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John keats bright star differences essay
John keats bright star romanticism
John keats bright star differences essay
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Comparing Take Something Like a Star by Robert Frost and Love Calls Us to the Things of This World by Richard Wilbur
Robert Frost's "Take Something Like a Star" and Richard Wilbur's "Love Calls Us to the Things of This World" are two poems which both invoke the audience to become involved in life while taking inspiration and guidance from spiritual forces manifested in the visible world. Frost's poem uses Keat's "Bright Star" as a launching point for discussion while Wilbur recalls in his title a phrase from St. Augistine's Commentary on the Psalms; yet both authors present complete discussions without requiring from the reader a foreknowledge of the earlier works. For Frost the central image is a star, any star, whose illumination can
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Frost writes in a facetious tone when describing God through the star that is seen. "It will not do to say of night, Since dark is what brings out your light", this quote describes how the star only shines when the sky is dark, meaning that God seems to only come when something bad arrives. The sincerity that is shown in Wilbur's poem is quite evident leaving no room for misinterpretation. He doesn't mock the glory of a spiritual presence, but writes wholeheartedly . At the end of each poem both authors agree on the same tone. Frost switches to a more earnest tone writing about when God does not seem to be there, he will always show up when called on. "We may take something like a star To stay our minds on and be staid". Both poems are wrote in a style that the speakers are looking at objects that cause them to think about how a spiritual force is amongst them. "'Oh, let there be nothing on earth but laundry, Nothing but rosy hands in the rising steam and clear dances done in the sight of heaven'". Wilbur concentrates on the laundry and sees the hands of God wash us from our transgressions and as the clothesline laundry dances in the wind our souls dance "'in the sight of heaven'". Standing under a moon lit sky someone spots "the fairest …show more content…
Diction is very important in both of the poems. The choice of words convey the way in which the poem is to be read. The poems emulate how spiritual forces can be manifested in our every day world, but how they are manifested is where diction comes in. "Love Calls Us to the Things of This World" illustrates God in a genuine fashion using diction. "Impersonal breathing", shows how the soul is not separate from us but one with us. The play on words Frost uses is a great example of diction. "Wholly taciturn" when read aloud could be taken as holy silence, but when read you can see he means total silence illustrating gods void. Frost also uses the word stooping instead moving when describing God. "Not even stooping from its sphere..". This one word shows the power of diction to show his negative view on the theme. Wilbur also does the same word game, but he uses it to show his positive view of God being shown through the visible world. "Yet, as the sun acknowledges With a warm look…", the main word in the quote is sun, because it could be taken as the son of God when read aloud. Robert Frost's "Take Something Like a Star" and Richard Wilbur's "Love Calls Us
Aldous Huxley and Robert William Service reveal though their works that people often become deceived, which makes them think falsely of reality. The novel communicates Bernard’s thoughts while on the drug soma on the helicopter ride: He “laughed; after two grammes of soma the joke seemed, for some reason, good” (Huxley 105). Huxley’s use of soma as a motif for artificial happiness in his quote reveals that Bernard only seems pleasant and easy to laugh because of a false source of his emotions that cause his “happiness.” Bernard only laughs at the electrocuted animals, the cruel joke by the pilot, because the soma influences his thoughts, words, and behaviors. His deceit, caused by drugs, results in
Comparing A Worn Path by Eudora Welty and A Rose For Emily by William Faulkner
Decisions are made every day, and greater the number of choices, the harder it becomes to evaluate the opportunity cost of a particular option, especially when the outcomes are unknown. Everyone experience a dilemma at some point in life, maybe, critical enough to alter their fates; some regret while others rejoice. Such is the case for the narrator, of “The Road Not Taken” by Robert Frost, who is required to choose his fate. There is deep regret because he “could not travel both” only to settle for the “one less traveled by” (19). Blanche Farley, however, tries to cheat out of regret through her lead character of “The Lover Not Taken;” a companion poem of “The Road Not Taken,” only with a parodistic spin. Although the poems share common features of structure, style and a common theme, there is a distinct difference in the imagery and perspectives in the respective poems.
A Comparison A Sound of Thunder by Ray Bradbury and The Star by H.G. Wells
A recurring theme in the poetry of Richard Wilbur is one of God and Christianity. Biblical references can be found throughout his work, even in poems that have little to do with religion. However, this theme is quite prominent as there are several poems contain more than passing references. Wilbur provides in these poems ideas that Christians can identify with, either in the Christian lifestyle or straight from the Bible.
Frost first presents this idea by metaphorically discussing the spectacular abilities his daughter possesses but refuses to use. In the first quatrain, the poet suggests that his da...
and “A Rose for Emily,” by William Faulkner the use of literary elements such as
...and emphasizes the connection and association of all things, both inner and outer. Similarly, in “Frost at Midnight,” Coleridge uses the same circular structure to reflect the structure of existence itself, depicting the situation of the poet in a religious manner. Lastly, in “Frost at Midnight” Coleridge depicts the theme of the association between nature and religion expressing that God is found in every aspect of the natural world, to further represent and communicate to the audience the situation of the poet in terms of religious feelings. By using different and various methods in both “The Eolian Harp” and “Frost at Midnight,” Samuel Coleridge is able to present and communicate the situation of the poet in terms of religious feelings where he includes himself in natural settings to describe his relationship with the other human beings that make up the world.
...ce, although both writings are interesting in their own ways, the most interesting aspect of both writings together is that they both have a similar plot and theme. It is rare that two
“And the saw snarled and rattled, snarled and rattled,/As it ran light, or had to bear a load./And nothing happened: day was all but done. “ Frost uses figurative language, like “Five mountain ranges one behind the other/Under the sunset far into Vermont. “,which gives the reader a better understanding of the narrative. The writer does not essentially want the reader to connect emotionally with the text, but shows them what people have to deal with. “His sister stood beside him in her apron/
...ed by many scholars as his best work. It is through his awareness of the merit, the definitive disconnectedness, of nature and man that is most viewable in this poem. Throughout this essay, Frosts messages of innocence, evil, and design by deific intrusion reverberate true to his own personal standpoint of man and nature. It is in this, that Frost expresses the ideology of a benign deity.
John Donne effectively evokes the discourse of love through the use of subject matter, theme and poetic devices such as imagery, symbolism and structure. “The Sun Rising” is a good example of a metaphysical poem in terms of its development and successfully expresses Donne’s love for his beloved and the frustration he feels towards the sun. I hope this seminar has enlightened all you poetry enthusiasts over John Donne’s talent as a metaphysical.
were masterpieces which has inspired many others to write, whether it is on love which is
First, in the poem “Stopping by the Woods on a Snowy Evening” there is a lot of nature expressed. Frost’s very first sentence already talks about the woods. Whose woods these are we don’t know. Also, in the poem he states that the narrator likes to sit and watch the snow. He is also a nature lover. In the second stanza Frost refers back to the woods. He must also like ice, because he brings ice and cold up a lot in his poems. Once again Frost brings ice up when he mentions flake and cold wind.
George Herbert’s struggle to be humble enough to fully accept God’s undying love can be located within each of his poems. The way in which Herbert conveys this conflict is by utilizing structure as well as metaphysical techniques. This combination of literary devices creates a physical reality that allows Herbert, or the poetic speaker, to “make his feelings immediately present” (245). These devices, at first, appear to be artificial and contradictory to the poet’s goal of making God’s word visible. Instead, literary techniques, for Herbert, help to emphasize how God controls everything from daily life to literature. Therefore, Herbert believes he is not the sole author of his writing; rather, he is an instrument of God chosen to write down poetry praising Him. Herbert battles with this idea as he must refuse the pride that comes with being the author of such beautiful devotional and metaphysical poetry. If Herbert were to give into this “temptation of success” (243), he would be giving himself up to sin and thus rejecting God’s love. This process of rejecting and accepting, or of “conflict and resolution” (243), is done throughout “The Temple,” which leads Herbert to an ultimate acceptance of God and to an “achieved character of humility, tenderness, moral sensitiveness” (249).