Comparing Notions of Piety in The Wakefield Mystery Plays, The Book of Margery Kempe, and Le Morte D'Arthur The monastic lifestyle that Launcelot and his knights adopt after their conversion is one that Margery Kempe might approve of -- doing penance, singing mass, fasting, and remaining abstinent. (MdA, 525) But Launcelot's change of heart is not motivated by the emotions that move Kempe, nor is his attitude towards God the same as can be found in The Book of Margery Kempe and The Wakefield Mystery Plays. In the Wakefield plays, God wins piety through outright threats. He appears to his followers in visions, as he does in Kempe, but never as a benevolent or comforting presence. Kempe receives her only comfort in life through God's constant reassurances of her holiness in the face of the condemnation of her peers; in the Creation play, it is God who casts out Adam and Eve, just as Kempe is cast out of traveling party after traveling party. The fear of being similarly punished keeps other Wakefield characters in line. Noah begins his play with a speech detailing the mistakes of the those who have angered the Lord: "First on Earth and then in hell . . . but to those no harm befell/who trusted in his truth." And God responds: "Vengeance I will take,/ On earth for sin's sake,/My grimness thus will wake/Both great and small." (WP, 91) God promises that "All shall perish less and more that so spurned my plan." Fa... ... middle of paper ... ...dA, 523) Works Cited and Consulted Kempe, Margery. The Book of Margery Kempe. Ed. Sanford Meech and Hope and Emily Allen. London: Oxford UP, Early English Text Society 212, 1940; rpt. 1961. Lawton, David. "Voice, Authority, and Blasphemy in The Book of Margery Kempe." Margery Kempe: A Book of Essays. Ed. Sandra J. McEntire. New York: Garland, 1992. 93-116. Malory, Sir Thomas. Works. Ed. Eugene Vinaver. London: Oxford University Press, 1966. Mann, Jill. "The Narrative of Distance, the Distance of Narrative in Malory’s Morte DArthur." The William Matthews Lectures 1991 delivered at Birkbeck College, London. Rose, Martial, ed. and trans. The Wakefield Mystery Plays. New York: Norton, 1961.
"Social Security Act of 1935." Social Security Act of 1935. N.p., n.d. Web. 30 Dec. 2013. .
Rochette-Crawley, S. (2004) James T. Farrell. The Literary Encyclopedia. April 2, 2004. Retrieved on May 13, 2009 from http://www.litencyc.com/php/speople.php?rec=true&UID=1487
Kempe, Margery. "From The Book of Margery Kempe." The Norton Anthology of Literature By Women. 2nd ed. Sandra Gilbert and Susan Gubar. New York: W.W. Norton & Company, 1996. 18-24.
Post. August 16, 1992, p.6 Rpt. In Contemporary Literary Criticism. Ed. Deborah A. Stanley. Vol. 97. Detroit: Gale, 1997
Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
Despite promoting equality, affirmative action is a problem. It uses race, gender or ethnicity as a determinate for acceptance or denial. This creates a system of discrimination against certain demographic groups. Applicants are facing unequal standards due to their demographic. Affirmative action is degrading the educational system. Although affirmative action was established to compensate for previous discrimination, the fact is affirmative action should not be practiced because it does not promote equal treatment for all people.
The reason is that in the digital adaptation the characters such as Rikki-tikki-tavi, Nagaina, Nag, Darcee. etc are very well constructed and the diegetic sounds that they make makes it more appealing to the audience. For example, the scene where Rikki-tikki-tavi was wrapped up in a small cover that Teddy's father wrapped him with was really adorable and the sounds that he made when he ran was well fitting unlike in the short story there wasn't any diegetic sounds you will have to again imagine with your mind on how the characters look like which is in my opinion, quite annoying
The Norton Anthology of English Literature. Ed. M.H. Abrams. 6th ed. Vol.2. New York: Norton, 1993. 480.
Drabble, Margaret. The Oxford Companion to English Literature. Revised 5th Edition. Oxford, England: Oxford University Press, 1985, re. 1995. 57-59. Print.
Söffker M, Tyler CR (2012) Endocrine disrupting chemicals and sexual behaviors in fish – a critical review on effects and possible consequences. Critical Reviews in Toxicology 42(8), 653-668
Abrams, M.H., et al. ed. The Norton Anthology of English Literature. 6th ed. 2 Vols. New York: Norton, 1993.
Advertising is said to be with a potential consumer everywhere, we are so familiarized with it, that we do not even think about its form or nature. We may notice its presence while walking down the street, travelling by public transport or simply at home watching TV, reading a newspaper or on the internet. But what is it after all? How should we define it?
Schwarz, Danie Reference Guide to English Literature, 2nd ed., edited by D. L. Kirkpatrick, St. James Press, 1991
English literature is continuously developing into a more complex, and interwoven network of shared, or argued ideas. Proof of this goes back into all of the varieties of literature that we have discovered from times past, as well as anything new that is written today. One example of these works of art that has been studied intensely over the years includes the story of The Duchess of Malfi written by John Webster somewhere between 1580 and 1625. This is a story of tragic loss, desperate love, and vicious vengeance which all comes together to form one of the greatest tragedies of all time.
Abrams, M.H., ed. The Norton Anthology of English Literature. New York: W.W. Norton & Company, Inc., 1993.