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Study of poetry analysis
Study of poetry analysis
Elements of poetry analysis
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In the poem By Watching, Hiram Larew uses signature craft techniques to show the realization that people can regain their conviction in God by conquering the doubt in their mind’s eye.
Larew’s use of the consonance sound “s” throughout the poem is ubiquitous. The “s” sound is representative of a hissing sound effect from the serpent whispering doubts in the speaker’s ear. Larew uses of the repetitive “s” sound to convey the notion that doubts are clouding the faith in God. Conversely the speaker was able to regain his or her conviction in God when the whisper of doubt was removed in the last line of the poem. Larew is reinforcing the idea that only by removing the doubts will people finally achieve complete conviction in God. The last line of the poem contains only five syllables the least out all the lines in the poem. Larew is implying that to believe in God is all that is required is to remove or conquer doubts in the mind’s
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Larew masterfully depicts the speaker’s sense of loss in a world of never ending doubts unable to see his or her faith in God clearly. The end-stop at the end of the poem is Larew’s way of conveying that against all odds the speaker has finally found his or her conviction in God. The journey traveling through the abyss has an end, a compass, leading to the renewed faith in God. The poem is comprised of three stanzas in the order of a ten line followed by tercet and concludes with a quatrain. Ten represents the ten commandments as well as the testimony of faith to the lord. Three represents the three individuals who witnessed Jesus’ transformation on Mount Hermon and five symbolizes God’s grace. Larew is iterating and reiterating the notion that God’s presence is everywhere; all it requires is a watchful eye able to see through the cloud of
1432.) is a magnificent work of Christian art. The painting of the Lord is covered with symbolism from top to bottom. The background has Christian’s symbols of wine and pelicans which relates to blood of Christ. The Lord wore clothing such as the headgear that represents the trinity, and sash that reveals the Sabbath. The phrases in the painting that reveal about eternal life and power of the Lord. Finally the painting has symbols of power: the large amount of gold presented in the painting and the crown below his feet. The painting is rich with symbolism, and the work of art need to be carefully overserve to see the full
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
The poem starts off with the speaker recounting an event that occurred the other day. We see him moving about a blue-walled room “ricocheting slowly” from one thing to the next (1). He seems to be in search of something, perhaps inspiration for his next poem, as he moves from items like the typewriter to the piano, from the piano to the bookshelf, then to an envelope on the floor, and finally to the L section of the dictionary. His actions are described as “moving as if underwater” and are coupled with the blue walls, giving the sense of fluid movement to not only the way he moves about, but to the poem as well. (3). Now it is here in the dictionary, that the word “lanyard” that sends him back into the past.
The depictions include: the properties of God, manners of longing of God, manners of knowing, the gifts of God, degrees of bliss, properties of the hazelnut, three wounds in her life, the virtues of Mary, the means to come to heaven, the aspects of the “fiend.” All of this language is celebratory. George Tavard’s article “The Christology of the Mystics” notes the pattern found within Julian’s visions or “shewings”: “ They follow in the main, the sequence of the Passion: (1) crowning with thorns, (2) the discoloring of Christ’s face, (3) the creation, (4) the flagellation, (5) Christ’s victory over the “Fiend,” (6) the heavenly reward, (7) God’s goodness, (8) the death of Christ, (9) the relation of
Stanley, Julian. “A Look at American Literature.” Their Eyes Are Watching God: A Comparison, 22 Apr. 2010, jas08m.blogspot.com/2010/04/their-eyes-are-watching-god-comparison.html.
To that end, the overall structure of the poem has relied heavily on both enjambment and juxtaposition to establish and maintain the contrast. At first read, the impact of enjambment is easily lost, but upon closer inspection, the significant created through each interruption becomes evident. Notably, every usage of enjambment, which occurs at the end of nearly every line, emphasizes an idea, whether it be the person at fault for “your / mistakes” (1-2) or the truth that “the world / doesn’t need” (2-3) a poet’s misery. Another instance of enjambment serves to transition the poem’s focus from the first poet to the thrush, emphasizing how, even as the poet “[drips] with despair all afternoon,” the thrush, “still, / on a green branch… [sings] / of the perfect, stone-hard beauty of everything” (14-18). In this case, the effect created by the enjambment of “still” emphasizes the juxtaposition of the two scenes. The desired effect, of course, is to depict the songbird as the better of the two, and, to that end, the structure fulfills its purpose
The color on the floor are very different, she is holding a twig she look down. The style and dark background add to a sense of feeling. At the back of Virgin Mary, the closet was old but looks clean, with all the furnishing. The clothes they wear were very simplicity, with all the light colors. The mixed color of the curtain with all the stripe, the panel was almost certainly commissioned as a private devotional image , not as part of a large structure. This was one of the most celebrated masterpieces in the Robert Lehman Collection. Angel Mary wears yellow with pink apparel on the top, she looks very serious as she look at one perspective. The painter used rough brushes on the ground makes it more realistic. In the Sandro Botticelli painting, the window looks proportion, and the window illuminated the scene of the tree, with light blue and green. In addition, on the top of the ceiling, the light blue and yellow mixed fits perfectly, The characters are focused on one event, the body are proportional as the bend their knees. The deep background of the frame gives a sense of the perfect event. The way paint was applied on the thick, such as the curtain, and
The immediate background consists of natural mounds of dirt and a brick wall that enclose the Virgin, Child, and St. John, amplifying the protective effect that Mary’s figure has. The dirt mounds roll inward with a brick wall bordering them on the right, drawing the viewer’s attention towards the three figures. The background is painted in broad terms, with a simple, uniform depiction of tree leaves and smooth rock faces on the horizon. This contrasts with the fine-lined detail and texture of Mary’s hair, facial features, and veil, which further contribute to her elegance and highlight her
...re Watching God’.” The Southern Literacy Journal 17.2 (Spring 1985): 54-66. Literature Resource Center. Web. 11 Feb. 2011.
———. Their Eyes Were Watching God. 2006. Reprint, New York: Harper Perennial: Modern Classics, 1937.
...ic meanings that still are puzzling art historians today. Some of the key symbols that Stokstad points out in the text is the dove, representing the Holy Spirit; the white lilies as a symbol of the Virgin Mary. She also points out, two rather unknown symbols to the sacrilegious, the date of the Annunciation in signs of the zodiac on the floor, as well as the lone stained glass window that is symbolizing God rising above the three windows that are placed in the background behind Mary. These three windows represent the Father, Son, and Holy Spirit.
Zora Neale Hurston’s Their Eyes Were Watching God is a novel illustrating the life of an African American woman that finds her voice through many trials and tribulations. At the heart of the story, Hurston portrays a protagonist who moves from a passive state to independence, from passive woman with no voice who is dominated by her husband to a woman who can think and act for herself. Hurston achieves the greater theme of Their Eyes Were Watching God, of self-expression and independence through her use of three basic southern literary elements: narrative structure, ¬¬¬¬¬allegory, and symbolism. A brief inspection of these three basic elements will reveal how Their Eyes Were Watching God achieves its inspiring effect.
She indicated that the colors represent her contrasting feelings- anxious and calm- and how they sometimes exist at the same time. She noted that the image was a representation of her mind: her new experiences were bringing her anxiety to the forefront, and she felt trapped in her own mind, but there were also times that she felt calm and at peace with how things were going. The image had another meaning to her as well, as she stated that she gets shy and insecure and puts up defenses when meeting new people. She titled this image, “Mind
The number of beats and stresses in each line during the poem are scattered, but this serves a purpose by letting ideas flow from one to another. Each idea is connected by using the word “ring” or “ringing.” The overall message of the poem is the constant “ringing” Turner remembers from war experiences affects his everyday life. Turners tone of voice in the beginning of the poem differs from the tone of the voice in end of the poem. In the first couple of lines Turner introduces what the ringing is and why it is constantly in his head. Then towards the end of the poem, Turner uses more vivid language to describe certain images and events he went through to get the constant ringing playing in his mind. For example, in the beginning, words like; “this ringing,” “bullet borne,” and “static,” are used to describe what the ringing represents, and what it can be compared to. Then in the end language like, “muzzle-flash,” and “gravestones,” describe images he remembers from war. The change in the language creates different atmospheres. In the beginning the reader just feels they are reading descriptive language, but the language in the end makes the reader feel they are there in the setting of the poem. This specific structure is important for ideas to flow
...tism. The dove which has been tactfully placed above the Christ’s head, symbolizes the Holy Spirit. The other characters are angels who believed to be witnessing the baptism. The nakedness of the Christ on the other hand symbolizes humility. The general landscape in this picture displays an extraordinary naturalism. The Francesca’s work also marked the era of excessive antiquarian style of sculpturing and tactful use of oil in painting (Prescott, 2005).