The Feminine Quest in Surfacing and Song of Solomon
Margaret Atwood in her novel Surfacing and Toni Morrison in her novel Song of Solomon require their heroines to pass through a stage of self-interpretation as a prerequisite for re-inventing the self. This stage in the feminine journey manifests a critical act typically absent in the traditional male journey, and one that places Atwood and Morrison's heroines at odds with the patriarchal community. If authors of feminine journeys meet the requirements set out by feminist critics like Dana Heller, then we must also provide a method for interpreting the texts that will be palatable for critics from the patriarchy. Otherwise we perpetuate an hostility between the camps that debilitates everyone.
The typical male hero's task has been to return to his community and share the boon of his journey. That boon may be treasure badly needed for the culture's economics, it may be new wisdom needed for the proper dispensation of justice and national confidence, it may be the return to fecundity through the defeat of a monster who has been imposing an impotence on the land. Whether the boon is economic or spiritual, under the monomythic model, the stories credit the male's efforts and de-emphasize the heroine's roles in the boon's attainment.
The typical heroine's journey, however, existed at best as a sub-plot to the male's effort. Her role in the quest "is not meant for her active heroism," as Dana Heller says, "but for her passive submission to a hero" (10). Thus, if she didn't die along the quest, she married the hero. As his spouse, she helped him dispense his boon in the typical feminine manner of caregiver, lover or innocent. Often, the...
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... New York: Ballantine Books, 1972.
Brenner, Gerry. "Song of Solomon: Rejecting Rank's Monomyth and Feminism," Critical Essays on Toni Morrison. Reserve Shelf, University of Montana, 1993.
Fabre, Genevieve. "Genealogical Archeology or the Quest for Legacy in Song of Solomon," Critical Essays on Toni Morrison. Reserve Shelf, University of Montana, 1993.
Heller, Dana. "The Feminization of Quest Romance." Reserve Shelf, University of Montana, 1993.
Hoy, David Cousens. The Critical Circle: Literature, History and Philosophical Hermeneutics. Berkeley: University of California Press, 1978.
Morrison, Toni. Song of Solomon. New York: Penguin Books, USA, 1978.
O'Shaughnessy, Kathleen. "Life, life, life, life: the Community of Chorus in Song of Solomon," Critical Essays on Toni Morrison. Reserve Shelf, University of Montana, 1993.
The book called Song of Solomon, by Toni Morrison, deals with many real life issues, most of which are illustrated by the relationships between different family members.
In Toni Morrison's Song of Solomon, the character of Milkman gradually learns to respect and to listen to women. This essay will examine Milkman's transformation from boy to man.
In Song of Solomon, through many different types of love, Ruth's incestuous love, Milkman and Hagar's romantic love, and Guitar's love for his race, Toni Morrison demonstrates not only the readiness with which love will turn into a devastating and destructive force, but also the immediacy with which it will do so. Morrison tackles the amorphous and resilient human emotion of love not to glorify the joyous feelings it can effect but to warn readers of love's volatile nature. Simultaneously, however, she gives the reader a clear sense of what love is not. Morrison explicitly states that true love is not destructive. In essence, she illustrates that if "love" is destructive, it is most likely, a mutation of love, something impure, because love is all that is pure and true.
Haney-Peritz, Janice. "Monumental feminism and literature's ancestral house: Another look at The Yellow Wallpaper". Women's Studies. 12:2 (1986): 113-128.
Freedom is heavily sought after and symbolized by flight with prominent themes of materialism, classism, and racism throughout Toni Morrison’s novel Song of Solomon. The characters Milkman and Macon Dead represent these themes as Macon raises Milkman based on his own belief that ownership of people and wealth will give an individual freedom. Milkman grows up taking this idea as a way to personally obtain freedom while also coming to difficult terms with the racism and privilege that comes with these ideas and how they affect family and African Americans, and a way to use it as a search for an individual 's true self. Through the novel, Morrison shows that both set themselves in a state of mental imprisonment to these materials
The novel “Song of Solomon” by Toni Morrison emphasizes in the 1977 when the black community were getting mistreated by the whites. However, the novel explains about an individual learning through many obstacles in life because he was able to grow on his own. This individual goes by Milkman, but his real name is Macon Dead the third. Milkman was the first African American born in Mercy Hospital. Milkman maiden name is Ruth, and his father name is Macon Dead JR. Macon was believe that he pretended to act white, and wanted to kill his own son before he was born. Luckily that Pilate an aunt of Milkman was there at that time to rescue when Macon attempted to murder his family. In addition, Milkman was a serious person, and started to mature at
Reynolds, H. (1990). With The White People: The crucial role of Aborigines in the exploration and development of Australia. Australia: Penguin Books
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The nymph Calypso enslaves Odysseus for many years. Odysseus desires to reach home and his wife Penelope. It is the goddess Athena who sets the action of The Odyssey rolling; she also guides and orchestrates everything to Odysseus’ good. Women in The Odyssey are divided into two classes: seductresses and helpmeets. By doing so, Homer demonstrates that women have the power to either hinder of help men. Only one woman is able to successfully combine elements of both classes: Penelope. She serves as a role model of virtue and craftiness. All the other women are compared to and contrasted with Penelope.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
Toni Morrison's novel, Song of Solomon, tells the story of Macon "Milkman" Dead, the son of the richest Negro in town. In part one of this novel Milkman spends most his life surrounded by people but feels alone. The only people he truly trust are his aunt, Pilate, and his best friend, Guitar, who have helped him grow into his own person. In the second part of the novel Milkman goes on a journey that is fueled by greed but ends in self-discovery and new respect for his family's past; a past that connects him to his lifelong obsession, flight. Morrison uses symbols and vignettes to covey the complex significance of flight within Milkman's life.
Toni Morrison creates an almost mythical story in a vivid time period and location in her novel Song of Solomon. Her character Milkman goes on a quest of discovery, uncovering many unknown truths about himself and about his own family, and she ends with him leaping from a cliff and into the air, becoming part of the legend that his family is based upon.
... while still fulfilling his requirements given to him. In addition to that, Cabral was also capable of finding land that was not yet touched by other explorers before him and was able to claim it for Portugal to rule as its own. Factoring everything together, it is obvious that Pedro Alvares Cabral surpasses and outclasses all other explorers due to his great mind, excellent job completion, and added findings from his time spent away from Portugal.
Mock, Michelle. “Spitting out the Seed: Ownership if Mother, Child, Breasts, Milk, and Voice in Toni Morrison’s Beloved.” College Literature, Vol. 23, No.3 (Oct, 1996): 117-126. JSTOR. Web. 27. Oct. 2015.
The Harlem Renaissance refers to a prolific period of unique works of African-American expression from about the end of World War I to the beginning of the Great Depression. Although it is most commonly associated with the literary works produced during those years, the Harlem Renaissance was much more than a literary movement; similarly, it was not simply a reaction against and criticism of racism. The Harlem Renaissance inspired, cultivated, and, most importantly, legitimated the very idea of an African-American cultural consciousness. Concerned with a wide range of issues and possessing different interpretations and solutions of these issues affecting the Black population, the writers, artists, performers and musicians of the Harlem Renaissance had one important commonality: "they dealt with Black life from a Black perspective." This included the use of Black folklore in fiction, the use of African-inspired iconography in visual arts, and the introduction of jazz to the North.[i] In order to fully understand the lasting legacies of the Harlem Renaissance, it is important to examine the key events that led to its beginnings as well as the diversity of influences that flourished during its time.
Duvall, John N. The Identifying Fictions of Toni Morrison: Modernity, Authenticity and Postmodern Blackness. New York: Palgrave, 2000. Print.