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Literary analysis of heart of darkness
Literary analysis of heart of darkness
An essay on the secret agent by joseph conrad
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Joseph Conrad: An Innovator in British Literature
Joseph Conrad’s innovative literature is influenced by his experiences in traveling to foreign countries around the world. Conrad’s literature consists of the various styles of techniques he uses to display his well-recognized work as British literature. "His prose style, varying from eloquently sensuous to bare and astringent, keeps the reader in constant touch with a mature, truth-seeking, creative mind" (Hutchinson 1). Conrad’s novels are basically based on having both a psychological and sociological plot within them. This is why Conrad’s work carries its own uniqueness from other novels when being compared to his.
Examples of Conrad’s literature include novels such as Heart of Darkness, Lord Jim, and The Secret Agent. Heart of Darkness is basically based on his own experiences, but Conrad also adds fiction into this particular novel (Dintenfass 1). It has been said that Conrad’s style of writing is described as "...life as we actually live it...[is] to be blurred and messy and confusing-- and the abstract ideas...[of] actual experiences can sometimes produce in us, or in that part of us, anyway, which tries to understand the world in some rational way." Acquiring this from the novel gives the reader a psychological perspective in that they are receiving feedback in a conscious way such as a hallucination or a phantasm (Dintenfass 2). Readers have curiously questioned the purpose of his novels such as Heart of Darkness, but the answer is quite simple. "[The] purpose is to get the reader to re-live [any] experience in some [significant] and concrete way, with all its complexity and messiness, all its darkness and ambiguity, intact" (Dintenfass 3). An addi...
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...n, eds. Twentieth Century Literary Criticism. Vol. 1 Detroit: Hale Research Co., 1978.
Dintenfass, Mark. "Heart of Darkness: A Lawrence University Freshman Studies Lecture." 14 Mar. 1996.
*http://www.acsu.buffalo.edu/~csicseri/dintenfass.htm* (2 Feb. 2000).
Draper, James P., ed. World Literature Criticism: 1500 to the Present. Vol. 2 Detroit: Gale Research Inc., 1992.
Hamblin, Stephen. "Joseph Conrad’s The Secret Agent." *http://www.ductape.net/~steveh/secretagent/* (2 Feb. 2000).
The Hutchinson Encyclopedia. 1999. 2 Feb. 1999. *http://ukdb.web.aol.com/hutchinson/encyclopedia/72/M0013572.htm
Magill, Frank N., ed. 1,300 Critical Evaluations of Selected Novels and Plays. Vol. 2 Englewood Cliffs: Salem Press Inc., 1976.
Stein, Rita, and Martin Tucker, eds. Modern British Literature. Vol. 4 New York: Frederick Ungar Publishing Co., 1975.
In The Great Gatsby by F. Scott Fitzgerald and Daisy Miller by Henry James, most of the characters are under illusions during the majority of the plot. The plots are carried out with the characters living under these illusions, which are mainly overcome by the ends of the stories. The disillusionment of most of the characters completely diminishes the foundation in which the plots were built upon, leading to the downfall of some of the main characters and the altering of the other characters.
164-69. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 341. Detroit: Gale, 2013.Artemis Literary Sources. Web. 5 May 2014.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
During Fitzgerald's The Great Gatsby, it is apparent to be an absurd time for the wealthy. The shallowness of money, riches, and a place in a higher social class were probably the most important components in most lives at that period of time. This is expressed clearly by Fitzgerald, especially through his characters, which include Myrtle Wilson, Tom and Daisy Buchanan, and of course, Jay Gatsby. This novel was obviously written to criticize and condemn the ethics of the rich.
F. Scott Fitzgerald uses The Great Gatsby in order to display the wretchedness of upper-class society in the United States. The time period, the 1920s, was an age of new opulence and wealth for many Americans. As there is an abundance of wealth today, there are many parallels between the behavior of the wealthy in the novel and the behavior of today’s rich. Fitzgerald displays the moral emptiness and lack of personal ethics and responsibility that is evident today throughout the book. He also examines the interactions between social classes and the supposed noblesse oblige of the upper class. The idea of the American dream and the prevalence of materialism are also scrutinized. All of these social issues spoken about in The Great Gatsby are relevant in modern society. F. Scott Fitzgerald uses this novel as an indictment of a corrupt American culture that is still present today.
Through out history, laws have been established with the intentions of making societies better. Instead of following these laws in fear of government punishment, the citizens followed them because they saw how they made improvements to their society. However, there have been times when laws did not have enough input from the citizens and were passed quickly. When this occurred the laws backfired on the government and the citizens went against them. That is what happened in the 1920’s when the 18th amendment passed to end sales, production, and distribution of alcohol. During WWI, the government came quickly to pass prohibition to decrease the alcohol consumption, but with little enforcement there were higher organized crimes for wealth, as portrayed by Jay Gatsby in Fitzgerald’s novel The Great Gatsby.
According to the dictionary, the definition of dissatisfaction is the quality or state of being unhappy or discontent. Dissatisfaction is a disease that theoretically knows no prejudices, has no cure, and almost everyone has it. This is a global epidemic, that can destroy a man in the time it takes to snap your fingers. Physically most people will be alright but discontent will rot you to the core on the inside. Unfortunately, not being content seems to be a very common part of society today and in the past. The theme of not be satiated by life is especially seen in the famous novel, The Great Gatsby by F. Scott Fitzgerald. All the characters in this novel seemingly have achieved the american dream but they are all unhappy and never get what they really want in the end. Also, no character is satisfied with their marriage, with love, and with life in general. They are all unhappy with their lives and they destroy the lives of others in order to satisfy themselves. The Great Gatsby teaches us that even being wealthy and powerful, people can still be dissatisfied and will do anything in order to be happy. Therefore, despite believing that we have it all, dissatisfaction still plagues the human spirit.
The Great Gatsby by F. Scott Fitzgerald tells the tragic story of two star-crossed lovers. Fitzgerald uses the Roaring Twenties as the setting of this novel. The twenties were a time of promiscuity, new money, and a significant amount of illegal alcohol. Fitzgerald was a master of his craft and there was often more to the story than just the basic plot. He could intertwine political messages and a gripping story flawlessly. In the case of The Great Gatsby, he not only chronicles a love story, but also uses the opportunity to express his opinion on topics such as moral decay, crass materialism, individual ethics, and the American dream.
insincere, indifferent world. Gatsby also chose not to drink, so that his thinking was cold
Bressler, Charles E. Literary Criticism. (3rd ed.) Upper Saddle River New Jersey: Pearson Education, Inc. 2003
Joseph Conrad polish colonial worked as a seaman on French and British ships before becoming a British citizen in 1886. He developed an elegant, stunning English prose style what probed many of the modern fiction in his short stories and novels. His works ware by turns adventurous and darkly gloomy, attentive in the traditional qualities of resoluteness and bravery. Also, it concerned with the epistemological voids that define modern reality and awareness. It noted one of the most experts of fictional impressionism. Conrad offered that type of fictional rendering of subjective retort that reflectively impact on writers. However, the experiences of his life as a sailor greatly influenced his writing. He wrote that the principal task of the novelist was “Heart of Darkness”.
The Great Gatsby is a short novel written by Scott Fitzgerald. It is set in the 1920’s, and like Fitzgerald, the novel is fervently identified with the Jazz age. The Jazz age was a time of self- indulgence squeezed between World War I and the Great Depression. The theme throughout the novel is recognized as the prestigious “American Dream” which holds a strong and honored place in American history. In The Great Gatsby, F. Scott Fitzgerald uses Gatsby’s parties, the valley of ashes, and love to show that the ideals of the American dream are deteriorating.
Without personal access to authors, readers are left to themselves to interpret literature. This can become challenging with more difficult texts, such as Joseph Conrad’s novella Heart of Darkness. Fortunately, literary audiences are not abandoned to flounder in pieces such as this; active readers may look through many different lenses to see possible meanings in a work. For example, Conrad’s Heart of Darkness may be deciphered with a post-colonial, feminist, or archetypal mindset, or analyzed with Freudian psycho-analytic theory. The latter two would effectively reveal the greater roles of Kurtz and Marlow as the id and the ego, respectively, and offer the opportunity to draw a conclusion about the work as a whole.
Heart of Darkness describes a voyage to Africa, common for the British still, despite the horrific treatment which was apparent of colonization. The chaotic, stream-of-consciousness style Conrad took on helped to display the confusion, and made the reader have to interpret for themselves what they thought the writer meant. Conrad experiments with this style, leaving some sentences without ending: "not a sentimental pretense but an idea;…something you can set up…and offer a sacrifice to…." (Conrad, Longman p. 2195), a very choppy form of literature and causes the reader to fill in the holes and interpret themselves, alone. Conrad skips about from talking of the "two women knitted black wool feverishly" at the gate of the city (of hell), to his aunt which he feels women are "out of touch with truth," to how the British are as "weak-eyed devil(s) of a rapacious and pitiless folly" (Conrad, Longman pp. 2198, 2199, & 2202). Conrad's mind moves about as ours do along a large duration of literary monologue to convey to the reader the author's ideas, as interpreted by the reader.
Joseph Conrad’s Heart of Darkness is a great example of a Modernist novel because of its general obscurity. The language is thick and opaque. The novel is littered with words such as: inconceivable, inscrutable, gloom. Rather than defining characters in black and white terms, like good and bad, they entire novel is in different shades of gray. The unfolding of events takes the reader between many a foggy bank; the action in the book and not just the language echoes tones of gray.