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Gender roles in middle eastern culture
Essays about cultural identity
Exploring cultural identity 1.3
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In the books Year of the Elephant by Leila Abouzeid and The Joy Luck Club by Amy Tan the protagonists, Zahra and Ying-ying St. Clair, share a similar struggle. They both suffer from a loss brought about by their husbands that causes them emotional distress, and due to male superiority in patriarchal societies the men are able to alter the lives of their wives without any consequences or feelings of guilt for their wrong doing. However, having experienced the same struggle the women cope with it differently. While Ying-ying decides to tell her daughter Lena about her first marriage in order to give Lena her Tiger spirit, Zahra begins to piece together the life that is now her reality. Similarly, Zahra and Ying-ying St. Clair struggle with …show more content…
Ying-ying gradually lost herself over the years during her two marriages, and her loss causes her much anguish because she watches her daughter’s unhappiness knowing she has passed on her tiger ghost. Being born in the year of the tiger Ying-ying’s spirit possesses the strength and fierceness of a tiger. Ying-ying’s loss of herself is due to absence of her tiger spirit. This loss began during her first marriage. Ying-ying was not fond of her first husband, but she grew to love him because of the “part of [her] mind that swims to join [him] against [her] will” (Tan 247). She, essentially, domesticated herself for her first husband by focusing on pleasing him and not herself, she was taught that “it is wrong to think of [her] own needs” (Tan 70) and in doing this she silenced her voice. Her passivity tamed the “wild and stubborn” (Tan 243) aspects of herself. And the pain she felt when her husband committed adultery caused her tiger’s fire to finally go out, resulting in Ying-ying no longer being the “heartstrong” (Tan 248) girl that she remembered. “[Ying-ying] became a stranger to [herself]” (Tan …show more content…
Clair. In patriarchal societies men are the superior beings, and struggles the two characters face show the amount of power men have over women. For Ying-ying, her first marriage is arranged, so she did not have a say in who she married. Much like Mohammed, Ying-ying’s first husband committed adultery with no consequences to his actions. They both also left their wives as if they had become worthless, and even in his absence in Ying-ying’s life her first husband maintained had power over her. She is unable to marry until her first husband died and even after his death he still has hold on her because their marriage left a lasting affect on her. She carried her passivity into her second marriage and passed it n to her daughter. Zahra’s husband’s ability to divorce her also made him capable of having lasting affect on her life. She now has to struggle to find her place in a society fit for men, which is difficult because she does not have the education necessary to get a job that would allow her to make “an honorable living” (Abouzeid 77). The lack of education of women living in Moroccan society makes them dependable and inferior to men, socially and economically. With these disadvantages, the two women do find a way to cope with their loss in their patriarchal societies. Ying-ying decides that it is time to tell her Lena about her first marriage and her life mistakes so
The fact that they’re 24 carrot gold indicates that she wants the best for herself and her new life. It also symbolizes her purity and strength as a person.
Amy Tan’s novel, The Joy Luck Club uses much characterization. Each character is portrayed in different yet similar ways. When she was raised, she would do whatever she could to please other people. She even “gave up her life for her parents promise” (49), I the story The Red Candle we get to see how Tan portrays Lindo Jong and how she is brought to life.
In the stories “A Rose for Emily” by William Faulkner and “Story of an Hour” by Kate Chopin both women suffer through expectations brought on by society and the ideas of marriage. Emily loses her sanity trying to obtain love and live up to the expectations of society. Emily kills the man she loved so that he would never leave, and so that she could maintain her reputation. She was put on a pedestal, and that pedestal would end up being her destruction. Louise is a woman afflicted by heart problems, which could relate her unhappiness. After losing her husband she starts to feel free; however when her husband walks through the door she dies. Louise was a prisoner of societies making, she was never given a voice. She could never explain her unhappiness because women were expected to love and obey their husband’s without complaints. Marriage to these women meant different things, although the idea of marriage damaged both women. Louise and Emily were women damaged by the pressures of who they are expected to be.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To represent everything that was hoped for in their daughters, the mothers wanted them to have a “swan- a creature that became more than what was hoped for,” (3). This swan was all of the mothers’ good intentions. However, when they got to America, the swan was taken away and all she had left was one feather.
As the women narrate the harm caused by men, they lose track of the beings that they once were and become different people in order to cause a reaction in others. These women are hurt in ways that cause them to change their way of living. The Lady in Blue becomes afraid of what others will think of her because a man impregnated her: “i cdnt have people [/] lookin at me [/] pregnant [/] I cdnt have my friends see this” (Shange, Abortion Cycle # 1 Lines 14- 16). Instead of worrying about the life of her child, she worries about how her...
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and values get passed on through generations, even with the obstacles of different cultures and language.
In class there have been many discussions over the relationships and marriages among the books we have read. When someone thinks of marriage, a fairy tale with a happy ending might come to mind, or possibly a safe haven for those looking for something stable. In The Awakening by Kate Chopin, and “The Yellow Wallpaper” by Charlotte Perkins Gilman, marriage takes a turn for the worse. Marriage is no longer the happy memories in a lifetime. It can be the thing that hinders the women in these stories from developing their full potential or experiencing the world and other lifestyles. Through these texts and this time frame, we will analyze the meaning of their marriages, how they function, and the end result of both.
In The Joy Luck Club, by Amy Tan, the characters Suyuan and June have a mother-daughter relationship fraught with conflict, but ultimately rooted in deep love and commitment for one another. Because of drastic differences in the environments in which they were raised and in their life experiences, these two women have many opposing ideas and beliefs. This coupled with their lack of communication are responsible for many of the problems they encounter during the course of their relationship. These conflicts are only resolved when June learns about her mother's past and accepts their respective differences. The manner in which their relationship develops and the conflicts June and Suyuan face reveal some of the themes that Amy Tan intends for the readers to learn. These themes concern such topics as finding life's importance, making choices, and understanding ourselves and our families.
The fact that the fictional mothers and daughters of the story have unhappy marriages creates a common ground on which they can relate. However, marriage has different meanings for each generation in this book. In the mothers’ perspective, marriage is permanent and not always based on love. Especially with their marriages in China, which was a social necessity that they must secretly endure in order to be happ...
Marriage can be seen as a subtle form of oppression, like many things which are dictated by social expectations. In Kate Chopin’s The Story of An Hour, Louise Mallard finds herself in distress due to the event of her husband’s death that makes her question who she is as a person. The author cleverly uses this event to create the right atmosphere for Mrs. Mallard to fight against her own mind. As the short story progresses, we see that Mrs. Mallard moves forward with her new life and finds peace in her decision to live for herself. This shows that marriage too is another chain that holds oneself back. Not wanting to admit this to herself, Louise
...ies, she goes back to the piano and finds two songs. She begins to play “Pleading Child,” the song that caused the breaking point of her relationship with her mother. This song, with its fast and aggressive melody, best represents the mother’s aggressive attitude towards her daughter. Then Jing-mei plays the song next to “Pleading Child,” called “Perfectly Contented.” It turned out to be lighter and slower. It is a much happier song. Jing-mei’s determination to be herself, “Perfectly Contented,” corresponds with this song. “And after I played them both a few times, I realized they were two halves of the same song.” (499). Like the ying-yang and the songs, Jing-mei’s relationship with her mother may seem disastrous and apart, but together they share a strong bond that makes them whole. Even though the two disagree, like the songs, they form one beautiful song.
Gender roles and marriage the two short stories that I decided to compare and contrast is “Story of An Hour” by: Kate Chopin; and “The chrysanthemums” by John Steinbeck. In “The Story of An Hour” the author talks about a woman who is married and finds out that her husband has been killed in a train accident. Her first reaction is devastation she starts crying historically then she goes into her room and thinks about her new found freedom. She looks out the window seeing all this new life and thinks about how hers is going to be, as this new independent woman she is now free. This feeling of freedom of marriage excites her but then she finds out that he still alive and all of her new found freedom is taken away from here this gives her a heart attack. In the story of “The Chrysanthemums” there is a married couple. Their marriage was a typical marriage for back in the day when women were expected to take care of the home and garden and men were expected to work all day to be the bread winner for the family. Elisa Allen, henry wife loves to work in the garden on her chrysanthemums she is a very strong and beautiful women. She wants to do more on the business side of the relationship but she knows that this is not for a women. Both of these stories are very similar in the ways that women were treated in the past. They were treated like they were not good enough to do a man’s job and they had less rights then men did in the past. The two women in the short stories I read have similar experiences of being oppressed by men but the overall outcome was different for both women. The reason why I thought this was because the authors of the stories differ in gender this plays a huge role on how the two main women characters stories ended.
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.
Nazneen and Celie both belong to different culture, religion and nation, but they both are women, the weaker sex. They both belong to that gender which is always identified with the man. Therefore, they both are identified by their respective husband Chanu and Albert. Clara Nubile writes: “In childhood a women should be under her father’s control, in youth under her husband’s and when her husband is dead under her sons. She should not have independence” (1).
To begin, Celie, the protagonist resembles the perfect wife of this time she listened to what she was told; she cleaned, worked, and took care of everyone around her no matter what the circumstances. “Her strength, unlike that of Sofia or Shug is not physical or artistic, but it is the strength of integrity. She remains honest and compassionate, caring for everyone she comes into contact with” (Litnotes). Reader often become frustrated with Celie because she remains so loyal and loving for the people who mistreat her. For example, Celie was often beaten on days her husband, Albert, was in a bad mood; she did not even have to do anything wrong to be mistreated, but above all she would continue to work like his slave and never once complain. The problem of this novel is the woman have absolutely no power over anything, including themselves; therefore the women begin to bond together and have an uprising.