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Concerns in Harlem Renaissance poetry
History of the Harlem Renaissance
History of the Harlem Renaissance
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The lesson will teach students about the life and poems of Countee Cullen. The purpose of the lesson was to inform the students the about importance of Countee Cullen’s appearance during the Harlem Renaissance Era. It will give the students an opportunity to learn what countee Cullen meant to the harlem renaissance. The lesson will not only give the students an idea about the poet and his poems, but it will also them a clear picture of how it was to live during the Harlem Renaissance era. I started the project by looking up information about Countee Cullen. The information was captured and studied, so that I would have an idea of what I would teach the class. Then, I placed my information on a powerpoint to create a visual for the class.
I will first explain the biography of Countee Cullen. Here, i will discuss where he was born and raised, his education, and his influences. Second, I will talk about the harlem Renaissance. The discussion will include facts about the history, arts, and people of the era. Third, I will the ask someone to read the poems, “A Brown Girl Dead” and “For a Lady I know”. If no one volunteers, I will read it. After each poem is read, i will ask for any thoughts on the poem. I will then share my own thoughts on each
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I did this by making sure that I added clear pictures, had a legible font, and nice colors to catch their attention. I wanted to make sure that my slides had the right amount words for the students to read. I knew that they would lose interest in my presentation if I added large paragraphs or had too many words to my presentation. I had a total of twelve slides. I read over my slides multiple times to make sure that everything was correct. Each of my slides had a lot of information about Countee Cullen, the Harlem Renaissance, and the poems that I researched. Also, I added the quiz to my powerpoint to keep the students on their
The Influence of Booker T. Washington and W.E.B. DuBois on the Writings from the Harlem Renaissance
3. Dictionary of Literary Biography, Volume 51: Afro-American Writers from the Harlem Renaissance to 1940. A Bruccoli Clark Layman Book. Edited by Trudier Harris, University of North Carolina at Chapel Hill. The Gale Group, 1987. pp. 133-145.
It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than Wright. When she did write politically, she was very subtle about stating her beliefs.
The Harlem Renaissance became a defining moment for the African –American race because of the burst of skill and creativity produced during that time. African Americans were becoming writers, actors, and artist; the Harlem Renaissance was a creative movement. The Harlem Renaissance began and flourished as a literary movement. The background, political, and social views of the major writers of the Harlem Renaissance remained different throughout the movement, but they all gave voice to the African-American existence. Langston Hughes, a writer during the Harlem Renaissance, depicted African-American life through his writing. This differed from other writers such as Countee Cullen. Hughes intertwined his personal experience and the experiences of black America in his writing; depicting Black culture, Black suffering, and Black happiness. Countee Cullen wrote to interweave black and white poetry, creating one race of poetry: American poetry. Langston Hughes and Countee Cullen wrote in the Harlem Renaissance attempting to depict Black identity and isolation.
Originally referred to as the “New Negro Movement”, the Harlem Renaissance was a cultural movement during the early twentieth century. It was started by the Great Migration of blacks to the North during World War I. This period resulted in many people coming forth and contributing their talents to the world, inspiring many. One of the poets of this time, Jessie Redmon Fauset, was one of those who wrote about the life of blacks and life in general during this time period. She used her good and bad past experiences as influences for her works.
Hughes, Langston. “The Harlem Renaissance.” Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X.J. Kennedy and Dana Gioia. 3rd Compact ed. New York: Longman, 2003. 767-769.
...e. For many years after his death, Countee Cullen's Reputation was eclipsed by that of other Harlem Renaissance writers, particularly Langston Hughes and Zora Neale Hurston and his work had gone out of print. In the last few years, however, there has been a resurgence of interest in cullen's life and work and his writings are being reissued.
James, Johson Weldon. Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 832. Print.
However, his two poems named Heritage and Yet do I Marvel compare a subject that Countee Cullen was very passionate about.. In the Harlem Renaissance, Africa became "the universally acknowledged motherland to all African American" however, most of the writers and artists did not identify with the cultural but nonetheless, "made Africa a central space…" in the writings of these African American artists. Although Cullen was considered an African American, the white society assumed that all Blacks knew about Africa and knew of the culture. Cullen was using his poetry as a way to cry for help, or a desperate attempt in trying to educate the public about the African American 's who lived in Harlem. Cullen is known for using African motifs in his poetry, and each one of them has meaning. There is never a word placed or a phrase used by Cullen that didn’t have an underlying message. So through his poem Heritage, he starts by writing such an intimate question, "What is Africa to me:". The first line of this poem is like a slap to the face for anyone who has ever assumed that all Blacks know, or come from [having lived or been to] Africa. "Copper sun or scarlet sea, Jungle star or jungle track," The poem itself is very sarcastic, as if to show the reader that Cullen is just making up lines to match the stereotype of Africa. Now, although Cullen has been to certain parts of Africa, he doesn’t know what it 's like to live there or grow up in it 's culture, or even to know the geographical concept of Africa. Throughout Heritage, Cullen uses African motifs as well as some biblical allusions. Referring back to Cullen 's early life, his parents abandoned him as a child, leaving him to grow up in a Methodist parsonage. Therefore, it 's not unusual to have biblical references within his poetry, however the mention of Africa such as "silver snakes", which were used twice, and
Countee Cullen poem, “Yet Do I Marvel” has left me utterly speechless. Without googling information about this poem or poet, I am convinced that Cullen’s work was present and groundbreaking during the Harlem Renaissance. This sonnet begins with a humble reference to his creator and ending with a paradoxical creation that the divine being has gifted the world. The poem alludes to Cullen’s unmistakably bold conclusion after constant allusions to mythology and symbols to the barriers of man.
At age 13, (James) Langston Hughes began writing poetry and developing the voice that shaped the Harlem Renaissance (Rampersad 506). He continued to write through college and soon he became an integral part of Harlem. During the Harlem Renaissance, Langston Hughes was the epicenter of much of the cultural, social and political turbulence that occurred at this time. He wrote about his experiences and much of his work is inspired by the time period. His poetry showcased “the tension between the awareness of growing up black and his acceptance of the “dream” of America” which are portrayed in poems such as “Harlem”, “Dream Variations”, and “Let America Be America Again” (Bloom 15). These poems depict similar themes which are eminent across most
Reuben, Paul P. "Chapter 9: Harlem Renaissance - An Introduction." PAL: perspectives in American Literature- A Research and Reference Guide. URL: http://www.csustan.edu/english/reuben/pal/chap9/9intro.html, 1999.
This poem, from Brown’s book, Southern Road, discusses the lifestyle and mindsets of many African-Americans during the Harlem Renaissance. It is set in the eastern portion of the United States in the early 1900’s or 20th century.
The literature during the time of the Harlem Renaissance was made to uplift African American’s and improve the awareness of the black race not being treated the same as white people. With many famous authors writing about the struggles African American people faced throughout America made people notice what was actually happening to these people. All people are the same and nobody should ever be treated differently because the color of their skin, but sadly this was not enforced until later on after many black people were treated horribly. Harlem Renaissance authors made heroic exploits in racism in the United States, making a change in not only African American lives but a change in the country for the better.
They state that my choice of action would lead me to add unnecessary visuals and that I would find myself adapting to the “material” and the appearance of the presentations in comparison to the subject knowledge. I, however, disagree with this as I have observed that having slides with all the information provided for a school staff defeats the point of presenting. From my previous experience of presenting, I think that if I had put all the information on the slides, I would not be required to present it to the staff as they would be able to just read off the presentation. By this, they may not be trained in the most efficient manner as they would not be able to receive support from the presenters if they had any questions or they may also interpret the information in a different manner to what the presenter hoped they would. One author that agrees with my choice of action is Happell, (2009). They suggest that when preparing a presentation, there should be no more than 3-5 points on each slide. This states that a presentation should only have the main points on the slides and not the full information as it can distract the audience from paying attention to what information is being said/presented to them as they may just read off the slides instead of understanding what is being said about the information on the