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Ancient greece theatre now and then
Ancient greece theatre now and then
Ancient greece theatre now and then
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What is costuming? When first hearing the word, one’s thoughts tend to lean towards costumes: colorful arrays of frivolous or wild clothing, usually worn during some sort of theatre production or special event. Why is this though? Because from the dawn of time people have used costumes to aid in the telling of their stories, myths, and legends. Costumes were used to better a person's understanding of these tales being told to them, making it easier for a person to remember the story, and thus making the story easier to be retold again and again. This is how the basis of theatre was formed, and from those stories all those thousands of years ago theatre has evolved into the source of entertainment we all know and love today. Costuming too has evolved along with theatre, and today there is not a show or film on earth that does not involve some flashy spectacle of clothing somewhere within it. Unlike theatre however, costuming has stuck to its roots throughout the ages, these roots being its general purpose, to help the audience understand the story being told. That is why, to me the use of costuming in theatre production is an invaluable piece in any type of play, musical, movie, or drama that is to be performed or shown to an audience.
A Brief History
The theatre productions we are all so familiar with actually got their start in 550 B.C., in Ancient Greece. In Athens, during the Festival of Dionysia live performances involving dancing and reenactments of popular myths were performed to pay respect to the God of Wine, Ecstasy, and Ritual Madness, Dionysus. These festivities usually lasted about a week, after which the best performers would be named and given some sort of prize. As well as the festivities went, the Festiva...
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Trumbull E. (2007) Roman Theatre and Drama Retrieved from http://novaonline.nvcc.edu/eli/spd130et/roman.htm
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Theatre is an evolving art form, due to its prevalent themes, in which the creators ‘…express the complications of life through a shared enterprise’ (Lee Hall, 2008). The modernisation of a text whilst maintaining the history relevant to the play has been reinforced by Brisbane based Physical Theatre Company Zen Zen Zo through their 1996 reinterpretation of Eurpide’s The Bacchae, adapted into ‘The Cult of Dionysus’ (Zen Zen Zo, 2016). ‘The Cult of Dionysus’, entails the story of Dionysus, the Greek God of fertility, wine and pleasure, seeks revenge on the ruler of Thebes’ Pentheus, who has just outlawed the worship of Dionysus. The elements of drama have been manipulated to engage the audience, specifically
arrangement, the importance of drama and religion, setting, location. and architectural features of the building. In ancient Greece, festivals were mainly held at the Great Dionysia. This was the oldest theatre in Greece and many plays were performed. here, for example, the first performance of Antigone.
The development of dance took place over multiple years before evolving into what we call dance today. Because of Queen Elizabeth and her influence of dance, the first public theater was built in London (Singman, 150). This did cost money to do the construction but seemed to pull through and finish it. Seatings were arranged so that you looked down at the performers like we still do today in some theaters (Homans, 10). The idea of a stage came from pioneering Italian set designers. Wings, curtains, trapdoors, backdrops and machinery also came from these italian set
The context of performances throughout history revolves around the subject and purpose of the composition. Social events such as weddings and banquets, Religious gathering, accompanying workers during harvest and soldiers on their way to battle and for the Greeks performances were closely tired with sports and athletic games for encouragement and motivation.
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
Theatre flourished in Greece, particularly in Athens, between c. 550 BC and c. 220 BC. During its beginnings theatrical performances were part of Dionysia, a festival held in honour of the god Dionysus. The plot of the plays was always inspired by Greek mythology, a theme that is still common today. Many modern plays and movies have been directly based on or incorporated elements of Greek mythology or simply mythology in general. Every play had a chorus, though the size and importance of it varied. The chorus was used to provide background and summary information to the audience. The chorus is still used in modern musicals to provide interpretation of the mental and emotional states of main characters. The chorus is also a precursor to the narrator.
Ley, Graham. A Short Introduction to the Ancient Greek Theater. Rev. ed. Chicago: U of Chicago P, 2006. Print.
Everywhere in Greece, the festivals were regarded as public acts of worship, but only in Athens did these crude beginnings develop into tragedy. The tragic performances of ancient Athens presented a magnificent spectacle. All citizens could attend freely, for the festivals were still regarded as public acts of worship. Everybody could easily respond to the rhythms of dance...
came about because of the “problematic relationship that Greeks believed existed between gods and humans” (Perseus Digital Library). Greek theater, however, is different from our business enterprise theater. The Athenian theater was financed by the Athenian state. It was an essential part of the Athenian religious festival: the City Dionysia (AbleMedia LLC). During this festival, three tragic playwrights were chosen to present a tetralogy. A tetralogy is a group of four dramas: three tragedies and one satyr play that are performed consecutively (Dictionary.com). The three tragic poets competed with one another while their efforts were ranked by a panel of judges (AbleMedia LLC). This fundamental part of Greek culture brought ...
Mise en scene is a French theatrical term meaning “placing on stage,” or more accurately, the arrangement of all visual elements of a theatrical production within a given playing area or stage. The exact area of a playing area or stage is contained by the proscenium arch, which encloses the stage in a picture frame of sorts. However, the acting area is more ambiguous and acts with more fluidity by reaching out into the auditorium and audience. Whatever the margins of the stage may be, mise en scene is a three dimensional continuation of the space an audience occupies consisting of depth, width, and height. No matter how hard one tries to create a separate dimension from the audience, it is in vain as the audience always relates itself to the staging area. Mise en scene in movies is slightly more complicated than that of an actual theater, as it is a compilation of the visual principles of live theater in the form of a painting, hence the term “motion picture.” A filmmaker arranges objects and people within a given three-dimensional area as a stage director would. However, once it is photographed, the three-dimensional planes arranged by the director are flattened to a two-dimensional image of the real thing. This eliminates the third dimension from the film while it is still occupied by the audience, giving a movie the semblance of an audience in an art gallery. This being so, mis en scene in movies is therefore analogous to the art of painting in that an image of formal patterns and shapes is presented on a flat surface and is enclosed within a frame with the addition of that image having the ability to move freely within its confines. A thorough mise en scene evaluation can be an analysis of the way things are place on stage in...
Ancient Greek theatre flourished between 550 BC and 220 BC (Hall, Sean, Alan, & Laura, 2015). Dionysus, the son of the Greek god Zeus and mortal Semele, was the god of wine, fertility and divine ecstasy (Dionysus, 1997-2015). He became a significant god to the Greek society due to his association with concepts such as rebirth after death (as he was dismembered by the Titans and then returned to life), and the perception that under the influence of wine, a mortal possessed a great power (Dionysus, 1997-2015). Unlike 21st century physical theatre, Greek theatre focused on honouring the god, Dionysus, who was a patron of the arts. Many Greek plays were written to be performed at festivals that were held in the city of Athens. However, as these festivals began to be celebrated across Greece, the religious aspects diminished and theatrical elements expanded. Despite this, Greek theatre resembled Greece’s cultural identity and focused on expressing and celebrating stories about their gods.
Theater was an important part of Ancient Greek Civilization. History of Greek theatre began with religious festivals which aim to honor Dionysus, a god. During the festivals some citizens sing songs and perform improvisation plays and other participants of festivals judges this performances to decide which one of them was the best. These plays form the foundation of the Greek Theatre. Because of the competition between performers to create best performances, plays gained an aesthetic perspective and became a form of art. So, theatre as a part of religious rituals took attention of people and gained an importance in Ancient Greek Society.
Theatrical performances in ancient Greece: summary of Greek literature In ancient Greece the theatrical performances played a very important cultural and civil role. Theatrical performances involved the whole community of the city, beyond any social and cultural difference. Theatrical shows in ancient Greece: occasions and organization The performances took place on solemn religious occasions. Of these, the most important ones in Athens were the Great Dionysons, in honor of Dionysus, the god of wine: they were celebrated at the beginning of spring, when the sailing season had begun and the city filled with strangers.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Theatre first came about from all different cultures acting out part of their bible, or performing rituals to the Gods. It was not until the middle ages when dramatists wrote about all aspects of life. Theatre has therefore changed continuously to suit the demands of each new age for fantasy, spectacle, or serious drama.