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Antigone literary elements
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In my mind, Sonny Carroll’s poem perfectly represents what an empowered woman should be; firm, determined and able to stand on her own feet. The characters of Nora and Antigone, from Henrik Ibsen’s ‘A Doll’s House’ and Sophocles’ ‘Antigone’ respectively, completely fit my description of ‘the empowered woman’. As inspiring figures, they left me wondering how they maintained their identities even in their patriarchal societies. What touched my heart the most is the way they fight for what they feel is moral and just instead of following what society dictates. I believe that each and every woman possesses the qualities like ‘the empowered woman’ in Carroll’s poem. Through my essay, I’d like to show how females in both the plays, during the adversities and extremities of time, evolve into empowered women. I believe that the idea of female empowerment, through these characters, inspires fellow women to make names for themselves rather than being labeled or controlled by men.
Over the centuries, writers have used literature to show the societal status and the mind sets of the people in their era. ‘Antigone’, a Greek tragedy, and ‘A Doll’s House’, a highly controversial drama, inhibit the same thematic approach, depicting the oppression and submissiveness of women in male-dominated society and how they overcome their obstacles with firm will, inspiring millions of audiences from then till now. By Antigone’s character, Sophocles portrays a figure through whom he can express his faith in feminism in the 4th century. Likewise, Ibsen’s concerns about the position of women during the 19th century are beautifully breathed to life in ‘A Doll’s House’ through Nora’s transformation from a doll-like puppet to a human. Both of the writ...
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... left the arrogant male characters stunned.
Throughout the world, writers have shown their concern over a particular cause through the characters of their works. On the whole, Sophocles’ has beautifully shown Antigone as an inspiration. I quote,
This shows that even if Creon is obstinate, the audiences are inspired by Antigone’s bravery. Though some people support Creon openly, somewhere deep down, they secretly side with Antigone’s bold and daring behavior. Similarly, through Nora, Ibsen tries to illustrate the status of women and how they should be brave and speak for themselves in times of need. Many women are able to relate to these two female characters and I’m certain that they have served as role models for women’s emancipation. I hope that every woman is motivated by these characters to become ‘the empowered woman’ from Sonny Carroll’s poem.
The texts Antigone and Wicked challenge conventional ideas about gender. Both Elphaba and Antigone demonstrate strong will and are figures of rebellion as they challenge the status quo in their patriarchal societies. The main characters in these books reject feminine constructs of leadership, challenge democracy, and deconstruct ideologies of maternity and male dependency through embracing the label as “the other” courageously.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
“Antigone,” is a wonderfully crafted play by Sophocles, which manifests various psychological aspects of humankind like anger, bravery, jealousy, ignorance, arrogance, deceit, and sacrifice to a greater degree. Out of the many characters that represent these human frailties, Antigone is portrayed as the strongest of all. Antigone, despite being a woman in the era, when the gender of women was considered below the status of men, shows great defiance against the cruelty of the reigning monarchy. People secretly approve the generous act of Antigone burying her brother, Polyneices. But, Haimon is the only other character that shows some courage and fight against Creon. His eloquently put together words are, as compelling as, it could get in his failed attempt to defend Antigone. Antigone’s action becomes more heroic, when she buries her brother, knowing the inevitable death that follows and nobody, not even her fiancé, Hamon, could defend her.
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
A Doll’s House and Antigone are very good examples of what happens when women try to break the molds of their society. The women’s characteristics of persisting to achieve their goals, willingness to commit crimes for their love of someone close to the them, and breaking of society’s rules show that men are not the only ones that can think for themselves. Nora and Antigone’s qualities affect the resolutions of the plays more so than any other factor in the dramas.
Have you ever wondered what women were like before the liberation movement of the 1970s? In the plays Antigone, by Sophocles, and A Doll’s House, by Henrik Ibsen, women are represented as weak, underlings to men. However, both protagonists in the play, Antigone and Nora, show their strength and courage when they go against society. Antigone shows how strong she is when she goes against the King’s decree and buries her brother who is a traitor. Nora, to save her husband’s life, takes out a loan which wasn’t allowed for a woman to do in the 1800s. Both these actions show these two women were strong enough to go against society’s belief, and do what needed to be done. It’s important for men and women to give their opinions and feelings in a relationship because there needs to be a balance of power. Sophocles and Ibsen show how society has placed constrictions on women from five B.C. to the 1800s by portraying Antigone and Nora to be intelligent, determined, yet subservient women.
The heroine of this story is the fearless and honorable girl, Antigone. She acted more motherly than sisterly, always seeking honor and caring for her fallen family. The villain would be the king, Creon, who was increasingly more concerned about his own personal authority and welfare. He thought of himself as the supreme ruler over the city and felt that all people should obey him in all things, great and small, just and unjust. Only God, Himself, should have this honor!
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
Sophocles’ background influenced him to write Antigone. One important influence on the drama was the author’s life in the “golden era” of Athens during fifth century BCE. In that time, Athens was experiencing much change in all facets, and drama was a major factor in Athenian culture. In his essay “Sophocles,” Ed Downey reports that Sophocles was born at the beginning of the “golden era” in Athens and lived a long life influenced by “the artistic and cultural achievements in the ancient Greek world”. Sophocles was a wealthy and highly educated, “happy man.” As a young man, Sophocles began his playwright career, eventually becoming one of the greatest writers in history although only seven of his works are still intact (1). Similarly, the setting
Women in most cultures have been designated as second to men and in some instances, considered below male children as well. With the passage of time women gained respect and the right for equality. Although gender discrimination remains, a lot of progress has been achieved. Literature is a one of the facets of the human race that reflects the culture change of people. William Shakespeare’s King Lear portrays the patriarchal system of the Renaissance era, which leaves women completely dependent on the male head of household. In Henrik Ibsen’s Doll House, set in the modern era, there is still a patriarchal system but women have just a little more freedom. The article, The Doll House Backlash: Criticism, Feminism, and Ibsen by Joan Templeton, analyzes the gender subordination in A Doll House. Comparing and contrasting the themes of the two plays followed by consideration of the article’s research on the theme in A Doll House, assists in developing an understanding of the gradual progression of women’s freedom to be their “true selves” through equality with men. The “true self” is a person's character that is masked by a false portrayal designed to appeal to others.
In Henrik Ibsen’s drama A Doll’s House, the playwright uses the protagonist, Nora, to present an atypical depiction of 19th century women. Throughout the course of the play, Nora progresses from a childish dependent wife to an independent woman who leaves her husband. She shows aspects of progressing from an Angel of the House to a New Woman. During the time period, an Angel of the House was a wife who was expected to be, powerless, self-sacrificing and above all, pure. A New Woman was described as someone who was intelligent, educated, emancipated, independent and self-supporting. They departed from the typical Victorian woman, and critics have said that The New Woman was a very fin-de-siècle (the end of the 19th century) phenomenon’. This essay will focus on the extent to which Nora can be viewed as a New Woman in the play.
The idea of equality for women has been the subject of countless books, speeches, and performances for decades. The concept of a world in which a woman can be considered equal to a man is not a new concept in today’s society, but it was in that of 19th century Norway. This is the world of noted playwright Heinrik Ibsen, a forward thinking individual with ideas that challenged the restrictions of society time and time again. A forerunner in the women’s rights movement, Ibsen’s play A Doll’s House offers a commentary much before its time on the dangers of a patriarchal society through the evolution of its protagonist, Nora. In his play, Ibsen uses the Christmas tree to symbolize the growing empowerment and independence of Nora, as well as the steady deterioration of Nora and Helmer’s marriage.
”Women have been taught that, for us, the earth is flat, and that if we venture out, we will fall of the edge”(Kramarae, Treichler). This notion is exemplified through both novels, Antigone by Sophocles, and A Doll’s House by Leo Tolstoy. Both novels provide a different look at women, with the two main characters showing qualities that weren’t common in this era such as determination, intelligence, rebellion, hubris, and stubbornness.
The role of women has changed significantly throughout history, driven by women who took risks in setting examples for others to follow. Henrik Isben, author of A Doll's House, said “ A woman cannot be herself in society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view” (Innes 147). This proves that Isben was aware of male dominance in society during that time period. In his drama, “A Doll's House,” it deals with gender favoritism and male dominance.