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Utilitarian and Deontological
Utilitarian vs deontology
Morality and moral decisions
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Recommended: Utilitarian and Deontological
Tarra Kooker
Essay Three
While making decisions in life, it’s hard to know whether you’re making the right choices. Everyone is entitled to their own opinions about what is right and what is wrong. Throughout the stories “Reve Haitien” by Ben Fountain, “Emergency” by Denis Johnson, and “On the Rainy River” by Tim O’Brien I had many differentiating opinions. In “Reve Haitien” I’d argue Mason made the right choice, while in “Emergency” and “On the Rainy River” both our narrators made misguided or wrong decisions.
In contrast to the other two short fictions, “Reve Haitien’s” main character ultimately made the appropriate choice with comparison to his morals and beliefs. Throughout the story the audience is driven to believe that Mason is “not
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like” the other observers, but instead more compassionate. He chooses to live in a destitute part of town and played chess with local children daily. “He lived in Pacot, the scruffy middle-class neighborhood. While most of his fellow O.A.S observers had taken houses in the fashionable suburb” (Fountain 307). Mason has direct benevolence towards other individuals throughout the story that the characters from “Emergency” and “On the Rainy River” lacked. “Kids would be watching him play that day’s challenger. Mason rarely won; that was the whole point” (Fountain 308). Although Mason’s actions of smuggling stolen paintings to a reseller across the boarder is immensely illegal, I found this deal to be utterly akin to Mason’s true personality. While some people may perceive Mason’s action as unsound and illegal, I found it to show his real self and identity as a character. If he would’ve refused help, that is what would’ve have been shocking. Comparing “Emergency” and “On the Rainy River”, with contrast to “Reve Haitien”, these two main characters chose less righteous paths.
In “Emergency” the readers witness the narrators and Georgie’s careless behaviors and antics, while working at the hospital. As it is clear they are not malicious characters, and at times don’t have the slightest clue about their surrounding, but their dispositions and actions are erroneous. From the narrator and Georgie’s stealing and taking drugs on the job, pulling a knife out of a man’s head, and slicing open a rabbit on the side of the road all dictate erratic and unstable decision making. “In a minute he was standing at the edge of the fields, cutting the scrawny little thing up, tossing away its organs. ‘It’s a rabbit with babies inside it!” (Emergency 389). While Georgie and the Narrator were not purposely trying to cause harm and everything ended sufficiently, things quickly could have resulted unpleasantly. Due to the circumstances of the characters’ reckless behaviors, I looked at “Emergency” with more of a deontology perspective. Judging the actions, they were doing at hand as unmoral, rather than justifying it because of a positive outcome like a utilitarian would. With “On the Rainy River”, I classify this narrator’s decision as wrong due to it going against his most primitive character. “I’ve had to live with it, feeling the shame” (O’Brien 629). “I survived, but it’s not a happy ending. I was a coward. I went to the war” (O’Brien 646). He shares these enclosed perceptions of war and his hatred and shame for it, therefore being the reason for his decision to enlist as wrong. Regardless of how important fighting in the war meant to those around him, the narrator should have followed his eminently robust ethics and been defiant to his family, and the system, to stay true to
himself. All the fiction’s compare to one another in the sense that every main character had a choice to make, or multiple choices. Yet, each story is unique in what makes their decisions made right or wrong. With “Reve Haitien” and “On the Rainy River” they require looking at the internal morals of the character to make a clearer judgment combined with the audiences own opinions. While “Emergency” was more along the lines of personal opinion. My ethics and morality lead me to the belief that “On the Rainy River” and “Emergency” compare to one another in having awry decisions; and “Reve Haitien” being the short story with suitable choices and outcome.
In the true crime/sociology story, “Best Intentions: The Education and Killing of Edmund Perry” the author, Robert Sam Anson had provided an immense amount of information from reportings about Edmund Perry’s death and life before he died. Anson has developed Edmund’s character and experiences through reporting that I have related and connected to. Information reported by Anson has helped me find a deep connection towards Edmund Perry’s home environment, junior high experiences, and personality at Philips Exeter. Themes such as hopes and dreams, loyalty and betrayal, journey, and family ties are intertwined in the story and becomes blatant. The congruences between our lives have better my understanding of the story and Edmund’s life.
“Chunks of my own history flashed by.”(O’Brien 55) Instead of actually sinking into the river, he figuratively sinks into a “wave” of his past, which describes many people in his life. “ I saw a seven-year-old boy in a white cowboy hat and a Lone Ranger mask… I saw a sixteen-year-old kid decked out for his first prom, looking spiffy in a white tux and a black bow tie, his hair cut short and flat, his shoes freshly polished.” (O’Brien 55) O’Brien begins to see himself through memorable moments in his life. A moment after he begins to enter into a giant hallucination, “I saw my parents...my brother and sister, all the townsfolk, the mayor and the entire Chamber of Commerce and all my old buddies. Like some outlandish sporting event:... A squad of cheerleaders did cartwheels along the banks of the Rainy River....A marching band played fight songs. All my aunts and uncles...a nine-year-old girl named Linda…little kids without arms or legs...they were all whooping and chanting and urging me toward one shore or the other.”(O’Brien 55-56) O’Brien sees these people, and gives him more pressure to whether or not he should join the war or escape the draft. The intense hallucination, which even made him see children without limbs, placed a huge weight on his decision. The feeling of shame projected from these people pressured O’Brien to join the war. “All those
In the short story, “On the Rainy River”, Tim O’Brien reflects on how an individual’s values and identity shifts in the face of adversity. This idea is portrayed in the character of Tim O’Brien and how he is able to compromise his values when he is faced with internal turmoil in the presence of adversity. “Oddly, though, it was almost entirely an intellectual activity. I brought some energy to it, of course, but it was the energy that accompanies almost any abstract endeavor”. This quote portrays how weakly Tim clung onto his values even though he held an opinion against this war. Tim never really takes initiative to fully fight this war, he only puts in the bare minimum. He talks about how the editorials he wrote were “tedious’ and “uninspired”
In the aftermath of a comparatively minor misfortune, all parties concerned seem to be eager to direct the blame to someone or something else. It seems so easy to pin down one specific mistake that caused everything else to go wrong in an everyday situation. However, war is a vastly different story. War is ambiguous, an enormous and intangible event, and it cannot simply be blamed for the resulting deaths for which it is indirectly responsible. Tim O’Brien’s story, “In the Field,” illustrates whom the soldiers turn to with the massive burden of responsibility for a tragedy. The horrible circumstances of war transform all involved and tinge them with an absurd feeling of personal responsibility as they struggle to cope.
Everyday individuals face decisions in which they must choose whether to do what is appealing to them or to choose a more suitable and compliable choice. In the fictional work of ‘The Things They Carried’ by Tim O’ Brien, certain characters such as Tim O’ Brien himself must face decisions similar to these. The novel demonstrates that when an individual is faced with a decision in which there is a choice that he may have to conform, the individual tends to conform due to not wanting to embarrass themselves or to not be portrayed as a coward to others. However when the individual is challenged with these types of decisions, the choice does not matter since the outcome will be what the individual was trying to avoid. That is to say that in the excerpt “The Rainy River” Tim O’ Brien was going through a conflicting decision on whether or not he should go to the war. Yet, as we see it turns out that either choice will lead to either shame or cowardice. If he goes to the war he feels that he will be a coward and that he gave up his own morals and values and accepted something he does not believe in, but if he does not go to war he will be shunned by society and will be labelled as a coward because he will not fight for his country.
...I feel more strongly that Author Miller has put a purpose in the text that by standing against a corrupt government at the suspence of everything to do the right thing is for readers to be influenced to always stand up for what they believe in despite any consequences.
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
In the novel The Things They Carried, Tim O’Brien demonstrates how exposure to the atrocities of nations at war leads to the soldiers having skewed perspectives on what is right and wrong, predominantly at times when the purpose of the war itself appears elusive. The ambiguity that consumes the stories of “The Things They Carried” and “How to Tell a True War Story” is displayed with irony, for the ‘moral’ of such war stories is that there is no moral at all. O’Brien portrays the character Mitchell Sanders as an observer who seeks the morals to be found through the war fatalities; however, he depicts these morals in a manner that actually stresses the impiety of the situations above all else. The characters in this novel are at the forefront of the Vietnam War, thus blinded by carnage that soon begins to obscure any prior notions held about what is moralistic and what is not.
Wilson, M. & Clark, R. (n.d.). Analyzing the Short Story. [online] Retrieved from: https://www.limcollege.edu/Analyzing_the_Short_Story.pdf [Accessed: 12 Apr 2014].
A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain ...
Life can bring unexpected events that individuals might not be prepared to confront. This was the case of O’Brien in the story, “On the Rainy River” from the book The Things They Carried. As an author and character O’Brien describes his experiences about the Vietnam War. In the story, he faces the conflict of whether he should or should not go to war after being drafted. He could not imagine how tough fighting must be, without knowing how to fight, and the reason for such a war. In addition, O’Brien is terrified of the idea of leaving his family, friends and everything he loves behind. He decides to run away from his responsibility with the society. However, a feeling of shame and embarrassment makes him go to war. O’Brien considers himself a coward for doing something he does not agree with; on the other hand, thinking about the outcome of his decision makes him a brave man. Therefore, an individual that considers the consequences of his acts is nobler than a war hero.
Earnest Hemmingway once said "Never think that war, no matter how necessary, nor how justified, is not a crime." (Ernest Hemingway: A Literary Reference) War is a gruesome and tragic thing and affects people differently. Both Vonnegut and Hemmingway discus this idea in their novels A Farewell to Arms and Slaughterhouse Five. Both of the novels deal not only with war stories but other genres, be it a science fiction story in Vonnegut’s case or a love story in Hemingway’s. Despite all the similarities there are also very big differences in the depiction of war and the way the two characters cope with their shocking and different experiences. It is the way someone deals with these tragedies that is the true story. This essay will evaluate how the main characters in both novels deal with their experiences in different ways.
In Hemingway’s “In Another Country”, the main character, Nick Adams, and the major both have their lives changed by the war. Nick Adams lost part of his leg from the war, yet remains hopeful that he will return to the United States and marry someone. However, the major has the opposite view. He used to be the greatest fencer in Italy, yet his hand is shrunken grotesquely from the war. He recently married his wife when he learned he was free of the war, yet she died from pneumonia. The major has lost hope for the future and bears many similarities with sufferers of PTSD. In Bierce’s “Coup de Grace”, the major characters are the two friends, Captain Madwell and Sergeant Halcrow, and Halcrow’s brother and Madwell’s “enemy”, Major Halcrow. Earlier in the story, a conversation between the captain and the major demonstrates the hate they bear toward each other. Then, when Madwell finds his friend, Madwell kills him, believing it is the best thing he could do for his friend. Although Madwell and Halcrow were friends before the war, Bierce uses the war to force Madwell to kill his best friend. This, in a nutshell, shows that the horror of war has the power to affect characters and their
Behind every war there is supposed to be a moral—some reason for fighting. Unfortunately, this is often not the case. O’Brien relays to the readers the truth of the Vietnam War through the graphic descriptions of the man that he killed. After killing the man O’Brien was supposed to feel relief, even victory, but instead he feels grief of killing a man that was not what he had expected. O’Brien is supposed to be the winner, but ends up feeling like the loser. Ironically, the moral or lesson in The Things They Carried is that there is no morality in war. War is vague and illogical because it forces humans into extreme situations that have no obvious solutions.
Filled with a plethora of themes and convictions, Cormac McCarthy’s No Country for Old Men excels in its endeavor to maintain the reader’s mind racing from cover to cover. The setting is the Texas-Mexico boarder; the story embodying a modernized western-themed Greek tragedy filled with drug runners and automatic weapons. Llewelyn Moss, a Vietnam veteran, finds himself on the run from forces that seem to be an instrument of karmic consequence. While on the run, Llewelyn is given the opportunity to end the madness that has arisen so immediately in his life. But he doesn’t. Instead he braves on, defying his own advice, and persistent on luck, only leaving him a misfortunate ending. To fully recognize the circumstance the novel surrounds itself in the reader must digress into the thoughts of the town’s Sheriff, an old vet just like Llewelyn, named Ed Tom Bell. From there and with a deep analysis of Llewelyn Moss, McCarthy succors light to why such an assessment was made amongst the lawless violence that has entered this town.