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Social roles society places on women
Social roles society places on women
Social roles society places on women
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Women as Victims in Hedda Gabbler, A Doll's House and Ghosts
In Ibsen's plays - Hedda Gabbler, A Doll's House and Ghosts - the female protagonists of Hedda Gabler, Nora and Mrs. Alving demonstrate how social expectations and restrictions of women impacts the life every woman on a very personal level.
Conservative social and religious leaders imposed women's restricted social roles. Women had to be married; there was not another socially acceptable option. After marriage they had to stay with their families and fulfill their social and moral duty regardless of their personal feelings or how their husbands treated them. Ibsen presents his characters Hedda, Nora and Helene as victims of the patriarchal system of family and marriage that was supported by the church and society in general. In these plays, Ibsen did not present marriage as a blissful state of love and mutual respect; in the case of Hedda and Mrs. Alving the main objective of marriage was to maintain a socially acceptable image. In Nora's case her husband was constantly concern about what people might think about their family. In each play there is an emphasis on the effort of the women to maintain the appearance of happy marriage regardless of how pitiful the actual circumstances might be. Eventually, each woman becomes aware of her plight and takes a drastic measure to liberate herself - regardless of the personal costs.
Although Hedda's personality is much stronger than that of Nora and Mrs. Alving, she also is victimized by the prevailing social norms. Hedda's fate results from her unconscious decision to be like her father. Hedda is a woman with masculine view of the world. Her hobby is to shoot guns which is an...
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Many people admire Ibsen for portraying Hedda and Nora as women who are able to take action and escape the conventional roles expected of them. Ibsen uses the role of motherhood to display battles women must fight involving their desires to be independent individuals and the directions that society expects their lives to go in.... ... middle of paper ... ... Finney, Gail.
In this passage, Ibsen illustrates Hedda’s transformation from an apparently dominant character to a vulnerable character bound by societal conventions. Hedda highly values individual freedom, yet Ibsen reinforces in this passage that she is ultimately controlled by her role as a wife in her marriage and her role as a woman in her relationship with Judge Brack. Ibsen’s portrayal of the desperation of Hedda’s situation foreshadows her suicide, an action that is forced upon her yet paradoxically is her only means of freedom from a repressive society.
The feminist Lois Wyse once stated, “Men are taught to apologize for their weaknesses, women for their strengths.” Women should express remorse for their strengths, when men should feel guilt when exposing their weaknesses. Wyse believed that women should have been able to show their strengths in their oppressive societies instead of covering them up. The 19th century setting in the two plays, A Doll House and Hedda Gabler by Henrik Ibsen, caused much grief in both Nora and Hedda. They both lived in Europe during the 1800’s where males dominated the way society ran. Ibsen created an environment for women to question the society they lived in. Nora and Hedda, two feminists living in a masculine household bereft of happiness, desired to evade their unhappy life at home under the guidance of a man. Eventually, both women escaped from their husband’s grasps, but Hedda resorted to suicide in order to leave. Nora agreed with Lois Wyse by showing her strengths with pride to everybody, while Hedda hid her strengths like a coward by killing herself. Ibsen used numerous literary elements and techniques to enhance his writing and to help characterize the two protagonists. Nora, characterized as a benevolent and strong person, left her husband to explore the beliefs in society and to interpret ideas herself. Unlike Nora, the belligerent, selfish Hedda destroyed the lives of people around her just to take her own life in the end. Even though it appeared that Nora abandoned all responsibility for her children and hid an insidious secret from her husband, Nora showed greater fortitude than Hedda in the way she faced the obstacles of her life.
The characters in the play are consistent with the stereotypical ones of the Victorian era. Women were expected to get married and stay at home, being seen as unintelligent and fragile. Hedda Gabler is neither of things, thus emphasizing Henrik Ibsen’s point of female oppression in the Victorian era. Hedda’s character does not present the typical affectionate trait a woman would have towards her husband; The idea that women were supposed to get marriage and have children early during the Victorian era. The male role was expected to be extreme dominance over the woman, and to be the bread winner. Henrik Ibsen’s reflection of the Victorian era in the story, Hedda Gabler emphasizes on the social standards imposed upon women and men. The play questions the power dynamics distributed between the two genders, the concept that a woman’s proper role in her marriage is to tend her husband, while the man’s role is to provide for the family and uphold its reputation. Henrik Ibsen presents two characters who are victims of this drastic social code and the measures of both characters have to take in order to structure their ideals around a strict society. When both characters ideals conflict with the social mores of society, the result is often unsatisfying or tragic. For example, Hedda’s lust for power in the story is a trait not often found in women during the Victorian period. The role of power is reserved for only the men in Victorian society. In order to behold power, Hedda sacrifices her stereotypical image as a woman. Hedda does not display the typical loving wife role, but rather adopts a vicious and manipulating female character trait. George Tesman breaks this stereotype as well, by depending on Hedda to get his professorsh...
One of the social issues dealt with in Ibsen's problem plays is the oppression of women by conventions limiting them to a domestic life. In Hedda Gabler the heroine struggles to satisfy her ambitious and independent intellect within the narrow role society allows her. Unable to be creative in the way she desires, Hedda's passions become destructive both to others and herself.
In the case of Henrik Ibsen’s plays A Doll’s House and Hedda Gabler, the two main female characters have their own reputations to worry about. Nora Helmer and Hedda Gabler are two characters who are similar in their actions, but the motivations behind them differ slightly. Nora is involved in a scandalous situation because of a crime committed on behalf of her family. Hedda is not directly involved in any wrongdoing, she is only an accomplice to a potential scandal. However, both women are terrified of the consequences of these situations. Not only do they have reputations that could be damaged but they have husbands, and in Nora’s case, children, to think about. There is considerable pressure on Nora and Hedda to keep up appearances as devoted wives, as society would have them portrayed. The problem these women have is that the “vigilant wife” stereotype does not give them the separate and personal identity that they want. When confronted with Torvald’s statement that first and foremost, she is a wife and mother, Nora replies, “I believe that first and foremost, I’m a human being” (Gainor,
Ibsen’s Hedda Gabler portrays the societal roles of gender and sex through Hedda as a character trying to break the status quo of gender relations within the Victorian era. The social conditions and principles that Ibsen presents in Hedda Gabler are of crucial importance as they “constitute the molding and tempering forces which dictate the behavior of all the play's characters” with each character part of a “tightly woven social fabric” (Kildahl). Hedda is an example of perverted femininity in a depraved society intent on sacrificing to its own self-interest and the freedom and individual expression of its members. It portrays Nineteenth Century unequal relationship problems between the sexes, with men being the independent factor and women being the dependent factor. Many of the other female characters are represented as “proper ladies” while also demonstrating their own more surreptitious holdings of power through manipulation. Hedda Gabler is all about control and individualism through language and manipulation and through this play Ibsen shows how each gender acquires that or is denied.
Ibsen, Henrik. Four Major Plays: A Doll House, the Wild Duck, Hedda Gabler, the Master Builder. New York: New American Library, 1992.
Hedda Gabler by Henrik Ibsen is a play about Hedda, a woman living in Christiana, Norway in the 1860’s who manipulates others, but her efforts produce negative results. During this era, there were Victorian values and ethics which were followed by almost all. The main values comprised of women always marrying and, their husbands taking care of them. Women were always accompanied by chaperone and were not allowed to be left alone with an unfamiliar male. It was Bertrand Russell who said “It is preoccupation with possessions, more than anything else, that prevents us from living freely and nobly”.
Does a mother have the right to take the life of her unborn child, never giving it a chance to walk this earth and fulfill its God given purpose? Or is it God’s will for that child to be taken at that time, to play an ever constant reminder to the mother of her past decisions, having God use that guilt or experience as a source to steer her life? We neither have the ability to create nor destroy life, as it is God who ultimately decides whether the person terminates that life. From a non-biblical standpoint, it is based on whether a woman finds it ethically right to terminate a pregnancy and what effect it would ultimately have on her happiness. Therefore, abortion is not philosophically incorrect. In this paper, we will discuss the cosmological argument, individual relativism, and act-utilitarianism, all as they pertain to abortion, and how natural law and ethical relativism cause opposition to these theories.
Ibsen, Henrik. A Doll's House. In Four Major Plays. Trans. James McFarlane and Jens Arup. Oxford: Oxford University Press, 1981.
Ibsen, Henrik. "A Doll House." Ibsen : Four Major Plays - Volume 1. Trans. Rolf Fjelde. New York: Signet Classics, 1992. 43-114. Print.