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Consolation in the Book of Duchess In “Book of the Duchess,” Geoffrey Chaucer draws close parallels between the poet’s insomnia and the Knight’s grief. In showcasing the Knight’s complete lack of interest in the hunt, coupled by his general lethargy, Chaucer effectively parallels the Knight’s apathy to that experienced by the Narrator himself and his own feelings of loss of energy and enthusiasm.. The Chaucerian consolation in “The Book of Duchess,” seeks only to revitalize its suffers, and offers very little thorough investigations into the roots of the Narrator’s and the Knight’s prolonged state of despairs. Instead, as far as is possible, it seems that Chaucer ignores all explanation of causes, but continues to provoke the reader’s curiosity for the reasons behind the insomnia, yet never fully answers whether consolation found or rejected. Through these parallels and juxtapositions, the reader can begin to discover, understand, and contemplate, the mechanics of consolation as it functions throughout the poem The capacity of the poet to take notice of nothing, “how hyt cometh or gooth" (Chaucer 7), is mirrored by the Knight’s failure to notice the approaching poet in the garden (Chaucer 500-510); the reason being that both characters have completely severed themselves, at least psychologically, from their worldly surroundings. While the Knight has removed himself from the court and immersed himself in “his owne thoght” (Chaucer 504), the Narrator suggests that he too has rid himself of the external world that has become illusory to him (Chaucer 12-13). The Knight has “yturned his bak / To an ook, an huge tree,” shutting out the beauty of the garden that surrounds him (Chaucer 446-447). The oak tree, symbolic of Nature’s strength... ... middle of paper ... ...Consolation of Philosophy. Oxford: Clarendon Press, 1999. Print. Chaucer, Geoffrey. “The Book of the Duchess.” In The Riverside Chaucer. Ed. Larry D. Benson. Boston: Houghton Mifflin Co., 1987. Freidman. John Block. “The Dreamer, the Whelp, and Consolation in the “Book of the Duchess.” The Chaucer Review 3.3 (1969): 145-62. Print. Hoffman, Frank G. "The Dream and the Book: Chaucer's Dream-Poetry, Faculty Psychology, and the Poetics of Recombination." 2004. Print. Philips, Helen. “Structure and Consolation in the “Book of the Duchess.” The Chaucer Review 16.2 (1981): 107-18. Print. Symons, Dana M., Consortium for the Teaching of the Middle Ages, and Western Michigan University. Medieval Institute Publications. Chaucerian Dream Visions and Complaints. Kalamazoo, Mich: Medieval Institute Publications, College of Arts & Sciences, Western Michigan University, 2004. Print.
The Parliament of Fowls and the House of Fame are closely related to each other and to the Book of the Duchess, as all three of the poetry share several similar themes. Written between 1368 and 1380 they are some of Chaucer’s earliest works in which aspects of some of the great writers of his time are evident. There are three major themes intertwined within the three works, which Chaucer has added to the Dream Vision genre.
Layamon. "Arthur's Dream." The Norton Anthology of English Literature. Ed. M.H.Abrams. New York: W.W.Norton & Company, Inc., 2000. 122-124.
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Gioia, Dana, and X.J. Kennedy. "My Last Duchess." Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Compact Edition, Interactive Edition. 5th ed. New York: Pearson; Longman Publishing, 2007. 432-433. Print.
Toswell, M.J. "Chaucer's Pardoner, Chaucer's World, Chaucer's Style: Three Approaches to Medieval Literature." College Literature 28.3 (2001): 155. Literature Resource Center. Web. 25 Feb. 2011.
Vasta, Edward. "Chaucer, Gower, and the Unknown Minstrel: The Literary Liberation of the Loathly Lady." Exemplaria. 395-419.
The Wife of Bath Prologue and Tale. Geoffery Chaucer. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 375-408. Print.
Chaucer, Geoffrey. The Canterbury Tales. Norton Anthology of World Masterpieces. Ed Mack, Maynard et al. W. W. Norton and Co. New York, NY. 1992.
Chaucer, Geoffrey. “The Wife of Bath’s Prologue.” The Canterbury Tales. Ed. Larry D. Benson. Boston: Wadsworth Cengage Learning, 2000. 87-98.
From The Riverside Chaucer, Third Edition. Ed. Larry D. Benson, Ph.D. New York: Houghton Mifflin, 1987. Chaucer, Geoffrey. A. The Canterbury Tales.
Stanbury, Sarah. (1997). Regimes of the Visual in Premodern England: Gaze, Body, and Chaucer's Clerk's Tale. New Literary History 28.2, (pgs 261-289)
Roger Babusci et al. Englewood Cliffs: Prentice-Hall, 1994. 115-136. Print. “The Medieval Period: 1066-1485.”
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