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Importance of descriptive writing
Causes Of Conflict In Literature
Causes Of Conflict In Literature
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Recommended: Importance of descriptive writing
The Push and Pull of a Story
Conflict is the sole thing that pulls a story together and pushes it forward. Without conflict, there is no action or force moving the story. External conflict usually pushes the story forward with scenes such as fights and internal conflict pulls the story together with more insightful information about the characters’ personalities. However, they could do both pulling and pushing at times. In the fictional short story “The Most Dangerous Game” by Richard Connell, there are many instances of conflict in the story between all the characters.
One of the first types of conflict that readers encounter in the story is individual versus nature. In this story, Connell uses individual versus nature many time as an external conflict, using descriptive language to describe struggles between the characters and nature. When Rainsford accidentally falls off his yacht on his way to Rio, he struggled to find his way to Ship-Trap Island, the only things aiding him being sounds. Connell says, “For a seemingly endless time he (Rainsford) fought the sea”
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(7). The author also uses personification by saying “the wash from the speeding yacht slapped in the face” (7) making the quarrel more interesting. The story gets pushed forward as Rainsford gets closer to meeting General Zaroff on the island, the main antagonist of this story. Later, after beginning the game with Zaroff, Rainsford encounters quicksand that “sucked viciously at his foot as if it were a giant leech. With a violent effort, he tore his foot loose” (20). Once again, Connell does a wonderful job describing a conflict and using it to grab the reader’s interest as well as to move the story. Near the end, in order to escape Zaroff, Rainsford jumps off a cliff into the sea then later appears in Zaroff’s room to kill him. Although, it isn’t said directly, the reader assumes that Rainsford must have had a hard time swimming around the island to get to Zaroff’s estate. When Rainsford falls off his yacht “he remembered the shots” and “doggedly he swam in that direction” (7). The pistol shots called to him and causes him to swim towards the island. This is a case of the conflict type individual versus fate. However, in this specific example Rainsford ,although he may have not realized, surrendered to fate when he landed on the island, the same island Zaroff was on. Zaroff and Rainsford had so many similar qualities of wealth, love of hunting, and expertise; it was destined they meet. Later in the story, when the two are eating dinner together, Zaroff tells Rainsford about how he hunts humans on the island. When Rainsford asks how humans get on this island, he replies, “Sometimes an angry god sends them to me” (14). Fate with the help of the treacherous sea brought men of all kind, “lassars, blacks, Chinese, whites, mongrels” to the island according to Zaroff (14). In battles between fate and the sailors, those who land on the island inevitably have lost. Another instance when Rainsford quarrels with fate is when Zaroff was hot on his trail and he only has two choices. Rainsford could either “stay where he was and wait. That was suicide. He could flee. That was postponing the inevitable” (21). Rainsford’s fate was to die, but he challenged it and in the end, won the game against General Zaroff and survived. All of these external conflicts in the story were invigorating and engaged the reader in the action as well as succeeding in pushing the story. The main type of conflict throughout the story was individual versus individual. Right before Rainsford falls off the yacht, he had an argument with Whitney, one of his crew members. The first thing they argue about is whether the jaguars they were going to hunt could feel fear. The two bicker about it and Rainsford finishes the conversation in the end by telling Whitney to “be a realist” and that “the world is made up of two classes-- the hunters and the huntees” (2). This short conflict between Rainsford and Whitney shows a glimpse of Rainsford’s personality by showing the reader that he does not think animals have feelings and he has no remorse when hunting animals. In another argument with Zaroff, more things about Rainsford are revealed. When Zaroff invites him to hunt with him, Rainsford says “I’m a hunter, not a murderer” telling the reader that he values human life, but not animal life (11). Zaroff also references back to Rainsford’s military experience letting the readers know about Rainsford’s past. These internal conflicts of opinions and viewpoints pulls the story together while giving more information about characters. The conflict individual versus individual is not just internal in this story; there are also many examples of external individual versus individual conflict.
There isn’t many fights that are hand to hand due to the fact that Rainsford would automatically lose because Zaroff has a gun. However, these men are hunters and have other ways to fight than just hand to hand combat or with guns. Rainsford sets up many elaborate traps for Zaroff, reflecting his many years of experience. After finding the quicksand, Rainsford makes a trap for one of Zaroff’s dogs and his small victory is announced by Zaroff when he says, “You’ve done well, Rainsford, your Burmese tiger pit has claimed one of my best dogs” (21). The fact that Rainsford values human life becomes ironic when he is able to cold-bloodedly kill Zaroff then having a good night’s sleep. Rainsford decided, “he had never slept in a better bed”
(22). Conflict pushed and pulled this story, moving it with action as well as making it complete with more in depth information about the characters. The main protagonist of the story, Sanger Rainsford, goes through all these types of conflict and by the end of the story, his ethical viewpoints have seem to changed after killing Zaroff with no penitence. All these conflicts made the story more interesting and Richard Connell succeeded in using conflict to its full potential making the story both structured and captivating, making “The Most Dangerous Game” a delightful read.
First, the author uses conflict to show what the characters have to overcome throughout the course of the story, such as Mrs. Baker forcing Holling to do chores at school and
Rainsford headed off and had spent two hours making his way across a bush all the while repeating the phrase, “I must keep my nerve” (Connell 11). Rainsford tried to keep calm in a terrifying situation because he wanted to live. He was being motivated by the idea of living so he kept persevering. Rainsford had jumped into the sea to get away from the General and it had worked because later that night Rainsford snuck into the General's room and challenged him. Rainsford ultimately won the game and won the privilege of sleeping Zaroff's excellent bed, because we can infer that Rainsford killed him (Connell 15). Rainsford took a chance and jumped into the sea because he knew he wasn’t going to give up without a fight. When Rainsford showed up in his room he knew the general would not let him leave so he challenged him in order for him to stay alive, again taking a chance in order to live. Throughout the story Rainsford had changed, leading up to this moment when he won the game, stayed alive, and killed the general. In the beginning Rainsford was motivated by the great sport of hunting, but then near the end Rainford's only motivation was to stay
Firstly let us consider conflict. In each act of the play, we see the overpowering desire to belong leading to a climax of conflict amongst the characters, which has the consequence of exclusion. Conflict is a successful literary technique, as it engages the audience and focuses our attention on the issue of conflict and exclusion, brought about by the characters’ desires to be accepted by their community.
In “The Most Dangerous Game,”Richard Connell uses the dangerous environment of the Island to show suspense while also using a flip between man and animal to convey irony in the story.
Rainsford was forced to choose between life and death by Zaroff. Zaroff tells Rainsford that he hunts people as a type of wild game and takes them hunting first then gives them a few survival things and have to survive for three days in order to win.
General Zaroff used hunting tactics when they were eating “the last supper” at Zaroff’s house. Every time Rainsford looked up, he said, “he found him studying him, appraising him narrowly” (Connell 66). By this, the reader can tell that Zaroff is trying to notice Rainsford’s tendencies. Knowing these can make hunting him easier. Also at dinner, Zaroff explains to Rainsford that “God made him a hunter” and how his father believed that “his hand was made for the trigger” since he was ten (Connell 85). Zaroff sharing this with Rainsford is proof that this man is a talented hunter and has been for a long time. Rainsford is quite the hunter himself. So much so, that Zaroff knew who he was when he arrived. The General stated, “It is a very great pleasure and honor to welcome Mr. Sanger Rainsford, the celebrated hunter, to my home” (Connell 52). Also during the hunt when Rainsford set up the Burmese tiger pit and claiming one of Zaroff’s dogs, Zaroff tells him, “You’ve done well, Rainsford” (Connell 194). If his enemy believes that he is a great hunter, then he must be. Especially because Zaroff thinks so highly of himself. Going back to when Rainsford was
We are introduced to the protagonist and main character, Sanger Rainsford who is a big game hunter and a WW1 veteran. The story starts off with a conversation between Whitney and Rainsford discussing the island, so we can understand the reputation it holds.
In “The Most Dangerous Game” by Richard Connell, the protagonist (Rainsford) struggled with the actions of the antagonist (General Zaroff) throughout his adventure. The images used to describe the island, deadly swamp, and castle show that it is inhabited and a dangerous place with the use of setting, imagery, and the tone Connell shows Rainsford’s difficulties, persistence, and triumph to the audience. By using these key aspects, Connell makes important connections to the theme while alluding to hunting as the main concept of this whole adventure.
"To improve is to change; to be perfect is to change often" (http://www.brainyquote.com/quotes/topics/topic_change.html), this quote by Winston Churchill is something I can connect with as I often feel the need to improve myself which can only be done with change. It also relates to the protagonist, Sanger Rainsford, of the short story, "The Most Dangerous Game," by Richard Connell. Sanger Rainsford changes his views on some matters after being trapped on an island with a madman with no method of escape. He undergoes a major change in his character due to an awful experience in isolation with the psychopath, General
Rainsford overcomes many obstacles, and in return he receives that special feeling of satisfaction in his body. To start, he overcomes the thought of him being weak. Furthermore, he conquers learning the value of even an animal’s life. Not to mention, he defeats becoming the hunted, when he is the hunter. In the short story Sanger Rainsford outwits General Zaroff in the battle of “The Most Dangerous
Conflict is one of the main driving forces behind a story. Without conflict the characters in the story would have no reason to do anything. Because of this every story requires some type of conflict in order to progress. The types of conflict can range from a man enduring the elements, known as man against nature, or as one character against a larger group, man against society. In addition to the other styles of conflict, the most relatable and compelling is when one character is set against another, known as man against man. Kate Chopin’s story “The Storm” displays three examples of a man against man style conflict, Bobinot against his wife Calixtra, Alcee against Calixta, and Alcee against his wife Clarisse, these show how a nonviolent conflict can occur between characters.
Conflict is apart of the model of society. It is a very common component of reality and also in stories and other forms literature. In stories, it adds sensation and stimulates the minds the people who are reading it. Characters can be in conflict with another character, an object, or themselves. When characters are having conflicts however it is more than just a mere disagreement but it is a situation in which the characters detect a threat to their physical, emotional, power and status well-being.
Killing is not always murder, this distinction is represented many times in the short story, “The Most Dangerous Game” written by Richard Connel. The main characters, Sanger Rainsford and General Zaroff’s, lives revolve around animals and humans being killed. Murder is based on an external conflict, the act of one man killing another man along with every event leading up to one’s final breath. One man killing another man brings on strong emotions involving the internal conflict of the characters. Making the decision of what is murder and what is not lies in the element of irony. Taking another beings life cannot always be considered murder, this will be identified through external conflicts, internal conflicts, and the irony within murder.
This conflict, although very real, is more about man’s ability to persevere and realize that nature simply exists with no evil intent, that in the scheme of the universe, man’s significance should not be based upon supposed supremacy. The intensity of the conflict with nature is shown with each stroke of the oars, each crash of the waves, and each bucket of water that is thrown overboard as the life boat takes on water. It is in the brutal reality of this setting that Crane acknowledges the setting as the antagonist within this tale. Nature bombards the lifeboat with a constant assault; the men are driven by the need to persevere in order to stay alive. As a result, there are moments in which a sense of fatalism can be seen as the Captain remarks, “If we don’t all get ashore – if we don’t all get ashore, I suppose you fellows know where to send news of my finish?” (344). These are crucial moments depicting that no matter the dedication and will to survive this ordeal, the lives of the men are still dependent upon the aspect of Nature being accommodating. It becomes an inner conflict against fatalism and the external conflict against nature.