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The influence of social Darwinism on society
The influence in literature
Essays on social darwinism
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In order to have a better appreciation and understanding of literature, it must be viewed from the context of its time. Novels such as The Secret Agent by Joseph Conrad and Mrs. Dalloway by Virginia Woolf, can be better (or only) understood by the characteristics, ideas and social structure of the society at the time they were written. Three of those ideas, or pseudosciences, that were present during the publication of the books are Social Darwinism, Eugenics and Scientific Racism. Pseudoscience refers “to any work that appeals to the authority of science despite being methodologically flawed or incompetently reasoned, even if carried out by credentialed scientists” . Each of them complements and/or enforces the other, also used to bring forth justification for social strata, discrimination, racism, and social policies toward the “undesirables”, working class, women, “simple-minded”, invalids, and disables. In both novels, especially in The Secret Agent, tenets of these ideas are present when physical descriptions and deductions are made. Conrad’s description of Verloc, Stevie, Yundt, Michaelis, and the Doctor exemplifies these tenets while in Mrs. Dalloway, it is Septimus, the women characters, and the society itself who are subject to them. The novels cannot escape or criticize the ideas of their time.
Social Darwinism is “the theory that persons, groups, and races are subject to the same laws of natural selection” , a term used by Charles Darwin to refer to species evolution. The term was coined in the late 19th century and it was used to justify the “survival of the fittest”, where the “weak” was unsuited to survive, while the strong was better suited to adapt growing in power and in cultural influence. Societies, like individ...
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...ally Seton embody the survivors. They are fit and well established in her life and in her community. Another good example is Lady Bruton’s idea to Mr. Dalloway and Sir Whitbread about promoting emigration to Canada for English families. She fears the overpopulation of London would cause a disorder of the social strata, mixing upper, middle and lower classes.
Overall, it has been seen the effects of the tenets of Social Darwinism, Eugenics and Scientific Racism had on Joseph Conrad and Virginia Woolf. However, Sir Conrad’s novel gives a perspective of how people were looked upon at that time (using physiognomy), while Ms. Woolf criticized her society through the descriptions. The authors present their society from theirs and their characters’ point of view. As such, it is governed by the elite, upper-class, while the others are marginalized, segregated and despised.
"Social Darwinism." Encyclopaedia Britannica. Encyclopaedia Britannica Online. Encyclopædia Britannica Inc., 2014. Web. 11 Mar. 2014.
Within the book, Brave New World, by Aldous Huxley, the author critiques his society in a way that can be seen throughout events in the book. Aldous specifically analyzes the idea of an individual throughout the book from hypnoaedic lessons, the adventure through the reserves idea of an individual, and mindless happiness to along with the frustrations of John the Savage. To begin with hypnoaedic lessons, young children are taught the values of society while sleeping. One of the main lessons taught throughout the hypnoaedic refers to the identity as useless, and the society as the most important figure. Within the rising action of the plot, Lenina and Bernard view the society of the reservation as having quite a few differences when referring
Social Darwinism is a late 19th century term used to describe the application of British naturalist Charles Darwin’s theory of natural selection to social and political conditions. Late 19th century sociologist Herbert Spencer tried to capture the essence of social Darwinism with his phrase “survival of the fittest”. This essentially meant that the strong would rise to the top while the weak simply died out. Social Darwinists eschew social responsibility and compassion, instead believing that some people are more fit to survive than others. Many social Darwinists advocated that the government should maintain a laissez-faire, or hands off, approach when it came to regulating economic competition and alleviating social inequalities. Social Darwinism was used to justify the consolidation of the majority of wealth by a minority of Americans. The term allowed people to rationalize capitalism, imperialism, racism, and even eugenics. The wealthy believed in social Darwinism because it allowed them to justify their oppressive business tactics and low wages for their labor force. Politicians believed in it because it allowed them to justify imperialism, or expansion of the nation. Affluent Anglo-Saxons believed in social Darwinism, believing themselves to be the superior race, and used it to justify ...
The concept of Social Darwinism was a widely accepted theory in the nineteenth-century. Various intellectual, and political figures from each side of the political spectrum grasped the theory and interpreted it in various ways. In this paper, we will discuss three different nineteenth-century thinkers and their conception of Social Darwinism. The conservative, Heinrich von Treitschke, and liberal Herbert Spencer both gave arguments on the usefulness of competition between people on a global scale. The anarchist, Peter Kropotkin, refuted the belief of constant competition among members of the same species and emphasized mutual aid.
In order to comprehend the present state of these two forces, it is necessary to analyze more completely the meanings of Social Darwinism and Social Welfare. Every since Charles Darwin published the Origin of the Species in 1859, social scientists have attempted to explain human behavior as a product of natural selection. In the 19th century, Social Darwinism held that history was about the "survival of the fittest" and "superior" social groups were evolutionary more fit to rule the world. Social Darwinism was at the heart of many pernicious theories of the past century, including scientific racism and eugenics (Goldfield, et al, 1998, p. 721).
In recent years, the debate over the merits versus the racial shortcomings of Joseph Conrad's Heart of Darkness has raged hot. Many, notably David Denby and Chinua Achebe, have come down on one side or another of the issue. I contend, with the help of the written opinions of Denby and Achebe, that Heart of Darkness, while racist in its views, is nonetheless a valuable and commendable work of art.
Women living in London in the late 19th and early 20th century, did not have the choices of the 21st century women. Women had little chance of evading their societal approved destiny that consisted of marrying young, stay at home and raise a family. Despite the fact that change was on the horizon and many women took to finding work in factories and other domestic work, most women still had to rely on men for financial security and stability. Joseph Conrad portrays a woman who is very strategic and complex in her actions which places her in multiple roles. Throughout the narrative, she is referred to as having an “unfathomable look” about her, which leaves a lot unexpressed about Winnie—except her commitment to her brother, Stevie. The narrator of Joseph Conrad’s The Secret Agent, takes the reader on a ride full of secrecy and lack of communication between its characters, and the true secret agent of The Secret Agent emerges not as Verloc but his wife Winnie.
Joseph Conrad’s “Heart of Darkness” is the author’s most celebrated work. The book conveys the story of Marlow, who is a sailor on the ship. Marlow narrates the story describing particularly what he came across during his journey and experienced. When we look at the events that take place in the book, it is unquestionable that Women do not occupy a significant portion of the story; the story is predominately male dominated. However, does women’s lack of appearance make them minor characters? Or do women have a minor effect in the story? Having analyzed the book under the scope of “Feminist View”, we can answer these questions and say that women play considerable roles even though they occupy a small portion in the story. In my essay I will
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
While I was reading the short story “Heart of Darkness,” by Joseph Conrad, I recalled an essay I read back in Korea, titled “Why Do We Read Novels.” The writer of the essay states that the most common reason why we, as people, read novels is that it makes us ask ourselves how the justice or injustice of the real world relates to that of the author’s words. In this way, the short story “Heart of Darkness” portrays the experiences and thoughts of Conrad through the tale of two important characters, Marlow and Mr. Kurtz. His work forces the reader to ponder questions of the morality, humanity, and insanity which takes place in our human lives.
...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
This essay consists of two separate parts but the intention is that both these parts will prove to be relevant from the point of view of what this essay sets out to study. The first part will present Joseph Conrad's life and some of his works and the latter part will consist of a comparison of two of Conrad's works, Heart of Darkness and The Secret Agent. In this essay I will begin from two assumptions, namely, that both the works mentioned above include clearly identifiable similarities in their narration, theme and method, and, that Conrad's own experiences and views have had great effect on both works.
War is an important theme in Mrs. Dalloway (1925), a post World War I text. While on the one hand there is the focus on Mrs. Dalloway’s domestic life and her ‘party consciousness’, on the other there are ideas of masculinity and “patriotic zeal that stupefy marching boys into a stiff yet staring corpse and pernicious public-spirited doctors”, and the sense of war reverberates throughout the entire text. Woolf’s treatment of the Great War is different from the normative way in which the War is talked about in the post-World War I texts. She includes in her text no first-hand glimpse of the battlefield, instead gives a detached description. This makes it more incisive because she delineates the after effects of ordinary life.
Joseph Conrad’s innovative literature is influenced by his experiences in traveling to foreign countries around the world. Conrad’s literature consists of the various styles of techniques he uses to display his well-recognized work as British literature. "His prose style, varying from eloquently sensuous to bare and astringent, keeps the reader in constant touch with a mature, truth-seeking, creative mind" (Hutchinson 1). Conrad’s novels are basically based on having both a psychological and sociological plot within them. This is why Conrad’s work carries its own uniqueness from other novels when being compared to his.
...y a set of expectations and values that are established on mannerisms and conduct challenged by Elizabeth. From this novel, it is evident that the author wrote it with awareness of the class issues that affect different societies. Her annotations on the fixed social structure are important in giving a solution to the current social issues; that even the class distinctions and restrictions can be negotiated when an individual turns down bogus first impression s.