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Analysis of tarantino
Analysis of tarantino
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Quentin Tarantino is an acquired taste – or at least his films tend to be. They’re typically violent in nature, though often brilliantly casted (and acted) – and rarely come without controversial moments. Naturally, controversy typically creates waves of interest, and even since the release of Reservoir Dogs, followed by Pulp Fiction, Tarantino has been one of the most talked among directors in Hollywood – due in large part to his brash, gratuitous storytelling. And, after witnessing The Hateful Eight, that won't change anytime soon.
In Tarantino's latest concoction, The Hateful Eight, Kurt Russell stars as John Ruth, a bounty hunter nicknamed The Hangman. He's captured a notable fugitive, Daisy Domergue (Jennifer Jason Leigh), who's wanted dead or alive - and he's taking her to Red Rock to hang. On the snowy route to town, Ruth's horse and buggy comes into contact with another bounty hunter, Major Marquis Warren (Samuel L. Jackson), followed shortly
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Enter: Django Unchained. But, who in their right mind would have ever dreamed he'd do another western as a follow up? Well, Django Unchained was a work of cinematic excellence, so who's to say Mr. Tarantino can't return to the (home on the) range (even though Django was set in Texas, while this film is set in Wyoming)? Certainly not me, that’s for sure. In fact, as long as he keeps making movies in general - more power to him.
Still, when your previous bodies of work include highly regarded films, like Pulp Fiction and Inglourious Basterds, it's hard to imagine any future project topping those enticing and joyfully outlandish productions. In usual Tarantino fashion, though, he at least attempts to amend that notion that those aforementioned films can't be surpassed in quality or enjoyment. In tern, let me just say that plenty of Tarantino's die-hard follows will make the case that The Hateful Eight is his best picture to
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
"The Shawshank Redemption" is a compelling film about two imprisoned convicted murderers. Andy Dufresne (Tim Robbins), is innocent, however. Convicted of killing his wife and her lover (a crime for which he clearly had a strong motive), he really "didn't do". Of course, as his jailbird friend "Red" (Morgan Freeman) puts it, "Everybody in here is innocent." Well, Red is "the only guilty man" in Shawshank Prison. As their friendship develops, Andy learns the ropes of prison. Meanwhile, the warden (Bob Gunton) decides that Andy, a well- educated former banker could carry out something more useful than laundry. So, he places Andy as the prison librarian, and later, as his an accountant (he does taxes for all the jail's employees). Andy also assists the warden in money scams (as he tells Red, "I was always an honest man - I had to come to jail to become a crook!")
In today's day and age, it's rare to see famous historical events and societal disasters not be picked apart by film directors and then transformed into a box office hit. What these films do is put a visual perspective on these events, sometimes leaving viewers speculating if whatever was depicted is in fact entirely true. I have never felt that feeling more than after I finished watching Oliver Stone’s JFK.
When we think of high school dropout we automatically start thinking, “Wow, that must’ve been some druggie.” Now what would you say if he dropped out to pursue a dream of his? Would you change your mind? What if he lied on his résumé to ‘compensate for his lack of experience in the film industry’, would you hire him? He gathered all of his knowledge while working at The Manhattan Beach Video Archives. There, he was able to work on some of his earlier scripts such as, True Romance (1993), and Natural Born Killers (1994). Looking to direct his first movie, he was able to get ahold of distribution company, Miramax Films, with Lawrence Bender set in place for production, who was able to secure funding for Reservoir Dogs (1992). Through this, he, Quentin Tarantino was then able to direct his first movie, having grossed 2.8 million from a budget of 1.2 million. He was able to make the difference of the two, 1.6 million, in just eight weeks. In 2009, just seventeen years after his directorial debut, he wrote and directed his first World War II film, Inglourious Basterds. Having set a budget of 70 million, Inglourious Basterds set a domestic gross total of 120.5 million, with a difference of 50.5 million. A huge step from his first. There have been several rumors that have risen since the end of Inglourious Basterds that deals with the films that Tarantino may cover. One specifically deals with a spaghetti western, with a working title of ‘Django: Unchained’.
d violence (Biography 1). While black oriented films have veered away from racism and focused more on humor and sex to attract the new younger audience, Lee has continued to focus on racial issues, keeping the door open for other directors to follow. One of the most original, innovative, and without a doubt controversial filmmakers in America, Lee admits he has been blessed with the opportunity to express the views of black people who otherwise don’t have access to power and media (IMDb 4). Lee uses this motivation coming from his passion of being able to express the views of many, along with Malcolm X himself and his philosophy that blacks need to build their own economic base, to continue contributing to Hollywood (Gale 4). There is no doubt that Spike Lee will continue to find ways to impact audiences with his controversial actions, statements and racial films.
Spike Lee has made movies which discuss things no one would show the public. Malcom X was a huge film; Spike brought an ionic man to the perspective of the people. In the movie Malcom X you see the use vulgar language to state his point. Spike Lee introduces these topics rapidly unlike no other would. Malcom X shows the racist abuse a black man goes through, this picture couldn’t be any more vivid to the general public. In this movie he applies the “by any means necessary” method into his production and his message. In Alex Haley’s interview with Spike, he addresses the ...
Through different experiences, beliefs, values and ideas, individuals can evolve identity through human nature, in society and critical life experiences. Human nature is elucidated dystopically in the works of George Orwell’s novel, 1984, and James McTeigue’s visual, V for Vendetta, which represent divergent societies, bound by totalitarian oppression and degrading human constructs. Published in 1948 by George Orwell, 1984 is a novel set in a future society, scarred by eternal war, ubiquitous government surveillance, controlled history and tyrannical manipulation by the superstate. Winston Smith, a diligent Outer Party member, inconspicuously rebels against the English socialist, ‘Ingsoc’ Party and despot leader, ‘Big Brother’, by regaining
Stone's film is extreme in every way. Extreme in its violence. Extreme in its visual imagery, flashing hyper-speed bits of reality which don't quite register in one's mind. Extreme in its sit-com presentation of an abusive family as the ordinary stuff of entertainment. Extreme in its depiction of mass-murderers revered as icons of popular culture. Extreme in the banality with which the killers approach their crime.
Director and screenwriter Quentin Tarantino has a unique style that is easily recognizable and sets him apart from other
A utopian society represents a perfect, idealistic civilization, while a dystopian society describes an unpleasant environment for the individuals living within it. George Orwell’s 1984 portrays many characteristics of a dystopian society. Very similarly, Veronica Roth’s Divergent tells the story of a government that forcefully separates and controls its citizens. 1984 and Divergent both share the presence of harsh regulation and control from their respective governments. Orwell and Roth’s novels compare Ministries and Factions, conformity and obedience, Proles and the Factionless, and government regulation, in a similar, yet negative way.
The first time I saw Reservoir Dogs I knew it was something different (I didn?t see any Tarantino?s films before). It was the first time I payed more attention to the characters dialogue than to the visual appearance of the film itself The dialogues in Tarantino?s films are its more powerful resource. They both tells the story and sets the mood for it.
As stated, he has a clear use for violence in his film. He likes to incorporate an anti-hero that justifies his actions through a mental imbalance. In the Wolf of Wall Street you will see that the main character has a major drug and behavioral problem, however he is looked at as a hero throughout the movie. You will notice that it seems like he likes to stick with certain characters throughout his movies. He likes Leonardo Dicaprio. This is probably because the actors fit the character that he wants well. If it isn’t broke, why fix it? Martin has a way of making the violence in his films fit into the storytelling process. It is obvious that Martin likes to explore the immoral side of us. He tries to get us to follow characters that do not conform to society. The things about having immoral characters is that the audience can sometimes relate
There are movies that make you laugh, that make you cry, that blow you away with jaw-dropping, ever-so-satisfying action sequences. And there is Pulp Fiction, Quentin Tarantino’s masterpiece, an homage to the old Pulp Magazines and crime novels popular in the 1950s. Known for their incredibly dense and complex dialogue and excessive violence, Tarantino adds his trademark nonlinear chronology and thorough character development to create a movie that celebrates the fact that chance governs all of our lives. The film consists of multiple stories that tell of the criminals, gangsters and outliers of Los Angeles, the underbelly of society. It follows Vincent Vega and Jules Winnfield as they embark on their mission to recovering a briefcase that
Ref. The cinema book 2nd edition p100 "Tarantinos films mix violence with intertextual homage. He wants an audience to notice the way his films relate to a history of earlier film, fiction, t.v., thus combining movie fiction and movie criticism by playfully referring to movie history and mini history contained in his stars. " I think Tarantinos style is evolving now he has the money to support his wishes but his storytelling and directing technique is still difinitively Tarantinos own.
In conclusion it is clear that Tarantino’s film is postmodern, and Jameson’s insightful essay stands in relation to Pulp Fiction much in the same way as a prophecy stands in relation to its fulfilment. The postmodernist Tarantino expresses in a full and technicolour form what Jameson the modernist had only partially understood in the more static arts of painting and architecture.