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Romeo and juliet play vs movie
Romeo and juliet play vs movie
Romeo and juliet baz luhrmann film review essay
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Baz Luhrmann’s Romeo + Juliet provides a fresh, new take on an older story. He takes a classic Shakespearian story and transforms it into a modern tragedy. He does this by incorporating new technology, ideas, and settings to surprise people who already know the plot. Even though he stays true to the story, Luhrmann’s decisions as a director inject suspense and tension into a story the audience already knows.
The scene where Romeo and Juliet first meet is interesting because Luhrmann’s interpretations create artistic thought. In the play, Shakespeare only describes the scene in Romeo’s point of view. You can infer that Romeo is looking across the party room and spots Juliet. Romeo says to a serving man: “What lady’s that which doth enrich the hand, / Of yonder knight?” (1.5.41-42). Who replies with: “I know not sir” (1.4.43). In response, Romeo says:
O, she doth teach the torches to burn bright!
It seems she hangs upon the cheek of night
As a rich jewel in an Ethiop’s ear-
Beauty too rich for use, for earth too dear!
So shows a snowy dove trooping with crows
…show more content…
Tybalt is killed in this fray. Luhrmann makes a decision to have Romeo purposely wreck his car into Tybalt’s. This scene is shot with a shaky camera. The view cuts from Romeo, to Tybalt, and back to Romeo, both of their faces bloody. Then, there’s slow motion as the car flips, and you see Tybalt tumbling through the air. The camera focuses on Tybalt, and he isn’t moving. You think he’s dead, but then he turns. He spots the gun, and crawls towards it. Romeo also races for the gun. The audience wants to know who gets to the gun first, most might think Romeo, since they know Tybalt dies. Contrary to their thoughts, Tybalt gets the gun. Even though this story is familiar to most people, there is still suspense in a well-known moment. It’s almost like reading your favorite book a second time, but something different
Comparing Zefferelli's production of Romeo and Juliet with Luhrman Production. In this essay I am going to write about the production of Romeo. In Franco Zeffirelli's production of Romeo and Juliet, the setting and language are of a traditional, realistic nature. This is complete.
However, the largest thing changed was the fate. In the end, when Romeo was about to die, Juliet wakes up but doesn’t have time to stop Romeo from taking the poison; whereas the King production, Romeo dies before Juliet wakes up. The purpose of Juliet to wake up before Romeo dies is to engage the audience and leave the audience with a sense of pity for the two lovers. In this scene, Romeo, crying, says “The doors of breath, seal with a righteous kiss…” From the quote, fate was highlighted due to the reason that Romeo says that he will seal the doors of breath, meaning that he will kill himself; yet, after he has said this, Juliet’s hand moves, but Romeo did not see. What engages the audience more is the dramatic irony, when the audience knows that Juliet is alive but Romeo doesn’t. This is the major method that the Luhrmann production recontextualises the
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Chloe Fleming investigates Baz Luhrmann’s capability in embodying Shakespeare’s Romeo and Juliet in his own modern film adaptation and praises the hell out of it.
In conclusion, Lurhmann uses a lot of modern filming techniques to make Romeo and Juliet appeal to a contemporary audience. By relating certain aspects to situations in modern society, it makes the audience understand the ideas behind the original play and he simplifies the complicated old English of Shakespeare by adding exciting and dynamic visuals. Lurhmann tried to create a modern version of Romeo and Juliet and he was completely successful in his aims. Lurhmann defied all odds by making his film appeal to a modern audience and not only is this film very clever, it is a must see for any film lovers.
said by the chorus. This means it is an idea of a group of people
Zeffirelli’s ultimate goal for his version of Romeo and Juliet was to capture Shakespeare’s original intentions for the play while targeting the teenage audience of his generation. Luhrmann’s intentions were different however; he changed the way an audience looks at Shakespeare’s masterpiece by modernising the props, costumes, and sets. Obviously, to match film time quotas Zefirelli and Luhrmann has both cut many lines out of the play.
music changes to show that she is sad. We then get a close up of
Romeo and Juliet's kissing scenes in the elevator, the alterations of the famous balcony scene in ACT II, scene ii, and Juliet pointing her gun at Friar Lawrence after threatening to commit suicide if she does not get what she wants are minor discrepancies that occur in Baz Luhrmann's production which are not as serious inconsistencies. The discrepancies that take place in Luhrmann's portrayal of the Shakespearean classic are quite different to the play format, primarily because of the modern influence, but all of these discrepancies build up to what is the now the famous "The Tragedy of Romeo and Juliet."
Luhrmann modernised Romeo and Juliet through regular amendments of the props and costumes. In updating these aspects of the film, Luhrmann makes the play more relevant to our everyday modern environment. The actors in Luhrmann’s version carry guns instead of swords. Luhrmann, in an act of ingenious brand the guns with titles such as “Sword,” thus, enabling the original Shakespearean language to be preserved. Costumes differ dramatically between both versions of the film. In Luhrmann’s depiction of the motion picture, the Montagues have buzz cuts and pink hair whereas, the Capulets’ dress in vests and mainly dark clothes. All of these adjustments to the original play contribute to the popularity of the fil...
in the way he speaks in a sly voice. He is the perfect actor to play
The environment surrounding the star-crossed lovers in the tragedy of Romeo and Juliet can influence audiences who may interpret the scenes in different ways. The audience can be greatly affected in their interpretation of the story by the mise-en-scene, costuming, and the hidden symbolic meaning. This great piece of literature was edited in two unique and intriguing forms, one Zeferelli directed which was filmed in 1968, and the modern version produced in 1996. The different scenes throughout the length of the party were the most influential to me in that I saw how different these movies were directed, and the different meaning I experienced from watching these movies. Focusing on the environment of the scenes and the costuming helped me in my interpretation, because I found hidden symbolism from these two qualities.
He uses close ups of Romeo and Lord Capulet. The close up of Romeo is
One of the most celebrated plays in history, “Romeo and Juliet”, was written by William Shakespeare in the late 16th century. It is a story about two lovers that have to meet in secret because of an ongoing family feud. Tragically, because of their forbidden love Romeo and Juliet take their lives so they can be together. In 1997, a movie was adapted from the play “Romeo and Juliet”, directed by Baz Lurhmann. However, as alike as the movie and the play are, they are also relatively different.
Romeo and Juliet is a play about two adolescents—Romeo and Juliet from two hostile families fall in love with each other. This prohibited love ultimately turns into a romantic tragedy, in which they commit suicide for each other. Both Franco Zeffirelli’s (1968) and Baz Lurhmann’s (1996) versions retained the dialogues written by William Shakespeare in their movies. However, these two movies are directed in their own unique ways, which have several distinctive differences.