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The relationship between Macbeth and Lady Macbeth
Relationship between Macbeth and Lady Macbeth
Relationship between Macbeth and Lady Macbeth
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The plays Macbeth by Shakespeare and Cat on the Hot Tin Roof by Tennessee Williams both depict relationships between husbands and wives. In Macbeth the readers experience a relationship between a cowardly king and an ambitious queen, while in Cat on the Hot Tin readers see a more relatable relationship between a heartless plantation tycoon, Big Daddy and his timid wife Big Mama. As like in all relationships, there are definite differences between the interactions of Macbeth to Lady Macbeth, and Big Daddy to Big Mama. However even though these plays take place in different settings in periods of time, similarities can also be seen between the relationships of each husband to his wife.
Macbeth’s and Lady Macbeth’s relationship is very unique compared to other relationships. To begin with, Lady Macbeth is an antagonist wife that forces her husband, Macbeth, to kill King Duncan so she can satisfy her own greediness and become queen. Her greedy desire to become queen makes her lose all morality. For example, when she hears that King Duncan is staying at her castle for the night, she says, “Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe top-ful of direst cruelty! Make thick my blood; stop up the access and passage to remorse.” (Act 1, Scene 5). In the play she constantly refers to her husband, Macbeth, as a “coward” and puts his masculinity into question, which leads to Macbeth having to prove himself to his wife. In the beginning of the play, Macbeth is seen as a protagonist soldier fighting for his king, until The Three Witches foretells his future of being King by saying “All hail, Macbeth! Hail to thee, thane of Glamis! All hail, Macbeth, hail to thee, thane of Cawdor! All ha...
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It can be seen that there are definite differences between the relationships between Macbeth and Lady Macbeth, and Big Daddy and Big Mama; however there are also similarities. There is a desire of power and control in both relationships, in which one partner is more powerful than the other. In Lady Macbeth and Macbeth’s relationship, Lady Macbeth calls the shots, while with Big Daddy and Big Mama, it is Big Daddy who holds the power. However lack of communication can be seen with Big Daddy and Big Mama, which cannot be seen with Macbeth and Lady Macbeth. Lady Macbeth and Macbeth share a relationship in which they converse and talk things over; however with Big Daddy and Big Mama, its always him talking, while she remains quiet and takes whatever mean things he says without fighting back. In conclusion, both relationships share similarities, as well as differences.
We are first introduced to Lady Macbeth at the beginning of Act 1, scene 5, through the letter that Macbeth sends her. This shows her to be his, ‘dearest partner of greatness’ and that he has no secrets from her. The witches’ prophecies intensify her ambitions for her husband, to be the King of Scotland. Lady Macbeth is the one who encourages him to kill the king and she not only encourages him, she makes all the plans herself. We see how clever she is and how she understands her husband well, she knows he has great ambitions, but she also knows that he is honourable and mentally weak:
The relation of Macbeth and Lady Macbeth takes a few turns throughout the play. It starts with Lady Macbeth being in control and dominating Macbeth. Then suddenly Macbeth turns into an unhesitant man, who gets accustomed to killing and getting his own way. The dire changes in the characters affect the couple’s relation extremely.
Lady Macbeth takes the role of the dominant partner in the beginning of the play, by acting as the real power behind the throne. For example, it is easily recognized that Macbeth and Lady Macbeth are opposite in many ways (Scott 236). He is weak, indecisive, and takes on the traditional female role of the marriage; she is strong, decisive, and takes on the traditional male role. One place in the play where Macbeth’s character is shown is Act I, Scene 5, Lines 15-17. She says, “Glamis thou art, and Cawdor, and shalt be / What thou art promis’d : yet do I fear thy nature / Is too full o’ the milk of human kindness.” This is just after Lady Macbeth receives the letter from Macbeth. It is also important to notice that when Macbeth’s first thoughts of killing Duncan appear, he is scared. After he commits the murder, Macbeth says, “To know my deed, ‘twere best not know myself ” ( 2. 2. 72 ). Knowing that he has committed such a vile act makes him uncomfortable. It will be difficult to act innocent and deal with his guilt.
Lady Macbeth was a small but very important part of the play Macbeth. She is always on the side of Macbeth telling him what she thinks he should do. When Macbeth was off at war, and told lady Macbeth that the witches greeted him as Thane of Cawdor, and King of Scotland before he received those titles, she was probably scheming no how to fulfill those before he returned home. Once home, they had King Duncan stay at Dunsinane. Lady Macbeth then b-tches at her husband and ridicules his masculinity in order to make him commit murder (Friedlander). Macbeth reluctantly murders Duncan, even though he wanted to wait and have it all play out without killing anyone. When he went to the well to wash off his hands he speaks of his remorse, and lady Macbeth finds out that he did not implicate the guards, so she tells him to go do it. But he wont, so she insults him more, and goes to do it herself.
Relationships are quite strange, they can either build two people up or it can't break them down revealing the worse side of them. Relationships are simple on the surface but they are truly quite complicated, they are built on trust,honesty, compassion, respect, and a fundamental base of acceptance. The relationship of Macbeth and Lady Macbeth may seem simple but is quite complicated. Every relationship has hurdles,but these hurdles can either strengthen a relationship or destroy it. In the case of Macbeths’ relationship it was destroyed. Macbeth and Lady Macbeth relationship starts out healthy but quickly is seen changing for the worse.
25-26), expressing nothing but loyalty to his ruler; not 30 lines later though he thinks to himself how he must “o’erleap” (iv. 56) the Prince of Cumberland, the rightful heir, if he is to become king. Macbeth appears to be a faithful servant of the king, but he is fantasizing and ultimately falling toward the path of a wretched murderer. Macbeth even has a dichotomous relationship with Lady Macbeth. The couple, in terms of their love for each other, is unfailing; they call each other “dearest partner” (v. 11) and “dearest love” (v. 67), earnestly at each other’s sides. However, there is a corruption to their love, symbolic of Mars triumphing over Venus. The love between them is so great that, instead of Lady Macbeth talking her husband out of murder, she encourages it, revealing corruptness even in their affections for each other. By the end of the act, Macbeth finds himself in the ultimate self-conflict. He hushes Lady Macbeth, saying “We will proceed no further in this [murder] (vii. 34), but in a moment he has already changed his mind again, setting out to kill the king. Macbeth is a character of self-contrast and self-conflict, made ever-evident in Act I of
Macbeth's desire to become king is strongly supported by his wife, Lady Macbeth. Lady Macbeth is a highly ambitious woman who, like her husband, is willing to do anything to obtain power. Shakespeare uses a series of imagery to vividly portray the desire for power in Lady Macbeth's soliloquy: “Come, you spirits/That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/Of direst cruelty!” To achieve her ambition, Lady Macbeth urges Macbeth “to catch the nearest way.” This means she wants him to kill Duncan so that he can become king. However, she fears that Macbeth is “too full o' th' milk of human kindness” to “catch the nearest way.” When Macbeth is reluctant to kill Duncan, Lady Macbeth starts attacking his masculinity. “Then you were a man,” she said. Lady Macbeth also uses the power of emotional blackmail to manipulate Macbeth into killing Duncan.
Macbeth is a play about death, deceit, and corruption. At the center of all this is Macbeth and his wife, Lady Macbeth. As the play progresses, their relationship changes dramatically as a result of how each of them handles their emotions following King Duncan's murder.
Lady Macbeth is a very loving wife to Macbeth and she wants to do anything she can for him to achieve his goals. She just takes it a little too far, and she puts too much pressure on Macbeth to commit crimes that he is not sure he wants to do. After Macbeth sends her a letter about the witches’ premonitions, Lady Macbeth is no longer the sweet innocent lady we expect her to be. She turns into a person who is just as ambitious as her husband and she wants to do whatever it takes to help him get Duncan out of the way. She even goes to the point of calling Macbeth a coward, and mocking his bravery when he fails to complete the job. She is even willing to do it herself (plant the bloody knife with the guard). Lady Macbeth is constantly putting the pressure on Macbeth to do things that he is not sure about. She almost turns into a bully who dares Macbeth to go out and do evil things. She even says in a soliloquy that she wants to be released of all her morals and values so that she can help him commit these crimes.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
As Shakespeare’s tragic tale of ambition unfolds, the two central characters, Lady Macbeth and the title character Macbeth, undergo a dramatic shift of dominance in their relationship. In the beginning of the play the couple act as a team, plotting the death of Duncan to further their mutual bloodthirsty ambition. Lady Macbeth soon shows her power over Macbeth when she questions her husband’s manhood and devotion to her when he gets cold feet. As Macbeth’s confidence slowly grows and the witches proclaim positive futures for him he begins to separate himself from his wife, planning Banquo’s assassination without telling her, and no longer being susceptible to her insults. By the end of the play the roles have completely switched and Lady Macbeth spirals into guilt-fueled insanity as Macbeth prepares to battle to keep his throne. This essay will explore the relationship between Macbeth and his wife, paying particular attention to the scenes previously mentioned.
The interactions and relationship between Macbeth and Lady Macbeth show that in any relationship, there is always someone who leads and someone who follows. This is evident especially during Macbeth’s internal struggle on whether or not to kill Duncan. One of the key scenes which shows this is Act i, Scene vii. Here, Macbeth shows scepticism about their plan to kill Duncan saying “If it were done when 'tis done, then 'twere well It were done quickly: if the assassination could trammel up the consequence, and catch with his surcease success; that but this blow might be the be-all and the end-all here, but here, upon this bank and shoal of time, we’d jump the life to come.” Shakespeare shows that relationships are often one sided here by showing
Jane Adelman summarizes the psychoanalytic interpretation of the relationship between Lady Macbeth and the Witches (ibid 140). Lady Macbeth and the Witches signify for Macbeth the role of both temptress and mother, an issue that will be explored more fully below. Adelman claims that the Witches tempt Macbeth on the cosmic plain, whereas Lady Macbeth tempts him on the psychological plain (ibid 139). All of the female figures r...
The relationship between Macbeth and his wife is strong. There is much trust between the two and there is also openness. However, the two butt heads and have opposing views many times. Even so, it is clear that Lady Macbeth is the dominant person in the couple. She is one of the major driving forces of Macbeth. This is shown when they are plotting the murder of Duncan. Macbeth asks her, ?If we should fail?? and she strongly replies, ?We fail! / But screw your courage to the sticking-place, / And we?ll not fail.? Whenever he is backing down she pushes him forward again. This is where a major flaw of our protagonist comes in. Macbeth cannot escape the trap of listening to his wife. He is subject to her commands and he knows it.
In Macbeth, the bond between Macbeth and Lady Macbeth is strong. For instance, when he first hears the prophecy from the three weird sisters, he immediately writes to Lady Macbeth informing her about the prophecies. Further, he addresses her as “my dearest partner of greatness,” which gives the reader several views on their relationship. For instance, George Gerwig reports that “Lady Macbeth is the source of his mental strength and resolution, that they have talked over the situation of affairs in the kingdom, with all its possibilities, both those which may be depended upon to come unaided and those which may be forced to an issue.”