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Characterization in essays and short stories
Creative writing on a happy place
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“What pure beauty have I found alone in this perfect world?” Theo’s voice is like the gates of heaven as he speaks. Genevieve is wearing a white dress with flowers embrowned. Her shoulders are hunched and her neck is long. Her black hair is slicked back into a bun, and her eye makeup is dark and strong. “Don’t you know your prince is here to take you away? Come and leave these commoners.” Genevieve is strung along with every word he says. She is addicted, to his sent, his mind, his darkness. He makes her crazy, he is always far away but then their lips meet. He is so close “Your chariot awaits.”
“Theo,” Genevieve says as she stands up and fallows him.
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“There are so many people here tonight,” Amelia whispers into his shoulder. All the guest
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He has this soft curly hair that is messily done, an old out-of-date suit. He is soft and nerdy, not really the type of boy that lives in this town. The band is starting to bang on their drums. It is a hallowed scary sound. “I watch as the couple in red secretly falls in love, but then separate with only the secret they share.” But Peter does not have time to be swept away because of love. “How beautiful their secret must be in this cold dark world.”
“Peter James, my name is Rose,” Roses says as her lips smile but her light green eyes are pouting. She is wearing a black dress, fits in like the rest of the pretty girls. She is envious of Amelia and how she stands out. Her even toned brown hair is pin straight, a simple length faming her snow white skin. “Roland would like to have a word with you,” her words are slow, as if time does not matter, she does not choose them carefully like she would if she spoke to a Great. The truth is she does not know that he will make himself a Great. “You will find him standing in the garden. If you do not mind taking a moment out of your uneventful night,” had tone is distressful, she does not know how to speak to him, she never does when someone is a scholarship boy. She has been taught not to bother with his type, everyone has. But there is some reason why Roland has obsessed with him from the moment they read
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Her fiery red hair is pulled back on top of her hair. She slowly takes off the black glasses that frame her face. She takes off the light make-up, and pulls the hair tie out of her hair, allowing a deep red hair fanning over her shoulders like a settling dust cloud. She looks at the reflection of the girl she does not even know. The room around her is simple, would not tell anyone anything about her. It is a sort of white on white type of room. Add description of her and the room.
“Miss a party; hold your head up high. They would never remember you anyways. Drunk on life, drunk on love,” Scarlet says as she sits at her desk and studies her already finished homework. Shakespeare sits on top, something she read, something she understands on a basic plot level. Scarlet wishes she could forget the tournament of her peers, the way the nerd became the victim of treacherous deaths. “Deep breaths, smart brains, destroy them all. Welcome to the up all-nighters, sober as a judge, life ain’t always flashy like the Greats.” She knows that the Greats have to learn something, to make them better then the outsiders. Maybe they learn how to look away, how to forget. Right now she could use a lesson in forgetting. But what she wants to forget is important, it is the drive, that’s why it is burned into her soul. “Or lovely like the romantics. Pretty as a picture, smarter than the girl you’re with. Baby life gets better
Rose Mary is a selfish woman and decides not to go to school some mornings because she does not feel up to it. Jeannette takes the initiative in making sure that her mother is prepared for school each morning because she knows how much her family needs money. Even though Rose Mary starts to go to school every day, she does not do her job properly and thus the family suffers financially again. When Maureen’s birthday approaches, Jeannette takes it upon herself to find a gift for her because she does not think their parents will be able to provide her with one. Jeannette says, “at times I felt like I was failing Maureen, like I wasn’t keeping my promise that I’d protect her - the promise I’d made to her when I held her on the way home from the hospital after she’d been born. I couldn’t get her what she needed most- hot
Margaret is an intelligent, articulate, and ambitious woman who desires to rise up in social status by marrying a man of higher social rank. She attends to those above her, in hopes of elevating her status as she becomes closer to the upper-class. As a minor character, she plays a small yet crucial role in advancing Don John’s plot to slander Hero and spoil her wedding. As a lower-class character, Margaret serves as a foil to the rich girls, particularly Hero, who embodies every attitude and mindset Margaret does not. But she also offers an alternative perspective on the upper-class characters in the play. Because Margaret is victimized because of her social ambitions, punished for wanting to rise above her ...
Rose, as she became older, would be known for sex. Miss Broadie took special interest in her, because, as she saw it, Rose had instinct. The love of Miss Broadie’s prime was Mr.
“Imagine a woman who could never see herself as she was seen in the eyes of her loved one.”
This environment serves not as an inspiration for mental health but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
She finds herself standing in an old unfamiliar empty room. She glances at the ceiling, noticing every ceiling title and each random square light in-between them. Then her eyes slowly focus on the pale white walls. As she scans each wall, she begins to notice the room is not empty. She soon realizes that she is standing in the middle of a hallway and staring at random unfamiliar people. Then everything becomes dark and she wakes up and goes on her day like normal. As she is going through her day, she finds herself in an unfamiliar room. She begins to study the ceiling, then the walls, and finally it dawns on her that she has been through this before. The girl has experienced déjà vu.
... asks (324), in hopes that she has settled enough to finally talk about this - to tell him that she wants to go through with it. He is hurting and confused as much as she is, but is clinging to the things that he can tangibly comprehend: the girl and their life together, just the two of them. The shadow in the valley on the other side of the station, blanketing their future, is the darkness of their decision - the thought and memory of their child that will follow them the rest of their lives; however, it is a life with hope, in his mind, as opposed to the barren alternative. All she needs to do is believe with him that it will be alright, and believe in the love between them. "I feel fine," she said. "There's nothing wrong with me. I feel fine" (324). He will get no such belief today, apparently - by either his love, or those who are reading his tale in this class.
Dodie Smith’s I Capture the Castle is told from the point of view of seventeen-year-old Cassandra Mortmain. Cassandra, along with her sister Rose and friend Stephen, go through major character transformations that go along with the theme of coming of age. The use of setting, archetype, conflict, theme, and other literary terms will be used to show the argument of how these characters transformed.
A rose, like her marriage to stockbroker Edwin Pond Parker II, is destined to stagnate and turn grey. To outsiders her marriage might have been perfect. Maybe she saw marriage in general as “perfect” the same way the rose was. The point is that her romance, like the rose, is irrelevant no matter its perfection.
Shirley Jackson’s, Miss Strangeworth is a seventy-one elderly lady that the whole town knew. Built by her grandfather is the house she lives in, it was also the same house her parents lived. Rose is one of the main things Miss Strangeworth is known besides being kind, proper, neat women. Her roses were her greatest possession to her because they were the same roses her grandmother planted and the ones that her mother tended to. Moreover, she devoted her life to taking care of the roses and not letting anyone touch or pick them.
In the novel, Rose is somewhat defined by her role in the family. She is the family’s provider, her mother’s carer and a role model
Sam, along with her friends, are concerned with how many roses they will receive for the day. To Sam and her friends, these roses signify how popular they are. Throughout the day, Sam and her friends are downright rude and nasty to many of their peers, including Juliet Sykes, a quiet, beautiful girl whom the group of popular girls have bullied since the sixth grade. Sam receives a rose from Kent, who likes her, despite their difference in social status. He invites her to his party, and though Sam and her friends find him dorky, they know they will go to the party anyway.
She wears a dress of soft violet material for a kimono – her hair tied back from her forehead with ribbon. She is washing and polishing her glass collection.” Before Amanda enters the room Laura quickly put away her glass collection and sits quietly without movement in front of her type writer. Amanda notices a look of hopelessness and despair on Laura’s face. Amanda has never seen this look before.”
It’s about 7:45 P.M. April 15, 2015. Jasmine is calling my name asking if I’m ready to go. As I’m trying to put all the loose ends together, I think I’m ready. My hair is done in a curly up do with a thin white braided hair band, makeup rushed but it will do, and I’m wearing a knee length white dress. Just a simple white dress, form fitting, made from a linen type of material. My stomach is turning and twisting. As my mind is racing we make way to the park. Jasmine seems to be more eager than I am. As we arrive to the park my legs are a trembling mess. I feel like my mind is in a state of chaos. As I feel my chest pumping harder and harder, it feels tighter and tighter. This day will mark a very important day for the rest of my life. Today is the day I marry my husband. On this day my family becomes one.
Many little girls dream of their big fairytale wedding with a prince charming of their own. We all have watched and grown up with the classic Disney movies that not only entertain children, but are influenced by what we see. I am guilty of wanting the fairytale wedding, big puffy gown, sparkles, handsome husband and our happily ever after. But what you don’t see is how much time and energy is put into creating your own fairytale wedding. After many months of planning and preparation for this day I was excited, nervous and anxious to carry on with the day that symbolized a new beginning with the love of my life. I was about to make a lifelong commitment to my one true love. Nothing I’ve done has taken so much preparation