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Saving private Ryan compared to the longest day
Saving private Ryan compared to the longest day
Saving private Ryan compared to the longest day
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Comparing The Longest Day Directed by Andrew Martin and Saving Private Ryan Directed by Steven Spielberg
These two directors were trying to achieve different goals, 'The
Longest Day' was made post-war in 1962 and when the war may still of
been in peoples thoughts and where many of the people who fought in
the war would still be alive. However 'Saving Private Ryan' was made
much later on in 1999, by then the world has gladly put this terrible
event behind it. Steven Spielberg is not as biased because his
audience now do not have the same attitude as in 1962, only 17 years
after the war.
I feel the aim of Andrew Martin was to achieve a film America would be
proud of showing it in its full glory and might. I think this because
of the fact that the soldiers who fought would still be alive so to
honour them as well.
Steven Spielberg's aim is totally contrasting, he is very much
anti-war and his film is made far more realistic then the invulnerable
soldiers in 'The Longest Day'. He also now has the ability to use many
modern features for example sophisticated special effects. Both of the
films were very good in there time because the directors made what the
audience wanted.
The differences between the two films are shown clearly in the beach
landing scenes. Both scenes show the same historic event, the Omaha
beach landing in 1944. However, the way the two directors depict this
event highlights the way Hollywood's portrayal of war has changed. The
first shot of Robert Mitchum's character in 'The Longest Day' shows
him standing above the rest of the soldier, this straight away shows
him as in control and a superior officer. Tom Hank...
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...son and
hows his comrades being shot at with very confusing un-organised
motions. There are also a under-water camera which shows red
under-water very distinctly and everything else is greyscale.
In the beach scene in 'The Longest Day' there is a very positive
attitude especially of that which is radiated off Robert Mitchum's
character where he leads the men in with no fear, he even says "you
had better go back and get your gun" to a young soldier even though it
would mean going back into the crossfire and risking his life.
The two films depict war differently war differently due to the times
when they were made, 'The Longest Day' tries to make a film America
would love while 'Saving Private Ryan' uses modern techniques and
camera angles to show a realistic less biased portrayal of what it
would have been like.
The books, A Wrinkle in Time and And Then There Were None, both have many differences in the movie versions. The directors of both movies change the plot to make the movie see fit to what they may have imaged the book to be, while still keeping the story line the same.
The two story High Noon and "The Most Dangerous Game" are alike in some ways, but very different in many other ways also. High Noon is a story about an honest man named will khan; Who is a Marshall that has sent a prisoner to jail named frank Miller. Who has now come out of jail to get revenge on will. When will needs the towns people of hadleyville for help to defeat frank when he comes after will no one helps. In the other hand "The Most Dangerous Game" is about two very skilled hunter between Rainsford who get trapped on Ship-Trap island by Zaroff who owns the island. When Rainsford realizes what Zaroff hunts in his island he must leave as soon as possible. Zaroff tells Rainsford he could either hunt with him or against him.
In both of the stories both authors had the same mind set on the story but with different twist on it. In “Zero Hour” the authors used kids as a way to get the aliens on to earth but in The War of the Worlds the author just had a regular invasion. Both Ray Bradbury and H.G Wells portray life during an alien invasion with characters that deal differently with the invasions and write about events that put characters in danger.
as, “You men are going off to war, and it’s not a pretty thing,’ etc. &
The film and writing industry go hand in hand, as they often inspire one another. As a result, the translation of many novels into movie format and vice versa vary in success. For instance, many people prefer the film format over the novel since it is usually less time consuming and requires less active participation. However, films tend to overlook significant details which assist the viewer's understanding of the story. Therefore, the two separate forms of media have too many differences to portray the same work of fiction accurately, as they both have their pros and cons that appeal to different types of stories and plots. Numerous changes in the movie adaptation of the novel, A Separate Peace by John Knowles, affected the viewer’s interpretation
In today's day and age, it's rare to see famous historical events and societal disasters not be picked apart by film directors and then transformed into a box office hit. What these films do is put a visual perspective on these events, sometimes leaving viewers speculating if whatever was depicted is in fact entirely true. I have never felt that feeling more than after I finished watching Oliver Stone’s JFK.
These two films come from entirely different genres, have entirely different plots, and are even based in entirely different galaxies, but the share the theme of the hero’s journey. This concept can be equally applied to nearly every book, movie, and other such works, as long as you dig under the surface and find the meaning beneath. The elements of the hero’s journey are found in both films, and with a critical eye, can be found all around us. This is the classic story of the hero; in every shape and form an author can apply it too.
A Comparison A Sound of Thunder by Ray Bradbury and The Star by H.G. Wells
I'd be working in a place like this if I could afford a real snake?"
The film Tomorrow When the War Began is a film based on the novel of the same title. John Marsden’s Tomorrow When the War Began is the story of seven teenagers who return from a camping trip to find their home town has been invaded. The producer of the film has excluded several settings from the book and also changed parts of the plot and the character’s characteristics. These differences occur to show the character’s development, to limit the duration of the film and to keep the audience engaged.
The purpose of any and all texts is to criticise our society, whether that criticism is found in a novel or a film. This is established in the Novella ‘Animal Farm,’ written by George Orwell and the film ‘V for Vendetta’ by James McTeigue. Both of these texts analyse the way society is managed and how the populations can permit this management.
In this essay we will be looking at one of the comments that one of
For a long time, when anyone thought of a war movie, they immediately thought of Darryl F. Zanuck’s, The Longest Day. Cornelius Ryan, who was the author of the book by the same name, and happened to be a D-day veteran himself, wrote the movie. The book meticulously recreates the events preceding and during the invasion. It is filled with detailed descriptions of multiple occurrences during the invasion. It explains everything from mass attacks on beaches and towns to humorous anecdotes. The book wasn’t exactly a story involving characters, and neither was the film. The Longest Day is more a story of tragedy, glory, and courage surrounding one very important day. And even though mainly American and English filmmakers produced the movie, the movie and book both portray the Germans fairly. But the film added so much to the story that the book could not. Without some of the stunning visuals that the five (Zanuck went unaccredited, but was said to have directed over half the movie) directors put in the film, it would have been impossible to comprehend the scale of it all.
Meneghetti, Michael. “Review: Ellis Cashmore (2009) Martin Scorsese’s America.” Film Philosophy 14.2 (2010). 161-168. Web. 6 Apr. 2014
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form