Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Stephen King fascination with horror
1.0- When I was younger I was terrified of scary movies and basically anything that made weird noises during the night . I would always cry to mom in the middle of the night saying “ A clown was chasing me in my dream with big sharp teeth “ or “ A man with a white mask was trying to stab me “ I was adorable now I’m meh . Now that I’m older and serious ( in some things ) I’ve started to like watching Horror movies and I’ve enjoyed getting scared. This genre interests me so much because it all comes from imagination and mind of the director or the person who created this story. The two movies I’ve chosen that changed this genre was the remastered 2017 IT based on the hugely popular Stephen King novel of the same name and the 1984 classic slasher film Nightmare on Elm street. 2.0- Horror film is a genre that aims to create a sense of fear, panic, alarm, and dread for the audience.The first depictions of supernatural events appeared in several of the silent shorts created by the film pioneer Georges Méliès in the late 1890s, the best known being Le Manoir du Diable or The House of the Devil, which is sometimes credited as being …show more content…
In this film, the archetypes of the Losers Club kids are a bit more grown up with some dirty jokes and adult humor. Also let’s not forget the shape shifting, Pennywise his character also had a change up in his way of attracting his victims in his appearance and his child-like tone. The director wanted to dig deeper into the Losers Club characters especially Beverley Marsh “ I wanted to dig deeper into that character because for me Beverly even though in the book Bill is the leader of the Loser’s I wanted to introduce Beverly as different kind of leader. You’ll see her character basically confronts her demons much more than the other Losers.” (Andy
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
Finally, horror became ‘Slasher.’ The 1970’s became obsessed with realistic news stories and characters and films became more stylize and followed similar storyline conventions. Texas Chainsaw Massacre (1974), Halloween (1978) and Night Mare On Elm Street (1984) where full of psycho villains, teens in danger and the sole survivor leading to plenty of sequels. The only other horror genre or thriller genre focused on suspense, movie...
Some would say watching horror movies and being scared out of your wits is a fun way to spend their hard earned money. They go see these movies on average once a week, each time choosing a newer version of a trilogy like “Chucky” or “The evil Dead”. Film making has come a long way over the last few decades, the graphic...
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
First of all, why do I watch horror movies? That is actually a really good and very heavy question. I often times try to understand why I watch films tha...
Wood, Robin. “An Introduction to the American Horror Film.” Writing 2 Reader. BK Faunce. Fall, 2010. [Winter 2011] [183-208]
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
People have been looking behind their shower curtain when they enter the bathroom ever since Psycho swirled its way into movie theaters in 1960. This irrational fear of lurkers in the bath and scary psyches began with the first ever slasher film: Psycho by Alfred Hitchcock. Throughout the years, Psycho never lost its potency as the movie that created the horror genre as we know it. The low-budget “just for fun” film project that Hitchcock had originally intended as his last “kick” in his career as a director changed the entire business and ended up being Hitchcock’s defining piece. Pre-Psycho scary movies had been slow in pace and conservative in content. Psycho’s director, Alfred Hitchcock, knew what the ‘norm’ was for filming because he had in the business for more than twenty years, but he wanted to break them. Psycho has been completely unforgettable since the 1960’s because of Hitchcock’s disregard of Hollywood’s rules of cinematography, revolutionary scoring, and never-before-seen yet realistic and creative filming techniques; Hitchcock did not create only a ‘scary’ movie, he created a new genre of fear that has had an effect on the film industry ever since.
What is horror? Webster's Collegiate Dictionary gives the primary definition of horror as "a painful and intense fear, dread, or dismay." It stands to reason then that "horror fiction" is fiction that elicits those emotions in the reader. An example of a horror film is "The Shining", directed by Stanley Kubrick. Stanley Kubrick was a well-known director, producer, writer and cinematographer. His films comprised of unique, qualitative scenes that are still memorable but one iconic film in his collection of work is The Shining. Many would disagree and say that The Shining was not his best work and he could have done better yet, there are still those who would say otherwise. This film was not meant to be a “scary pop-up” terror film but instead, it turned into a spectacular psychological, horor film in which Kubrick deeply thought about each scene and every line.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
The Horror Movie in Late Modern Society’ that labelling films such as these as postmodern may be an overreach. He argues that the hybridity of the genre as seen in horror-comedies such as ‘The Cabin in the Woods’ and ‘Scream’ are nothing ‘new’ and that comedy has always played a prevalent role in the horror genre. He goes on to state that, “much of the comic fun to be had (in contemporary horror-comedies) derives from the excess of gory detail. The other aspect, in this case more a development characteristic of the 1990s than the 1980s, is the tendency to reflexively generate humour by openly appealing to a knowing audience’s familiarity with the genre conventions.” This view suggests that Tudor views the emergence of a more comedic element to horror movies as more of an evolutionary step in horror, than a deliberately postmodern outlook. He cements this as his view as he uses the example of ‘Scream’ and the films made in its wake (such as ‘Scary Movie’ (2000)), Tudor claims “It is films such as these that have so often attracted the designation ‘postmodern’, if only superficially, because of their studied self-consciousness and their use of pastiche.” (Tudor, p.107) Tudor’s view is that films such as these bear only surface-level post-modernism that the term is used too liberally and the films would be better suited towards the term parody than a post-modernism. Tudor argues that their “studied self-consciousness” disqualifies them from being labelled as postmodern, however it can be argued that parody and self-consciousness elements of these films are what make them postmodern at
Horror, crime and thriller movies are three entirely different genres, but they share some similarities. Crime movies typically focus on a hero and the pursuit of a criminal. In the end, the protagonist solves the crime. On the other hand, horror movies usually focus on the dark side of life. Evil spirits or supernatural powers often creates destruction, but the protagonist defeats them. The end of the film, however, suggests that such forces will likely come back. The horror films are designed to get frightened and give panic attacks to the viewers. Again, the thriller is a genre that revolves expectation and suspension. Marion Crane and Norman Bates crimes, guessing
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
Do you remember watching scary movies when you were little? You would sit close to your parents and hide behind a pillow, covering your eyes enough just to barely see. As people grow older they either love horror movies or they hate them. There is no inbetween. As the years have progressed horror movies have gained popularity. They attract young adults, teenagers, and the occasional middle age group. In the 1930’s horror movies attracted middle aged adults rather than young adults. People were attracted to the films for reasons like: the history of horror movies, the popular movie Dracula, and the appeal of fantasy.