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Recommended: Homosexuality on television
Empire, a nighttime drama by FOX, focuses on Empire Entertainment, a hip-hop music company, and the founder’s family as they fight for control of the company. The fight ensues when relatives learn that Lucious, the CEO of Empire Entertainment, has been diagnosed with a terminal disease. Lucious wants one of his three sons, Andre, Jamal, or Hakeem, to take over the company. Within the show’s first season, it has addressed issues such as homophobia and strong female personalities. While Empire is seemingly breaking barriers for African-Americans on television, in some ways it is only strengthening pre-existing ones, especially in the matters of gender, sexuality, and race. Lucious Lyon’s family including himself and his ex-wife, Cookie Lyon, …show more content…
Cookie Lyon always has the audience rooting for her, even when she is fierce, crafty, and compassionate. She is part of the shifting trends to allow women, especially African American women, the same opportunities and distinction afforded to Caucasian male heroes. Anika, on the other hand, has the potential to be an excellent female character. Although she is a sexy, smart businesswoman, she is only defined through her romantic relationship with Lucious and rivalry with Cookie (Reid). Anika needs further characterization if she continues to duel against Lucious and Cookie. The other women in the show, Rhonda, Tiana, Porsha, and Becky are half sketched characters with little independent agency. These ladies play crucial roles in the Lyon family as a spouse, girlfriend, client, and assistants. Rhonda and Tiana, especially, are highly sexualized. Women are valued for their ability to be looked at and to be pleasing in modes of heterosexual attractiveness (Mulvey 62). Andre uses Rhonda’s sexual prowess as a means of manipulating people into doing what they want. Otherwise, her character contributes little to the storyline. Tiana’s character carries the potential of a dynamic character, but her bisexuality is used just as a hot and titillating novelty that can be used to further her …show more content…
In “Dangerous Bonds,” Hakeem finds out that she cheated on him. There is a close up shot of Hakeem to highlight his reaction. In addition, his face occupies a majority of the frame space, showing he is only bothered by the fact that she cheated on him, not that it was with another woman. The only person who had a negative reaction to Tiana’s sexuality was Lucious. Also, he suggested that Hakeem could join a threesome with her and her girlfriend (Daniels). However, it is refreshing to see queer characters accepted by friends and family, all while enjoying relative success. Positive representation definitely matters to the audience, but if the directors want to tackle the issues of rampant homophobia, they need more obstacles for the homosexual and bisexual
In the Lilies of the Field by William E. Barrett, Homer and Mother Maria both display straightforward, hardworking, and stubborn character traits. Firstly, Homer and Mother Maria both display a straightforward personality by being brutally honest about their opinions. For example, when Mother Maria asks Homer to build a chapel, Homer speaks his mind by telling her he does not want to build it. Mother Maria shows her straightforward behavior during Homer’s stay at the convent. One morning, when Homer sleeps in late, Mother to becomes extremely upset and is not afraid to show how she feels about him. Secondly, both Homer and Mother Maria display a hardworking spirit. Homer is a hardworking man because after finally agreeing to build the chapel,
In these five paragraphs I will be writing about the book “Hotel on the Corner of Sweet and Bitter” written by Jamie Ford and five quotation that important and made up the theme for me. This book gives a feel a lot of different emotions. The first quote was “‘You are Chinese aren’t you,Henry? That’s fine. Be who you are, she said, turning away, a look of disappointment in her eyes. “But I’m an American’’(p. 60). This quote is important because it shows how Keiko believes even if her parents are Japanese she feels more American then Japanese since she barely spoke Japanese.
AP English Literature and Composition MAJOR WORKS DATA SHEET Title: A Raisin In the Sun Author: Lorraine Hansberry Date of Publication: 1951 Genre: Realistic Drama Biographical Information about the Author Lorraine Hansberry was born in Chicago on May 19, 1930. She grew up as the youngest in her family. Her mother was a teacher and her father was a real estate broker.
Overall the film was a very informative film for a more homophobic audience. The content was relatable and connected well with the information and discussions that have been within our society for a long time. It was a well-done film that really questions the homophobic opinions and while this is still a very real debate in today’s society the film does a great job at arguing the homophobic opinions.
Starting with Sanford and Sons through the progression of The Fresh Prince of Bel-Air, it is evident that the changes transpiring in society are slowly entering the television industry. What would have been acceptable in the 1970s would be totally unacceptable in this day. No longer is an African-American father in a sitcom shown as a worthless, rude individual. The father figure is now shown more as a responsible, loving, and moral person with more realistic faults. Color now seems, through evolution, to be taken out of the equation for the African-American television families.
The play “A Raisin in the Sun” by Lorraine Hansberry has many interesting characters. In my opinion, the most fascinating character is Ruth because of her many emotions and captivating personality. She goes through extreme emotions in the play such as happiness, sadness, anger, stress, and confusion. Ruth is very independent, firm, kind, witty, and loving.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Ha Jin is a very talented writer. He uses first person narrative, setting, and personal appeal to show his readers that cruelty and judgment against homosexuals is not needed in today’s society. He uses these three things to show that the criticism in this book is taken to an extreme. These aspects along with many others create a story that readers are not only interested in, but can relate to as well.
In the novel The Great Gatsby by American novelist F. Scott Fitzgerald, Jordan Baker portrays a professional golfer who is both Daisy Buchanan’s friend and a woman with whom Nick Carraway, the narrator, becomes romantically involved with. She is poised, blonde, very athletic, and physically appealing. Throughout the story, Baker represents a typical privileged upper class woman of the 1920’s Jazz Age with her cynical, glamorous, and self-centered nature. Despite the fact that she is not the main character, Jordan Baker plays an important role in portraying one of Fitzgerald's themes, the decay of morality, in the novel.
... model for how the entertainment and media industries depict black people must change. Despite the progress that blacks have worked toward since the days of slavery, society continues to give in to the monetary benefits of producing self-disparaging entertainment and media. It is not only up to the directors, editors, producers and writers to establish this change, but it should also be the demand of the people, or the consumer. If the images of black people in the media are improved the outlook within the community will improve as well. Not only will positive goals and achievements become more realistic for black people if the media outlets discontinue their practice of equating blacks with aggression, lawlessness and violence, but a greater good will also result for whites, which would be represented by a true autonomy and equality in American society.
Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were the only way for African-Americans to express the deep pain that the white population placed in front of them. Singing, dancing and acting took many African-Americans to a place that no oppressor could reach; considering the exploitation of their character during the 1930's-1960's acting' was an essential technique to African American survival.
My objective for writing this essay on the black family was to examine and interrogate a myriad of stereotypes surrounding this family structure. Slavery and its inception need to be explored because it enables one to acquire a better understanding of the modern day black family. It is my hope that once we achieve this level of understanding, if not acceptance, that we may be able to start the healing process that is so necessary.
As media consumers in North America, we are used to the typical network sitcom or drama that contains a calculated plot created to please audiences for the sole purpose of making money for the network. After analyzing the first episode of Orange is the New Black, “I Wasn’t Ready” it is clear that Netflix has succeeded in creating a show that appeals to the consumer while retaining hegemonic undertones. Orange is the New Black has been crafted to satisfy Netflix’s profit motives through the streaming platform upon which it is presented, the use of marginalized characters as the main cast and the humanization of women of various race, sex and body types targeted at the accepting millennial generation.
In the story My Favorite Chaperone, by Jean Davies Okimoto, I believe the theme is how working together makes life's struggles easier. The characters show this theme throughout the story. As children immigrants, the main characters struggle with combining a new culture with their family culture to find a new identity without bringing shame to their family. In the story, Maya, the main character, faces issues in how to fit in with a new world in America. In this new world there are different rules and expectations while she still has to respect and follow her family's traditions and rules. This conflict is shown when Maya wants to go to a school dance, but knows her parents would never let her go especially after she gets in trouble for
...viant, thus marginalized even demonized. While in recent times there has undeniably been a greater sense of acceptance toward homosexuals, there are definitely generalizations that tend to hinder the overall perspective on identity. The issue of sexual identity and gender has recently been brought to the forefront of social discourse due largely to the major activism of the LGBTQ community and countless progressive institutions. Through the recognition of the gender binary one can see that there are an array of preferences for being and behaving. Rather than having to follow traditional roles people should be able to be masculine, feminine, androgynous, aggressive, vulnerable, or indifferent. The issue is not necessarily diversity, but rather openness to gender possibilities and the freedom to experiment and shamelessly explore facets of one’s individual expression.