In the poems “The Love Song by J. Alfred Prufrock,” written in 1910, published in 1915, and “Rhapsody on a Windy Night,” written in 1917, both of which were written by poet and literary-critic T. S. Eliot, the symbolism and imagery of the women represented in mythological means, the locations and landscapes that both protagonists wander through or plan on going to, and the nature that is used in both poems are very similar, yet uniquely different. “The Love Song of J. Alfred Prufrock” is about a man with low self-confidence worrying about going to a party in the evening where he is sure that the women there with reject and ridicule him; “Rhapsody on a Windy Night” is about a man wandering his way back in the early hours of the morning to the place where he is staying.
In “Rhapsody…,” the moon is featured as a forgiving woman, one who will not hold a grudge and gentles and watches over everything. She appears as a lonely woman, almost as one whose lover has left her holding and twisting a “paper rose that smells of dust and eau de Cologne” (Eliot 31). At the end of “The Love Song…,” the women are represented as mermaids, sea-girls. They put the men under a spell, for lack of a better word, “We have lingered in the chambers of the sea/ By sea-girls wreathed with seaweed red and brown/ Till human voices wake us, and we drown.” The last line makes them seem like Sirens. In both poems the women are featured in strong mythological terms. Mythology, legends, etc. have always appealed to the senses. They are timeless, and involve adventure, romance, magic, loyalty, betrayal, wars, and mystery, all of which are qualities that strongly appeal to our senses, while also being riddled with symbols and hidden meanings (Melinda-Landa...
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T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
Eliot, T. S. “The Love Song of J. Alfred Prufrock.” The Longman Anthology of World Literature: Volume F: The Twentieth Century. 2nd ed. Djelal Kadir and Ursula K. Heise. Toronto: Pearson Longman, 2009. 221-24.
“Only those who will risk going too far can possibly find out how far one can go,” T.S. Eliot is basically trying to say that only people who push their limit can actually see how much they can really accomplish. T.S. Eliot made poetry that showed his negative views on life, people, and world. T.S. Eliot took poetry to another level by the way he writes and uses symbolism.