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Theme of death in literature
Essay analysis on no country for old men
Essay analysis on no country for old men
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Recommended: Theme of death in literature
Filled with a plethora of themes and convictions, Cormac McCarthy’s No Country for Old Men excels in its endeavor to maintain the reader’s mind racing from cover to cover. The setting is the Texas-Mexico boarder; the story embodying a modernized western-themed Greek tragedy filled with drug runners and automatic weapons. Llewelyn Moss, a Vietnam veteran, finds himself on the run from forces that seem to be an instrument of karmic consequence. While on the run, Llewelyn is given the opportunity to end the madness that has arisen so immediately in his life. But he doesn’t. Instead he braves on, defying his own advice, and persistent on luck, only leaving him a misfortunate ending. To fully recognize the circumstance the novel surrounds itself in the reader must digress into the thoughts of the town’s Sheriff, an old vet just like Llewelyn, named Ed Tom Bell. From there and with a deep analysis of Llewelyn Moss, McCarthy succors light to why such an assessment was made amongst the lawless violence that has entered this town. Lying on a ridge focused through his Unertl telescopic sight, Llewelyn Moss is first introduced to the reader while hunting antelope alone in the desert. Unfortunately for Llewelyn, the shot he is about to take will place him on a very dangerous path where he becomes the exemplification of one of the main underlying themes in the novel; death comes for everyone. Throughout the story, Llewelyn will waiver between amoral and moral actions. For example, when Llewelyn oversights his shot only injuring the antelope in the desert, he goes in search for the animal so that he could put it out of its misery. Amongst hunters, this is a very honorable act to do which gives the reader a preliminary impression t... ... middle of paper ... ...ze it. The interludes between the chapters where the Sheriff recounts his past serve as a foundation for reflection as he tries to fathom the events that took place from the moment Chigurh came into his town. No longer can one endure the old fashion way. To survive, the moralities that have been once so revered by previous generations now need to be holstered. The amoral conviction to do whatever it takes becomes the preeminent chance for humanity. In the end, Llewelyn letting Chigurh go knowing it was the moral thing to do stemmed his murder only a few pages later. It is almost as if the world could be scrutinized to a game of cat and mouse. The hunter, as Llewelyn was in the beginning while in the desert, became the hunted. There was no longer room for benevolence and to survive, one’s morals must be set aside, doing whatever it takes to remain the hunter.
O’Conner, Flannery. “Good Country People.” Literature An Introduction To Fiction, Poetry, And Drama. Eds. X.J. Kennedy and Dana Gioia 3rd ed. New York Longman, 2003. 247-261
It has long been contested that works of great Literature have certain qualities and that they belong to an exclusive canon of works. Value is placed upon them for a number of reasons, including their reflection of cultural or social movements, the special meaning they possess, and even their use of specific narrative elements. Up until recently, scholars and intellectuals would never dream of examining works of lower caliber with any hopes of discovering value or merit. A new movement within intellectual circles, however, has shifted focus onto so-called low-brow novels like Chester Himes’ If He Hollers Let Him Go and God’s Little Acre by Erskine Caldwell. Surprisingly enough, the works of Himes and Caldwell can be held up to the same tests as more canonical works through their appeal to ideological remnants of Romanticism and the Enlightenment, their use of literary devices to create meaning, and the narratives’ use of these devises to enhance the elements of enjoyment and pleasure in reading.
Although the old man is generous and giving, he is not ignorant about O’Brien’s true motives of freedom. He does not criticize his decisions, but rather encourages him through his giving of money and the authorizing of O’Brien a place in his lodge. Elroy Berdahl provides O’Brien a place to reflect and the support needed to get through this time of significant
“Boom! Boom!” I h the rifles and saw bullets from the fighting going on the Revolutionary War. In this essay, I will compare and contrast My Brother Sam Is Dead by James Lincoln Collier and Christopher Collier and Colony of Fear by Lucy Jones Bledsoe. The topics to be discussed are the protagonist, the antagonist, Religion and Politics in the novels.
The author uses diction in the passages to signify the effect of the author¡¯s meaning in story and often sway readers to interpret ideas in one way or another. The man in the story arrives to a ¡°[dry] desert¡± where he accosts an animal with ¡°long-range attack¡± and ¡°powerful fangs.¡± The author creates a perilous scene between the human and animal in order to show that satisfaction does not come from taking lives. With instincts of silence and distrust, both of them freeze in stillness like ¡°live wire.¡± In addition, the man is brought to the point where animal¡¯s ¡°tail twitched,¡± and ¡°the little tocsin sounded¡± and also he hears the ¡°little song of death.¡± With violence ready to occur, the man tries to protect himself and others with a hoe, for his and their safety from the Rattler. The author criticizes how humans should be ¡°obliged not to kill¡±, at least himself, as a human. The author portrays the story with diction and other important techniques, such as imagery, in order to influence the readers with his significant lesson.
As the sweltering, hot sun signified the start of a scorching afternoon, a young boy lay in the fields harvesting vegetables for another family. He had been enslaved to perform chores around the house for the family, and was only given very few privileges. While his stomach throbbed with pangs of hunger, he continued cooking meals for them. After the family indulged in the cozy heat from the fireplace, he was the one to clean the ashes. Despite his whole body feeling sore from all the rigorous work he completed, the young boy had been left alone to suffer. As months passed by, he desired independence. He wanted to cook his own food, make his own fire, harvest his own plants and earn money. The lad soon discovered that he needed faith and courage to break away from his restricted environment. When put in a suppressive situation, every person has the aspiration to escape the injustice. This is what Harrison Bergeron and Sanger Rainsford do to liberate themselves from the external forces that govern their lives. Harrison, the main character of “Harrison Bergeron” written by Kurt Vonnegut, is a strong, fourteen year old boy whose talents have been concealed by the government. Growing up in an environment where equality has restricted people’s thinking, Harrison endeavors to change society’s views. Rainsford, the main character of “The Most Dangerous Game” written by Richard Connell, is a skilled hunter who believes that animals were made to be hunted; he has no sympathy for them. Stranded on island with a killer chasing him, he learns to make rational choices. While both Harrison and Ranisford are courageous characters, Rainsford’s prudence enables him to overpower his enemy, whereas Harrison’s impulsive nature results in him being ...
Sickels, Robert C., and Marc Oxoby. “In Search of a Further Frontier: Cormac McCarthy’s Border Trilogy.” Contemporary Literary Criticism. Ed. Jeffrey Hunter.Vol. 295. Detroit: Gale, 2011. N.pag. Literature Resource Center. Web. 5 May 2011.
In the novel No Country for Old Men by Cormac McCarthy, the increased brutality and violence along the Texas-Mexico border leads to various moral conflicts among the citizens as well as authority figures. Because of this ominous presence, the characters, especially the older men, are forced to combat such violence and brutality, with varying degrees of success. Although experience and ethical obligations can allow for some success, it is ultimately achieved by those that are able to conform to such brutality rather than fight it. In the novel, Anton Chigurh represents the new era of men in Texas through his defiance of law and justice whereas Sheriff Bell stands for the old values of the country and Llewelyn Moss holds a position in the world between the two ultimatums. Throughout the novel, the drastic societal alterations affect characters differently depending on their moral values and physical capabilities thus revealing how the country has become too violent and brutal for the men who rely on justice
...it up to each reader to draw their own conclusions and search their own feelings. At the false climax, the reader was surprised to learn that the quite, well-liked, polite, little convent girl was colored. Now the reader had to evaluate how the forces within their society might have driven such an innocent to commit suicide.
Juror #1 originally thought that the boy was guilty. He was convinced that the evidence was concrete enough to convict the boy. He continued to think this until the jury voted the first time and saw that one of the jurors thought that the boy was innocent. Then throughout the movie, all of the jurors were slowly convinced that the boy was no guilty.
It was also McDowell's decision to add the brief prefatory section, “Knoxville: Summer, 1915,” Agee's poetic meditation on his southern childhood. As an overture to the novel, this evocative section, although not part of Agee's original manuscript, is extremely effective, for it introduces the theme of lost childhood happiness that is central in the novel as a whole. The novel will treat the same milieu of middle-class domestic life-a social milieu whose calm surface of “normality” is shattered by the tragic and possibly suicidal death of Jay Follet, the child protagonist's father.
Bitter about the evolution of the corruption of society, Sheriff Ed Tom Bell plays the official hero clinging to old traditions and reminiscing about the old days in No Country for Old Men by Cormac McCarthy. Delusions of a peaceful utopia during the time his grandpa Jack was a sheriff has left Bell looking at the world through hopeless eyes; a world on its knees with only one explanation for its demise: Satan. Not necessarily a religious man, Sheriff Bell, when asked if he believes in Satan, remarks: “He explains a lot of things that otherwise don’t have no explanation. Or not to me they don’t” (218). Throughout No County for Old Men, Sheriff Bell is determined to save Llewellyn Moss in order to prove that justice can be served in a world now drenched in decay. Throughout the book and the film adaptation, the audience can see Sheriff Bell, a tormented old man, sink deeper into his bitterness and his hope sizzle away in the Texas heat.
Edwin O'Connor's novel The Last Hurrah presents a view of the difficult and hard life of the Irish-American community in Boston of the 1950's. The author uses a number of characterizations to produce themes that relate to the political and social considerations of this era. With a narrative style that holds the reader's interest, O'Connor leads you through the streets and alleys of the old city, giving you a brief look at old-time city politics. He does this through Frank Skeffington who is the main character. One of the characters O’Connor used to make his point is John Gorman.
On March 3, 1915 the movie The Birth of a Nation was released at the Liberty Theatre in New York City. This film was financed, filmed, and released by the Epoch Producing Corporation of D.W. Griffith and Harry T. Aitken. It was one of the first films to ever use deep-focus shots, night photography, and to be explicitly controversial with the derogatory view of blacks.
The old proverb “the Pen is mightier than the sword” (Edward Bulwer-Lytton, Richelieu; Or the Conspiracy) still holds significance in protecting of public rights. Words such as freedom, and liberty engendered the idea for democracy. Such words formed into sentences and paragraphs enlightened the public to take action against tyranny and corruption. Freedom of the press is what ensured the general masses of their public rights. The exemplary case in which the freedom of the press played a role was the endeavors of Woodward and Bernstein to unravel the corrupted politics behind the Watergate Scandal. The movie All the President’s Men depicts the proceedings of the Watergate scandal, the scheme to attack the crux of democracy: “ the open election”. Also how the two journalists of the Washington Post progressed to unveil the relationship between the Watergate Burglary and the White House. On one hand, the movie represents the role of the media in its obligation to convey the truth to the masses. On the other hand, the movie reflects political corruption and conspiracy. The accomplishment of Woodward and Bernstein presents the importance of the interaction between the media, the government, and the general masses of society. The role of the media is not only to intervene between the State and the public, but also to take account of public ideas and to apply those ideas to new policies. Also, the media acts as a safeguard to prevent the corruption of the State. Thus, the Watergate scandal signifies the significance of the media as an intermediary between the government and the public mass.