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The Poetical Works of Wordsworth
Poetical works of wordsworth
Poetical works of wordsworth
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During the early nineteenth century John Constable was known for his great artistry across Europe. His interest and love for paint began in 1799 when Constable convinced his father into letting him attend the Royal Academy School to pursue art - his passion as a romantic artist was in landscapes. His style, brushstroke techniques and eye for detail, progressed over the years but he remained true to his passion of capturing nature and the beautiful world that surrounded him. It is refreshing to see the freshness of light, touch, and colour carry on through his entire body of work. When studying the paintings and their compositions, one can note the similarities between Constable’s works of nature and landscapes and the written words of William Wordsworth, a poet during that time who was also an acquaintance of Constable. Both a painting and a poem can act as a memory. The way in which Constable uses very gestured like fluidity through his painting gives that feeling of a dream or blurred memory, luring you deeper into his work and into your thoughts, allowing you to create or see your own memories in his work. One can obtain the same kind of response when reading the poems of William Wordsworth, as one reads each stanza they become lost in thought and in the world of Wordswoth’s words. Constable’s paintings, Barges on the stour: Dedham Church in the distance, 1812 and Salisbury Cathedral from the Meadows, 1831 are extraordinary exemplifiers of his nature based work and highlight the link between his feelings about nature to those seen within Wordsworth’s poem, Tintern Abbey. After analyzing these three works and pinpointing their similarities, it can be noted that Constable and Wordsworth had much influence upon each other’s art,...
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...s came to love them.
In conclusion, there are clear similarities between the painter Constable and poet Wordsworth. These artists mimicked one another in their works and influenced the other to remain consistent to the depictions of nature and landscapes. In telling a story of feelings and emotions the artists capture the audiences’ bodies and minds, instilling a sense of dreaminess. The paintings by Constable, Barges on the stour: Dedham Church in the distance, 1812 and Salisbury Cathedral from the Meadows, 1831 perfectly depict this idea of the dreamy, whimsical feeling represented in nature. Wordsworth’s poem, Tintern Abbey similarly highlights these airy, dreamy feelings that nature exhibits. These works perfectly represent the state of mind of John Constable and Williams Wordsworth and in comparing them one can duly note their similarities.
In the era where Thomas Cole first established the Hudson River School, other artist that is not from the United State such as John Constable, has the same taste in nature and outdoors. John Constable who is from England, created many painting from the surrounding area from his backyard to the countryside. For Cole’s painting, his work of art has been throughout the Hudson River, therefore, his painting consist of vast amount of forest, river, and mountains. He also travels in many locations in America and even done some painting in Europe. Both painter love nature, for this example, landscape will be the primary focus.
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
“The power of imagination makes us infinite.” (John Muir). Both John Muir and William Wordsworth demonstrate this through their use of language as they describe nature scenes. John Muir studies nature and in his essay about locating the Calypso Borealis he uses scientific descriptions to grab his reader’s attention and to portray his excitement at finding the rare flower. William Wordsworth on the other hand shows his appreciation for the beauty of nature and its effect on a person’s emotions in the vivid visual descriptions that he gives of the daffodils in his poem ‘I wandered lonely as a cloud.’ Wordsworth with his appreciation of beauty and Muir through scientific descriptions provide an indication of the influence that nature has had on them as they capture their reader’s attention both emotionally and visually through their personal and unique use of tone, diction, syntax and vocabulary.
While Romantics did seek inspiration in solitude and the grandeur of nature, it is difficult to say whether there is only one Romantic notion of the sublime. It is doubtful that the sublime we encounter in Shelley’s ‘Ode to the West Wind’ is the same as the sublime of ‘Tintern Abbey’. Wordsworth tells us how “… in lonely rooms, and ’mid the din / Of towns and cities” he has received “tranquil restoration” from the memory of nature, and how this has sometimes led to the realization of a gift of “aspect more sublime”, which is a trance-like state, a “classical religious meditation” (Wlecke, 158) in which he can “see into the life of things” (lines 36-49). This seems to be a notion of the sublime that gradually reveals itself through the interaction between the human mind and the objects of its contemplation. Moreover, this philosophical gift is “abundant recompense” (line 89) for something that he has lost – the ability to be moved at a level below that of thought, by the sublime aspect of nature. At the time of his visit five years before, he had been “more like a man ...
(ll. 19-24) Wordsworth’s famous and simple poem, “I wandered lonely as a cloud,” expresses the Romantic Age’s appreciation for the beauty and truth that can be found in a setting as ordinary as a field of daffodils. With this final stanza, Wordsworth writes of the mind’s ability to carry those memories of nature’s beauty into any setting, whether city or country. His belief in the power of the imagination and the effect it can have on nature, and vice a versa, is evident in most of his work. This small
The very nature of the poet’s artistic immersion in such a common, specific area is itself evidence of her understanding of a central Romantic idea. The natural beauty that inspires her is not that of some faraway classical monument, it is what she sees in her everyday walks through the county she lives in. Charlotte Smith uses the familiar landscape of southeast England to conjure up incredible allusions to Britain’s great past. She does this with the help of an extremely specific knowledge of the botany, archeology, and history of Sussex.... ...
4) Marshall, William. From A Review of the Landscape, a Didactic Poem, 1795. in The Sublime: A Reader in British 18th Century Aesthetic Theory. Ed. Ashfield, Andrew and de Bolla, Peter. Cambridge: Cambridge University Press, 1996.
This essay will consider two landscape painters and explore their work, John Constable - West End Fields Hampstead, noon ca. 1822 & J.M.W. Turner - Rain, Steam and Speed ca. 1844 illustrating the social, cultural and philosophical concerns and values of 19th Century England and discuss how these artists have chosen to express their interpretations of the epoch, focusing on their aim, technique, and subject matter.
Primarily in Lines composed a Few Miles above Tintern Abbey the mortality of creativeness and imagination is expressed by Wordsworth. This is a poem about the beauty of an old cathedral called Tintern Abbey. He hasn’t been there in five years and he brought his sister along. Even though imagination isn’t immortal, there is a way to reclaim it, “That time is past, / and all its aching joys are ...
Wordsworth's Poetry A lot of literature has been written about motherhood. Wordsworth is a well known English poet who mentions motherhood and female strength in several of his poems, including the Mad Mother, The Thorn, and The Complaint of a Forsaken Indian Woman. This leads some critics to assume that these poems reflect Wordsworth's view of females. Wordsworth portrays women as dependent on motherhood for happiness, yet he also emphasizes female strength.
The Influence of Nature in Lines Composed a Few Miles Above Tintern Abbey by William Wordsworth
Nature is often a focal point for many author’s works, whether it is expressed through lyrics, short stories, or poetry. Authors are given a cornucopia of pictures and descriptions of nature’s splendor that they can reproduce through words. It is because of this that more often than not a reader is faced with multiple approaches and descriptions to the way nature is portrayed. Some authors tend to look at nature from a deeper and personal observation as in William Wordsworth’s “I Wandered Lonely as a Cloud”, while other authors tend to focus on a more religious beauty within nature as show in Gerard Manley Hopkins “Pied Beauty”, suggesting to the reader that while to each their own there is always a beauty to be found in nature and nature’s beauty can be uplifting for the human spirit both on a visual and spiritual level.
His poem recognizes the ordinary and turns it into a spectacular recollection, whose ordinary characteristics are his principal models for Nature. As Geoffrey H. Hartman notes in his “Wordsworth’s poetry 1787-1814”, “Anything in nature stirs [Wordsworth] and renews in turn his sense of nature” (Hartman 29). “The Poetry of William Wordsworth” recalls a quote from the Prelude to Wordsworth’s 1802 edition of Lyrical ballads where they said “[he] believed his fellow poets should "choose incidents and situations from common life and to relate or describe them.in a selection of language really used by men” (Poetry). In the shallowest sense, Wordsworth is using his view of the Tintern Abbey as a platform or recollection, however, this ordinary act of recollection stirs within him a deeper understanding.
The poem “I Wandered Lonely as a Cloud” by William Wordsworth is about the poet’s mental journey in nature where he remembers the daffodils that give him joy when he is lonely and bored. The poet is overwhelmed by nature’s beauty where he thought of it while lying alone on his couch. The poem shows the relationship between nature and the poet, and how nature’s motion and beauty influences the poet’s feelings and behaviors for the good. Moreover, the process that the speaker goes through is recollected that shows that he isolated from society, and is mentally in nature while he is physically lying on his couch. Therefore, William Wordsworth uses figurative language and syntax and form throughout the poem to express to the readers the peace and beauty of nature, and to symbolize the adventures that occurred in his mental journey.
William Wordsworth has respect and has great admiration for nature. This is quite evident in all three of his poems; the Resolution and Independence, Tintern Abbey and Michael in that, his philosophy on the divinity, immortality and innocence of humans are elucidated in his connection with nature. For Wordsworth, himself, nature has a spirit, a soul of its own, and to know is to experience nature with all of your senses. In all three of his poems there are many references to seeing, hearing and feeling his surroundings. He speaks of hills, the woods, the rivers and streams, and the fields. Wordsworth comprehends, in each of us, that there is a natural resemblance to ourselves and the background of nature.