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Aristotle's theory of tragedy
Changing roles of women in twentieth century literature
Gender and roles of women in literature
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Recommended: Aristotle's theory of tragedy
Through the centuries, the conventions of drama have been altered in many different ways. These conventions are the setting, plot, characters and staging. The main factor which has been a dominant force during the changes of conventions has been the society. The society present during the time in which a play was written had a direct influence on the plot and characters. This is because drama is defined as a representation of life.
Four plays which have been selected from Greek, Elizabethan, Restoration and Modern times can be analysed to show and represent the changes of drama. These plays are “Oedipus the King';, “Macbeth';, “The Way of the World'; and “A Doll’s House';.
The early origins of drama came from the Greek. Drama in Greece,450BC was not readily available to the society. Plays were only put on twice a year during great religious celebrations. At these festivals, where the plays were performed competitively, the main focus of theme was about the Gods. These Gods were superior to everyone and represented wealth and power. The fact that they were immortal signified their importance and dominance. Greek drama was also based on the aspects of tragedy and dramatic irony. The tragedy meant that the play often ended with a noble person being destroyed by the Gods. The noble person was led by his own downfalls or flaws which often resulted in his death. This is evident in the story of “Oedipus the King'; where Oedipus tries to outwit the prophecy which the Gods predicted, but fails to do so and ends up in exile. The interesting technique of the dramatic irony in Greek plays meant that the audience had prior knowledge of the play and knew the events that will take place before the characters. The staging of plays in Greece took place in huge amphitheatres the size of large sports stadiums. These were used to accommodate the whole city. Despite the enormous amount of people watching the plays, the acoustics in the amphitheatre were excellent, so good that you could hear a pin drop. All the characters acting in the play had to wear bold and bright masks on their face which concealed their own features. The main purpose of these masks was to help the audience distinguish the type of character from their expression. Such elaborate masks were used because of the large number of people sitting nea...
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... the interests of ordinary people.
The role of women in drama has evolved in a way which could still be improved. They have gone from being the Goddesses of love and desire, to characters played by men, to characters only suitable to be played by middle class women to eventually characters played by all women but having no authority or power. This construction has been influenced by the men who have written the plays because they fear that the women characters may become too superior and that audiences won’t enjoy such a play. The construction of weak females has also been influenced by general society which simply accepts that women are useless and don’t deserve any role other than to seduce men and serve their desire.
Overall drama seeks to represent the truth about life. It does not fully complete this task because it is only able to construct versions of life which are symbolic. Drama is not the same as life because it has developed its own language and conventions for picturing reality. Drama can never be the absolute truth because different values are always being represented by different ideologies and different people may read these in different ways.
Through strong dramatic plots, characters and music, melodrama has created an engaging, well-developed form of theatre. But melodrama is not limited to one category. Like other forms of the theatre arts, melodrama can be further broken down into Victorian melodrama and Modern melodrama. As the names entail, Victorian melodrama was practiced in the Victorian Era (1837-1901) whereas Modern melodrama is still being performed today. Both equally exaggerated and emphasizing the good vs. evil conflict, these two forms of melodrama have shaped the stage theatrically and developed complexity in character and plot development.
In this textbook, Kenneth Muir compared the differences that existed in theatre during Shakespeare’s time and in modern theatre. Kenneth particularly analyzed the tastes, culture and styles used by the Elizabethan artists. However, the book also adopted a critical approach that sought to review the make-believe world that existed in the play. The book also analyzed the reality of the characters as well as their relevance in the contemporary world. Kenneth Muir was a literary scholar that concentrated on Shakespearian content for several years. The author was also a playwright and a poet. The book was written in a professional manner that covered the comparison in an elaborate manner.
To realize the vision of the play, the script, set-up, costumes, stagecraft, sound design, and acting have to communicate a unified message with which the audience will relate. The script will be tailored to ensure that the audience can understand the play as it proceeds. This is in terms of the language and terms used. Though the language will not be modern, it will be English that can be understood by the audience. This will be English of antique England as it will give the play a feeling of ancient times. The scriptwriter will carry out research on the level of understanding the local people will have of ancient English so as to ascertain that the script matches this level. Although many plays of that era were sung and accompanied by dance, this play will be acted out with spoken word rather than songs. This is because speaking will ensure the audience hears the conversations as they go on and that they understand. This is ...
Abortion, one of the most quarrelsome issues in America, is discussed daily in thorough detail. Although an abortion deals with women’s own bodies, health, and futures, women should not be allowed to regulate who survives and who dies. America’s president-elect genuinely deems that Roe v. Wade, which allows women to make their own intimate decision, should be repealed. Furthermore, at a campaign event in Wisconsin, Donald Trump stated that women who seek abortion should be subject to “some form of punishment” (Flegenheimer, et al.). While this New York Times article is heavily biased, Trump was highly criticized for the rhetoric he used at his campaign event. Americans must fathom what Trump is faithfully preaching; Trump is discoursing any
When working toward any goal, it is human nature to draw on the ideas of others; to consider the successes and failures of others to improve the chances of you succeeding. This is true in many different fields, but most frequently seen in literature. When writing new novels or plays, authors rely on the ideas and storylines of other pieces to give their piece more meaning or direction. This is no different from when William Shakespeare was writing his plays around the 1600’s. One of the more discernable examples of this is Shakespeare using the story of Pyramus and Thisbe when composing both Romeo and Juliet and A Midsummer’s Night Dream, which are a tragedy and a comedy, respectively. In the time of publication, theater was a common form of
What makes a good play or musical? Ask this question to five people and it is likely to yield five very different answers. Different people resonate with different accepts of dramatic expression. The first person to create clear-cut guidelines for analyzing a work was the Greek philosopher Aristotle. He defined what a good drama entails and wrote an outline that clearly delineates which elements good playwright should pay more attention to and which elements should be secondary thoughts. Aristotle’s Poetics put each of these elements into 6 categories; Plot, Characterization, Theme, Diction, Melody, and Spectacle. No matter when a piece was written one should be able to determine how successful or not these elements were executed and included in the work.
Elizabethan times in the 1600s was a progression for the world of the theater. A period named after Queen Elizabeth I of England, it is from this period that modern day society has its foundation for the entertainment industry. From the violence that was prevalent because of the Black Death, people turned to the theater for its poetry and romance. During this time period, there were two types of theatrical performances that were available for the people’s viewing, comedies or tragedies. These two genres were never really intertwined until the time of William Shakespeare. His play, Romeo and Juliet, is an example of both a comedy and a tragedy. It starts off as a comedy with Romeo weeping like a baby because of his love Rosaline, who did not love him back and ends as a tragedy when Romeo and Juliet, a pair of star crossed lovers, commit suicide because the lost of each other. It was also during Shakespeare’s time that writer were finally acknowledged by the people. Before this time, writers were not considered upper classman. Another group of people that began to rise into a higher social class were the actors. Actresses were not present back then because women were not allowed on stage. It was considered unladylike to have a female actor. Men played all the parts. Theater owners were dependent on actors to make them a profit. Rehearsals for the plays were fairly short, only lasting for about a week. The performances themselves would only show for three to four days.
Shakespearian plays are intriguing not only to the audiences at the time, but also to the modern audience by the fact that they closely relate to society and the human nature and their instincts like their drive for power, going against their values of right and wrong. Once power and status are achieved, the urge to gain more power continues leading to corruption and many more criminal acts. Other themes, like sexism hasn’t gone away, the discrimination towards women are still there and these examples, along with those previously mentioned, are closely relatable and can be spot easily in the modern world, making the audience understand so well even if they is a difference of centuries.
Through comedy and tragedy Shakespeare reveals the vast expanses and profound depths of the character of life. For him they are not separate worlds of drama and romance, but poles of a continuum. The distinction between tragedy and comedy is called in question when we turn to Shakespeare. Though the characters differ in stature and power, and the events vary in weight and significance, the movements of life in all Shakespeare's plays are governed by the same universal principles which move events in our own lives. Through myriad images Shakespeare portrays not only the character of man and society but the character of life itself.
The production attempt of displaying things in familiar way that is accurate to life. Costumes give a visual appealing sense of how people were likely to wear. Each character’s costume needs to match their class standing in the society that the people could have worn. Actions that done by the characters as a response because of something that has happened or due to the fact that they have a motive, is important to the play but have to be done in an understandable or reasonable way. Dialogue has to close to what someone say as if they are having a real life conversation. In the production that was so important to showcasing any play is portraying it something with as much accuracy to where it becomes hard to distinguish what could happen versus what is not really likely to happen. The more a production pays attention to details such as costumes, actions, and dialogue and the more the actors can succeed in performing a truthful
In the first chapter Esslin deems all common definitions of drama as lacking and insufficient since they overlook dramatic genres that are not staged. He thus draws heavily on those who regard live theatre as the only true form of drama. And yet Esslin does not state his own definition. He instead declares that drama should not have ...
Theatre will always survive in our changing society. It provides us with a mirror of the society within which we live, and where conflicts we experience are acted out on stage before us. It provides us with characters with which we identify with. The audience observes the emotions and actions as they happen and share the experience with the characters in real time.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Ancient Greek Theater is the first historical record of “drama,” which is the Greek term meaning “to do” or “to act.” Beginning in the 5th century BC, Greek Theater developed into an art that is still used today. During the golden age of the Athenians, plays were created, plays that are considered among the greatest works of world drama. Today there are thousands of well-known plays and films based on the re-make of ancient drama. Theater originated from the religious rites of ancient Greek tribes.
Theatre first came about from all different cultures acting out part of their bible, or performing rituals to the Gods. It was not until the middle ages when dramatists wrote about all aspects of life. Theatre has therefore changed continuously to suit the demands of each new age for fantasy, spectacle, or serious drama.