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The study of poetry pdf
The study of poetry pdf
The study of poetry pdf
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One of the features that differentiates poetry from other groups of literature is the way it utilizes the melodic potential of language. Not only do poets play with the variations of words, they play with the sounds of words, and by taking advantages of the fact that hearing something expressed can be as pleasant as thinking about it. The poet - in this sense, is sometimes considered to be a musician, making a rhyming, rhythmic kind of music with words, and sometimes playing off their sounds to complement what they mean. In other words, when it seems the sounds and senses of a poem reinforces its meaning in some way, the effects are usually striking. As a result, this essay is going emphasize on several poems that I find intriguing discussing the senses and sounds to formulate my own interpretations.
A brutal direct poem that’s very powerful is Robert Hayden’s poem “Those Winter Sundays” (Hayden, 551). In this poem, the writer employs concrete specifics and sensory descriptions to create a literal image for readers to resourcefully create. For example, at the beginning of “Those Winter Sunders” the speaker reflects back on the coldness of his childhood. He remembers the “cold” in both straightforward and figurative terms. At first, he focuses on the Sundays on how his father would wake up early to get the fire going before walking the rest of the house. However, the poem is really about how the speaker laments the fact that growing up he never really understood the meaning of his father’s actions – how they were the way he communicated his love for the family, for the speaker.
In addition to this, the concrete specific words in the poem also show how the speaker comes to finally appreciate on how the father gave himself to ke...
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...has little to no choice in the matter as your path in life is already created. In this case, I am a yuppie because I grew up a yuppie in the suburb demographics of South Orange County, California.
Works Cited
Hayden, Robert. “Those Winter Sundays.” The Compact Bedford Introduction to Literature. Ed. Michael Mayer. 9th ed. Boston: Bedford/ St. Martin’s, 2012. 551. Print
Farries, Helen. “Magic of Love.” The Compact Bedford Introduction to Literature. Ed. Michael Mayer. 9th ed. Boston: Bedford/ St. Martin’s, 2012. 581. Print
Slavitt, David. “Titanic.” The Compact Bedford Introduction to Literature. Ed. Michael Mayer. 9th ed. Boston: Bedford/ St. Martin’s, 2012. 620. Print
Simpson, Louis. “In The Suburbs.” The Compact Bedford Introduction to Literature. Ed. Michael Mayer. 9th ed. Boston: Bedford/ St. Martin’s, 2012. 626. Print
Several works we have read thus far have criticized the prosperity of American suburbia. Jack Kerouac's The Dharma Bums, Philip Roth's Goodbye, Columbus, and an excerpt from Lawrence Ferlinghetti's poem "A Coney Island of the Mind" all pass judgement on the denizens of the middle-class and the materialism in which they surround themselves. However, each work does not make the same analysis, as the stories are told from different viewpoints.
Updike, John. "A & P." The Bedford Introduction to Literature. 2nd Edition. Ed. Michael Meyer. Boston: St. Martin's Press, 1990. 407-411.
Harmon, William, William Flint Thrall, Addison Hibbard, and C. Hugh Holman. A Handbook to Literature. 11th ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2009. Print.
The poem is written in the father’s point of view; this gives insight of the father’s character and
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Updike, John. "A&P." The Bedford Introduction To Literature. Ed. Editor's Name(s). Boston, MA: Bedford/St. Martin, 2005.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
The speakers and audience in poem are crucial elements of the poem and is also the case in these poems. In the poem Untitled, it can be argued that the poem is being written by Peter based on what his father might say to him...
Rich, Adrienne. “Diving into the Wreck” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013.1010-1012. Print.
Charters, Ann & Samuel. Literature and its Writers. 6th ed. Boston: Bedford/St. Martins, 2013. 137-147. Print.
Abrams, M.H. and Greenblatt, Stephen eds. The Norton Anthology of English Literature: Seventh Edition. New York: W.W. Norton & Company, Inc., 2001.
Meyer, Michael. The Bedford Introduction to Literature. Boston: Bedford Books of St. Martin's Press, 1989.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.
Many writers use powerful words to portray powerful messages. Whether a writer’s choice of diction is cheerful, bitter, or in Robert Hayden’s case in his poem “Those Winter Sundays,” dismal and painful, it is the diction that formulates the tone of the piece. It is the diction which Hayden so properly places that allows us to read the poem and picture the cold tension of his foster home, and envision the barren home where his poem’s inspiration comes from. Hayden’s tumultuous childhood, along with the unorthodox relationships with his biological parents and foster parents help him to create the strong diction that permeates the dismal tone of “Those Winter Sundays.” Hayden’s ability to both overcome his tribulations and generate enough courage
The Bedford Introduction to Literature 4th ed. of the book. Boston: St. Louis St. Martin’s Press, 1996. 883-89.