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Summary of what it means to say phoenix arizona
Summary on this is what it means to say phoenix arizona
Summary on this is what it means to say phoenix arizona
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This is What it Means to say Phoenix, Arizona
Walking down the hall, you notice him. Everyone avoids him and ignores the fact that he exists. You know who he is but your are hesitant in approaching him because you know of the consequences. He’s not part of the crowd and to acknowledge him will mean turmoil for you. It’s starts out with teasing and joking and slowly develops into bulling, but you can avoid that if you just turn around. In the story, “This is What it Means to say Phoenix, Arizona,” Sherman Alexie explores life by including generally recognized conflicts. Although typical, the conflicts that Victor encounters occur in more than one aspect of life at once. Some are resolvable, but true to life, some are not. The most apparent conflict in the story is the relationship between Thomas Builds the Fire and Victor. Through the death of Victor’s father, they have come together.
As the story begins, the narrator, Victor not only “lost his job at the Bureau of Indian Affairs, he also found out that his father had died of a heart attack in Phoenix, Arizona” (181). Having little money to make the trip to Phoenix, Victor decides to ask to Tribal council for assistance. However, the tribal refuses to provide the full amount of his request because they did not “have enough to bring [his] father all the way back from Phoenix” (181). In desperation, Victor turns to Thomas Builds-the-Fire, an old childhood friend, for help. At first, Victor refuses help from Thomas because of his strange and unpopular reputation. Thomas is known as the reservation’s storyteller who shared stories and continued telling stories even after people stopped listening. However, as he becomes weary, he finally is able to negotiate a plan with Thomas. The plan includes Thomas traveling with Victor to and from Phoenix.
During the trip, Victor reflects on his past experiences with Thomas. At fifteen, they “had long since stopped being friends [and] got into a fistfight” (183). As adults, though they would often see each other on the reservation, however they would rarely interact. As an opportunity arises, when they arrived to his father’s trailer in Arizona, Victor finally apologizes to Thomas. He adds, “I never told you I was sorry for beating you up that time” (185) and accepts him for who he is.
He always wants to help someone else in need before himself, whereas the father is only concerned about their own personal wellbeings. He “is the one” who worries about their ethical choices and wants to help a stranger in any way he can (259). McCarthy proves the importance of the boy’s spirit of love for other people when his dad dies and he must take the leap of faith to continue along the road with a new family. Despite all the corrupted people they encountered beforehand, the boy meets someone who is “carrying the fire” (129). This mantra by the father and son, symbolizes hope and humanity. The qualities Steinbeck labels for a writer to create in his writings can be summed up in “carrying the fire” since the two never did give up. It is the greatness of the heart and spirit Steinbeck notes that is “inside [them]. [And] [i]t [is] always there” (279). It is noteworthy that even in the midst of death and ashes, the two are able to hold onto their relationship and sanity. The “good guys” can continue to carry meaning and structure in their lives, even in a time where society turned into a battle to survive on the remnants of
King, Thomas. “Let Me Entertain You. The Truth About Stories: A Native Narrative. Minneapolis: University of Minnesota Press, 2005. 61-89. Print.
Recently, in Mr. Hutchins 9th grade honors literary composition class, we watched the film Smoke Signals. Based on popular author, Sherman Alexie’s book Lone Ranger and Tonto Fistfight in Heaven the movie stars, eccentric, awkward Thomas-builds-the-fire (Evan Adams) and fiery, aggressive Victor Joseph (Adam Beach), who embark on a road trip out of their Idaho reservation to Phoenix, Arizona to retrieve Victor’s father’s ashes (Gary Farmer). There, a friend and neighbor of Arnold, named Suzy Song (Irene Bedard) greets them. Not only does Victor find and retrieve his father’s ashes, but he finds himself in the process.
Sherman Alexie's literature often uses symbolic features relating to Native American culture. His characters tell their stories while Alexie tells his own story simultaneously. His 1993 short story, This is What It Means to Say Pheonix Arizona and later film adaption Smoke Signals focuses on two young native American men, Victor and Thomas on a journey to collect Victor's father's ashes. Throughout the journey, Victor reflects on previous events that relate to the death of his abusive father. Fire and Ash continually show up throughout the story; it can be seen through Victor's anger, actual fires and even symbolic fires. Although different,
Growing up, Victor and Thomas didn’t get a long so well. Thomas was often annoying and Victor just wanted to be left alone. Thomas often talked of Arnold and Victor never wanted to talk about his deserted father. The last thing that Victor wanted to do was talk about the father that bailed on...
The imagery of fire continues in the story; the building of their fires, how the man molds the fires, and how they stoke the fire. When the boy gets sick the father is referred to many times of how he builds and rekindles the fire. This actual fire is a symbol for the fire that the man and the boy discuss carrying within in them. The man fights to save his son and the fire within the boy
In “This Is What It Means to Say Phoenix Arizona”, Victor has become psychologically troubled because he has put his own traditions behind. Throughout the story, the readers find out that Victor has an internal conflict due to the unhealthy relationships in his life. His father abandons him at a very young age, which causes Victor’s loss of guidance and self-identity. The day that Victor’s father abandons his family, Victor gets “really drunk and beat[s] Thomas up for no apparent reason at all”(276).
In life, everyone experiences a time of hardship, and for the most part, those affected find methods of overcoming the adversity. The idea of getting through hardship is best reflected in; Sherman J. Alexie’s story “This Is What It Means to Say Phoenix, Arizona” (274). In the story, victor whose father had recently died from a heart attack has to travel to phoenix Arizona to reclaim his father’s ashes and his truck. Victor is joined by his former childhood friend “Thomas Builds-the-fire”, who finances the trip to phoenix since Victor did not have the means. They drove back truck from phoenix to the reservation. Throughout the trip, Thomas is always telling stories mostly reminiscing about their childhood. It is through Thomas stories that we learn much about Victor’s father. Through the use of symbolism, and character development, Alexie conveys the idea that, when someone is experiencing an adversity, reconnecting and embracing the past may lead to a discovery of a brighter future.
Victor grows up in school both on the American Indian Reservation, then later in the farm town junior high. He faces serious discrimination at both of these schools, due to his Native American background. This is made clear in both of the schools by the way the other students treat him as well as how his teachers treat him. His classmates would steal his glasses, trip him, call him names, fight him, and many other forms of bullying. His teachers also bullied him verbally. One of his teachers gave him a spelling test and because he aced it, she made him swallow the test. When Victor was at a high school dance and he passed out on the ground. His teacher approached him and the first thing he asked was, “What’s that boy been drinking? ...
“This Is What It Means To Say Phoenix, Arizona” discusses the physical and mental journey of Victor, a Native American man in the state of Washington, as he goes to Phoenix, Arizona to claim his father’s remains and his savings account. While on this journey, Victor learns about himself, his father, and his Indian culture with the help of his estranged friend, Thomas Builds-the–Fire. The author, Sherman Alexie, plays on the stereotypes of Native Americans through the characters of Victor and Thomas. While Thomas is portrayed as the more traditional and “good” Native American, Victor comes across as the “bad” Native American. Through the use of this binary relationship, Alexie is able to illustrate the transformation of these characters as they reconcile with each other, and break out of these stereotypes in the process.
Victor knew he was a Native American that lived on the reservation. However, as he has grown up, it seems he has forgotten the tribal ties of the Native Americans. The people of that culture consider everyone in the tribe to be family and they are not ashamed of who they are and where they come from. Towards the end of the fictional narrative it is said, “Victor was ashamed of himself. Whatever happened to the tribal ties, the sense of community? The only real thing he shared with anybody was a bottle and broken dreams. He owed Thomas something, anything” (519). At the end of the story, Victor has finally realize that he is acting self absorbed. He realizes that this is not who he wants to be and he should not be ashamed to talk to Thomas Builds-a-Fire. Remembering his tribal ties, Victor gives half of his father 's ashes to Thomas. By doing that, Victor is thanking Thomas in his own way. Victor said, “listen, and handed Thomas the cardboard box which contained half of his father. “I want you to have this” (519). Individuals on the reservation thought Thomas was just a madman with weird stories. But in reality he was always true to his tribal identity and has even taught Victor how to get back to that. For example Thomas says, “I’m going to travel to Spokane Falls one last time and toss these ashes into the water. And your father will rise like a salmon, leap over the bridge, over me, and find his way
Victor, a reservation Indian, needs to go to collect the body of his father in Phoenix, Arizona. He was unemployed and with no money to make that trip. The reservation tribal council only could afford to give him only one hundred bucks, not enough for a round trip. He found Thomas Builds-the-Fire, who offers his saving with on the condition that he accompany Victor to Phoenix. Thomas has always been a storyteller that no one wants to listen. Nobody talk to Thomas because he says the same stories over and over again. Victor decides to take Thomas offer because there was no other
The metaphorical meanings of ¡§A Rose for Emily¡¨ and ¡§Barn Burning¡¨ teaches me to view life in a different way. I do not agree with Miss Emily¡¦s deed, but admire her inflexible love. She reminds me to be careful when choose a beloved. It is important to find someone who suits me. The other protagonist, Sarty shows strong self-awareness. He is young, but he is able to determine right and wrong. He knows that if he continuing stay with his father, he will not be able to live his own life, or do right things. It is pretty courageous that he decide to leave his family. When I make a decision, I should have the same courage. Both stories¡¦ plots themselves are odd, but the meanings stimulate deep thought.
The stories all took place in or around the Spokane Indian Reservation outside of Spokane, Washington. The main character of the stories change regularly but all deal with many of the same characters. Much of the book is focused on characters Victor Joseph and Thomas Builds the Fire. Other members of the reservation are mentioned regularly like Lester FallsApart and Norma Many Horses. The stories follow both Victor and Thomas through their adult lives with many reflections of their past.
Idolization is a powerful mind game that makes it’s own rule. “And, just like everyone else, Indians need heroes to help them learn to survive. But what happens when our heroes don’t even know how to pay their bills?” (Alexie 49). When you finally reach the conclusion that you are nothing like your role model, and in fact you are worse, it’s more than easy to bow down to your demons and let them take ahold of who you are. Victor fell victim to the soul snatching crime that is life’s biggest let down- demoralization. In his eyes, a Native American man is one that doesn’t take “no” for an answer. He is one that takes charge of life’s greatest pitfalls. He is a warrior, bold, commanding, compelling, and introspective on life. Crazy Horse was this exact man. But unfortunately- Victor is none of those things. As expressed in Alexie’s novel countless times, Victor’s dream in life is to be an all mighty Native American man. But, try as he might, the error in his ways is his own identity crisis which is unavoidable. His ideology proves to be just another recipe for disaster and destruction. “He wished he was Crazy Horse” (Alexie 42). A lost sense of self is one of the biggest side effects to living a lackluster life. Victor doesn’t know who he is. The only thing he does come to terms with is that he will never live up to be who he first set out to become.