain extent than romance. Although Williams repeatedly claimed that his piece cautioned against the world where brutes were permitted to reign, the play 's end, shows the sexually imposing dominance placed upon Blanche by Stanley, whom demolished her illusions
In the story Alice in Wonderland, the world of Wonderland represents the main antagonist Alice’s fantasy that is fueled by her desire of staying in the past and remaining a child. Ultimately, she fears the changes that come with becoming an adult; thus, she resists reality and embraces the lies of her fantasy of staying a child by staying in Wonderland. Furthermore, this is similar to how the main antagonist in A Streetcar Named Desire, Blanche DuBois, resists reality by lying to herself and everyone she knows because she also fears reality. Unlike Blanche, Alice soon realizes that by embracing her fantasies and desires she would be led down a path of destruction because fantasy and reality are incompatible. Likewise, Tennessee Williams covers the topic of the incompatibility of fantasy and reality in A Streetcar Named Desire by making the character Blanche DuBois, which represents fantasy, resist and have a conflict with the character Stanley Kowalski, which represents reality, because he wants to convey that it is natural to fear and resist reality and take solace in desire and fantasy.