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Critical analysis of dystopian literature
Essay on dystopia
Essay on dystopia
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Recommended: Critical analysis of dystopian literature
The two dystopian texts, The Road is written by Cormac McCarthy and The Island directed by Michael Bay are great examples of a dystopian world. The Road is a post-apocalyptic novel where a father and son have nothing but the dirty clothes on their backs, a pistol and a cart filled with scavenged items. Their destination, the coast, although they don’t know if anything awaits them there. The Island is an advanced world where clones of “real” people are made in order to help their clients live longer. These two mediums are fairly similar once you go in depth. The two works, The Road and The Island have common dystopian characteristics which are the use of brute force, alienation and dehumanization of individuals which is reflected in terms of plot, character development and theme.
The use of brute force is significantly reflected through plot in both these works. In The Island when the clones, Lincoln Six Echo and Jordan Two Delta escape from the facility it is very clear that the use of brute force is necessary to get them back. Similarly in The Road the use of force is expected in order to protect themselves from other strangers. “The man had already dropped to the ground and he swung with him and leveled the pistol and fired from a two-handed position balanced on both knees at a distance of six feet” (McCarthy, pg.66). To clarify, the father and son had to use whatever force was necessary to survive, even if it meant killing. There are other examples of this dystopian characteristic in both these texts; for example, in The Island when the clones win “the lottery” Lincoln Six Echo witnesses the harvesting of the clones’ organs. The scene when Sharkweather, played by Michael Clarke Duncan wins “the lottery” and is dragged down a b...
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...s due to the fact that they want to live. “Run, he whispered. Run. He looked back. The truck had rumbled into view” (McCarthy, pg.61). Thus proving that the characters where extremely frightened from others. In the same way, the movie is identical, once Lincoln Six Echo and Jordan Two Delta escaped from the compound they were told that “people will do anything to live” (The Island). The “products” were forced to take more precautions to stay alive; they started to not trust anyone. From this, there is a theme that can be created which is that one can still have faith.
The theme for this dystopian characteristic is this; one can still have faith even when they don’t have a whole lot to be hopeful for.
Works Cited
The Island. Dir. Michael Bay. DreamWorks Home Entertainment, 2005.
McCarthy, Cormac. The Road. Toronto, Canada: Alfred A. Knopf, 2006. Print.
Good evening and welcome to tonight’s episode of Learning Literature. Tonight we will be celebrating the 20th anniversary of Gattaca by analysing the techniques text producers employ to construct representations of social issues relating to marginalised groups. We will focus on two classic pieces of literature, Ken Kessey’s, One Flew over the Cuckoo’s Nest, as well as Andrew Niccol’s Gattaca. Through a range of techniques, the text producers have included representations of freedom and independence, power, as well as discrimination in each of their respective texts.
No matter how they are told or expressed, most dystopian stories have several similar assets. They are usually made to be unique, however there are usually numerous links between them. The book Brave New World and the film “The Island” are prime examples of this statement. A few similarities include the actions of hypnopaedia, forbidden love and affection, and un-natural births.
relate to this due to the use of nouns such as "sick bay" and adverbs
Nineteen Eighty-Four written by George Orwell and Gattaca directed by Andrew Niccol are prophetic social commentaries which explore the broad social wrong of a totalitarian government. Both texts depict a futuristic, dystopian society in which individuality is destroyed in favour of faceless conformity. Niccol and Orwell through the experiences of their protagonists reflect the impact isolation from society has on individuals. The authors of both texts also use their protagonists Winston, who cannot understand the rhetoric of the government party and Vincent, who is trapped, unable to achieve his dreams because of his imperfect genome, to demonstrate individual rebellion against society and explore the significant social injustices of a totalitarian state.
“Fear is a survival instinct; fear in its way is a comfort for its means that somewhere hope is alive” (Sturgeon). In the novel, Lord of the Flies, by William Golding and the movie, Castaway, directed by Robert Zemeckis, both stories involve a person(s) getting stranded on an island. In both the novel and the movie, a group of boys and an individual demonstrate that over time that fear and the will to survive is the only thing that is driving them to make the decisions they make. They will do things that display savagery and uncivilized behavior in order to beat nature. While some may argue that the urge to gain power is what leads one to make decisions and act upon it, it is clear that fear and the will to survive is what many people act upon
One Flew Over the Cuckoo’s Nest and Fahrenheit 451 share two main characters that are seemingly lost in the unknown. Both Chief Bromden and Guy Montag are protagonist in the respective novels. These two characters both have a false sense of reality; however, this is the only reality they know. Bromden and Montag have little sense of what the world they live in has to offer. However things start to change for both of these men when they start to receive guidance from their counterparts, Randle McMurphy and Clarisse McClellan. Both of these characters become the catalyst for the freedom and liberation that Bromden and Montag come to find.
Stephen Crane’s short story, “The Open Boat” speaks directly to Jack London’s own story, “To Build A Fire” in their applications of naturalism and views on humanity. Both writers are pessimistic in their views of humanity and are acutely aware of the natural world. The representations of their characters show humans who believe that they are strong and can ably survive, but these characters many times overestimate themselves which can lead to an understanding of their own mortality as they face down death.
Dystopia represents an artificially created society to where a human population is administered to various types of oppressions, or a human population lives under the order of an oppressive government. The novel Fahrenheit 451 and the film V for Vendetta both effectively display this dystopian concept in their works. The nature of the society, the protagonist who questions the society, and the political power that runs the society are examples of how the novel and the film efficiently capture the main points of a dystopian society. The authors of the novel and the film use their visions of a dystopian future to remark on our present by identifying how today’s society is immensely addicted to technology and how our government has changed over the past decades. Furthermore, the authors use our modern day society to illustrate their view of a dystopia in our
Two of the most iconic dystopian novels are 1984 by George Orwell and Fahrenheit 451 by Ray Bradbury. These novels expanded the genre significantly and while having different details about Dystopian life, share remarkable similarities. Throughout the novels, similar themes such as media control and war demonstrate that both authors share common ideas about what would be important in Dystopian life. On the other hand, the way in which the authors approach each issue highlights a difference in both time period and values.
A dystopian society is a degraded society and very little good is happening while a utopian society is a world of peace. Children of Men, directed by Alfonso Cuarón, is a dystopian society caused from the world being struck by infertility. In “The Ones Who Walk Away From Omelas”, by Ursula Le Guin, a child is kept in a basement to keep the utopian society the way it is. Children of Men and “The Ones Who Walk Away From Omelas” could not be any more different although they share similarities as well. The stories are of utopian and dystopian societies and the actions that take place make the societies very similar.
A Clockwork Orange (1962) by Anthony Burgess and Ready Player One (2011) by Ernest Cline are both dystopian novels. They follow a protagonist who live in a dreadful society where the authority figures are working against the best for society. A dystopian novel most often includes a society where people are unhappy , afraid and miserable, often due to a disaster such as environmental degrading and/or a totalitarian regime . This is the scenario in both of these novels due to the degrading of human social standards and proceeding problems throughout the two plots.
At a time where the future has never looked brighter, it is baffling how some people have become more pessimistic than ever. Why do people who are faced with traumatizing situations always seem to focus on the negatives? Why is it that when people are faced with despair, they always seem to rely on how the situation looks repugnant? Science fiction stories have a tendence to show all these questioning thoughts. There are many key details in the science fiction short story book titled Masterpieces: The Best Science Fiction of the Twentieth Century that shows pessimism and has a negative tendency of expecting the worst from life and how people treat each other. This is certainly shown in the acts of communication, isolation, and hopelessness.
he Road, written by Cormac McCarthy was inspired by a trip he took with his young son to El Paso Texas. He was imaging what the town would look like 100 years into the future and he though of “fires on the hill” and then thought about his son's safety. McCarthy admitted to having conversations with his brother about different scenarios for the apocalypse. For example, cannibalism, “when everything is gone, the only thing left to eat is each other.” He made some notes about this vision of his, but didn't act on it until a few years later in 2006, while in Ireland. He started and finished the novel and dedicated it to his son, John Francis McCarthy.
‘Hullo.’” Through fighting with each other and overcoming dangers, both lifestyles ended up surviving, even if it was by the narrowest of margins, and this quote accurately describes that. If a winner had to be chosen, the obvious choice would be savagery. The facts showed that more of those people survived, but the way they survived, and how malignant they were to the boys who chose to follow the rules, took away the fact they did survive. A horrible feeling lied in the stomachs of all the boys who did something they regretted. A comparison one could draw with the survival of the savagery lifestyle is copying someone’s whole paper, and receiving a 100%. It’s unethical, and the thought of cheating lingers in the brain for quite a long time. In the real world savagery represents the evil that is present in every single person. Oppositely, the conch represents the good that is in all people. When times get tough, people tend to take the easy way out of things, and in Lord of the Flies this concept was definitely demonstrated. The followers of the conch had to stand up for themselves when they decided to go against the group that followed Jack. The rest of the boys were just scared of Jack, and ended up following him. The boys who decided to remain good, and not take the easy way out, ended up suffering for
Often the best forms of dystopian fiction comment on contemporary events and situations, to warn us about our current social status quo. Yet at times, reality catches up to dystopia, to the point that dystopia is no longer a satire of the real world. It has transcended our satirical imaginations to become our undesirable reality. With that said, I would argue that our reality is closer to dystopian fiction than we think. Whether it is the various aspects, tropes, or cliches of dystopian allegories. One might call it a "dystopian singularity," when dystopian fiction and reality, have become one and the same.