Constantin Brancusi
The biggest sculptor of the XXth century, Constantin Brancusi the central figure in the modern art movement and a pioneer of abstractization is considered to be the father of modern sculpture. The uniqueness of his sculptures comes from their elegance and the sensible use of his materials combining the simplicity of popular Romanian art and the elegant Parisian avangardism.
The most important characteristics of Brancusi’s art are probably the verticality, horizontality, the density and the interest he shows in using light and space. His work had a major influence in the modern concept of “form” in sculpting, painting and drawing.
Brancusi was born in 1876 in the Habita village.. During his childhood he learned to sculpt wood, to manufacture different household utensils, because at that time in Romania those were made out of wood as were the facades and piers. The style of these ornaments will influence Brancus’s work. Brancusi used to state that his way of life was influenced by his country of origin and that means simplicity, common sense and love for nature.
When he was nine years old he left home and had to take care of himself working for six years in a little shop in Craiova helping the owner continuing to sculpt in wood. He manufactured a violin for himself and drew the attention of a client. This client helped Brancusi to get addmited to the School of Arts in Craiova.
In 1889 after he graduated , Brancusi got into the School of fine arts in Bucharest. Although he felt he was drawn more to the art and sculptures made by independents rather than those of academicians inside the school the artist studied throuly anatomy and modeling
“Ecorsul”, a sculpture made during that period of time 1902 to be...
... middle of paper ...
... equilibrium and harmony will reign.
Being true to the philosophy and esthetics he chose in the beginning, meaning Socrates and Milapere Brancusi dominated his era by introducing a new will for universitality tied to the desire for peace and the rejection of catastrophes.
When he died , Brancusi gave away his works to the Art Museum in Paris with the sole condition that his workshop would be completely rebuilt inside the museum. His sculptures can be admired in private collections and in museums around the world like Museum of Art in Philadelphia, Solomon R. Guggenheim Museum, New York, Musee d`Art Moderne, Paris and so forth.
Bibliography:
http://www.brancusi.ro/
David Lewis - Constantin Brancusi – London 1974
http://www.cimec.ro/Muzee/Brancusi/CD/BrWeb.htm
http://www.craiova.ro/cabinet.htm
http://www.dindragoste.ro/arta/sarutul-brancusi.php
His art work displays were countrywide and worldwide for more than forty years. Andrews' work can be found in the everlasting collections of various museums as well as The Metropolitan Museum of Art, The Museum of Modern Art, The Hirsh horn Museum and The Art Institute of Chicago.
Louise Bourgeois and Constantine Brancusi were both two artists that had very abstract pieces of art. Though the two artists had very different pieces of work they also shared a lot in common. Bourgeois and Constantine both had very visually dramatic styles of art that focused on sexuality and reproduction in forms of the human body. In this paper I will be talking about both artists backgrounds and works as well as what they share in similiarity and the underlying message of their work.
Michelangelo was born in Caprese, Italy on March 6th 1475. His family was politically prominent as his family had large land property. His father was a banker and was looking to his son to engage in his businesses. As a young boy, he has ambitions of becoming a sculptor, but his father was very discouraging of this. He wanted his son to live up to the family name and take up his father’s businesses. Michelangelo became friends with Francesco Granacci, who introduced him to Domenico Ghirlandio(biography.com). Michelangelo and his father got into a series of arguments until eventually they arranged for him to study under Ghirlandaio at the age of thirteen. Ghirlandaio watched Michelangelo work and recognized his talent for the art and recommended him into an apprenticeship for the Medici family palace studio after only one year of at the workshop. The Medici’s were very rich from making the finest cloths. Lorenzo, which was one of the most famous of the family had a soft side for art and is credited for helping the Italian Renaissance become a time of illustrious art and sculpting. At ...
The Head of Augustus, that is located in the Metropolitan Museum of Art, is a combination of Roman and Egyptian art. The Roman technique used to sculpt Augustus’ head is highly valued, but it is the Egyptian faience practice that makes this work of art significant. To best understand why this sculpture was created under the influence of these two cultures, a brief review of history is discussed.
Giovanni Bellini was born in Venice, Italy around 1430. He was the son of Jacopo Bellini, an esteemed painter at the time, and probably began his career along side his brother as an assistant in his father’s workshop. Though his artwork was influenced by many of his friends and relatives, Giovanni possessed certain qualities in his compositions which set him apart from the others. He blended the styles of both his father and brother-in-law, Andrea Mantegna, with his own subtle appreciation of color and light, the high regard he held for the detail of natural landscape, along with the very direct human empathy he placed in his painting. These components of Bellini’s personal style became foundational to the character of all Venetian Renaissance Art. Bellini later developed a sensuous coloristic manner in his work which became yet another characteristic he contributed to the Venetian Renaissance Art.
Michelangelo’s family moved to Florence, Italy a month after his birth. Although his family was not wealthy, Michelangelo went to school in 1482. When Michelangelo started to excel in the arts his dad was not happy. He wanted Michelangelo to become a government or military figure. He beat Michelangelo to steer him away from the arts. Finally, at age 13 Michelangelo’s dad gave up and let Michelangelo start an apprenticeship under Domenico Ghirlando to learn (McNeese 11-21).
subject’s action. Many works of his time period were sculptures that were meant to be
Mozart was born to a deputy Kapellmeister to the court orchestra of the Archbishop of Salzburg. Leopold, Mozart’s father, was also a minor composer and teacher. Mozart’s musical abilities were first noticed when he showed great interest in the music lessons of his older sister. By the age of five, the Mozart family was touring European courts. The young Mozart showed great ability in the playing and composition of small pieces, many of which were transcribed by his father, and survive today. Eventually, Leopold gave up his own composing to concentrate on the talents of his young son. Leopold was also the early teacher of all of Mozart’s studies. After extensive touring from 1762 to 1773, Mozart was given employ at the Salzburg court at the age of 17. There, he had the op...
Wolfgang started learning music at a very early age from his dad Leopold, who was a violin player. At the age of six he began composing and by eight he had written symphonies. His father toured Mozart and his sister around for the entertainment of nobles across Europe. From 1963 to 1973 Mozart went on tour with his father and family. He performed both publicly and privately for nobles of the time and often was asked to write music for weddings and other special occasions. While his father was often inflexible and hard to deal with, the tours that he went on were mostly improvised. “In 1777 Wolfgang went on a tour with his mother to Munich, Mannheim, and Paris. It was in Paris that his mother died suddenly in July, 1778. With no prospects of a job, Mozart dejectedly returned to Salzburg in 1779 and became court organist to the Archbishop.”(Sherrane, 1.2)
Cultural and political changes such as the spread of Marxism, the rise of psychoanalytical ideas, and the growth of media in the face of technological advancement prompted many artists to reassess notions of art (Farthing). Rejecting the idea that art must realistically depict the word, many artists started to explore abstract ideas such as symbolism and focused more on the representation of emotions or personal subjects they had direct experience or interest in (MoMA). Modernist sculpture cannot be identified by one defining characteristic, rather it encompasses different art movements and represents a pivotal moment for sculptors to investigate different materials, methods of construction and formal elements of sculpture such as form, space and mass. Constantin Brancusi played a major role in developing modernist sculpture, after rejecting Rodin’s naturalism. Brancusi tried to capture the essence of the subject by distilling them down to their most refined and simplified forms. For example, he used a section of the body to represent its entirety, often focusing on the head as he felt that was the most expressive component of a human being. He also emphasized a commitment to the material’s natural properties, using a direct carving
Notable examples of his sculpture of this period are Miracles of St. Anthony, Gattamelata, the first bronze equestrian statue since ancient times, and Judith and Holofernes. The sculpture of Donatello influenced that of Florence and northern Italy in the 15th century. It was also a major stimulus on the development of realism in Italian painting, notably in the work of the great Paduan artist Andrea Mantegna. Donatello, who died on December 13, 1466, had many pupils, the most important of whom was Desiderio da Settignano.
After high school, he decided to move away in order to pursue his interest in art,
Additionally, the styles changed; from Rococo, which was meant to represent the aristocratic power and the “style that (…) and ignored the lower classes” (Cullen), to Neoclassicism, which had a special emphasis on the Roman civilization’s virtues, and also to Romanticism, which performs a celebration of the individual and of freedom. Obviously, also the subject matter that inspired the paintings has changed as wel...
Few paintings can be undoubtedly credited to Masaccio, but these are considered masterpieces nonetheless. His greatest work was done on the frescoes in the Brancacci Chapel of Santa Maria del Carmine in Florence. These frescoes were started by Masolino and ultimately completed by Fillipinno Lippi years after Masaccio’s death. This chapel is now a significant monument in the history of art. These frescoes had a tremendous impact on Florentine art thereof, and were used as a basis to teach new artists like Michelangelo and Raphael. It is on these wall...
by his aunt Mimi after his parents divorced. He attended an art school after doing very poorly in all