In Jane Austen’s Lady Susan, Lady Susan is portrayed as an anti-Jane heroine; a beautiful, manipulative and self-indulgent widow whose cold-hearted machinations put her own interests ahead of her anyone else’s, including her daughter’s. As we compare Nikolai Gogol’s “The Overcoat”, which is about Akaky Akakievich Bashmachkin, a poor clerk who buys an expensive overcoat and gets it stolen from him, to Jane Austen’s Lady Susan, we conclude that both texts show two contrasting yet fundamental basic assumptions about human motivations. Motivation is “the general desire or willingness of someone to do something.” While commonly viewed as a positive trait, the motives that guide motivation can be convoluted. Lady Susan exemplifies external means of motivation in her search for love and fortune, while Akaky portrays the …show more content…
Lady Susan exemplifies the psychological principal of the incentive theory of motivation: people’s stimulus stems from a favorable end result. In the novella, Lady Susan’s letters to her confidante, Alicia Johnson reveal her true thoughts as a cool and calculating character who constantly puts up a front. Lady Susan believes that men are easily manipulated, pretending to be a loving mother and friend, she entices their affections, exulting in her talent for influencing a situation (or man) to suit her needs. “There is exquisite pleasure in subduing an insolent spirit, in making a person predetermined to dislike acknowledge one’s superiority” (Austin). However, Lady Susan’s dwindling funds and her daughter’s rejection of a marriage proposal, force her to destroy marriages for protection of her future in in the form of a large estate and money. Imperceptibly, Austin’s novella builds an imaginative world on the cross-plays of purpose and awareness of suspect motivation, hidden agendas, and the deceptiveness of language, which are consistent to the literary landscape. “I have made him sensible of my power, and
Sally is a common occurrence in Esperanza’s community; she lacks self-confidence and determination. In “Linoleum Roses,” Esperanza describes Sally’s post-marriage life. She says, “Sally says she likes being married because now she gets to buy her own things when her husband gives her money… Except he won’t let her talk on the telephone. And he doesn’t let her look out the window. And he doesn’t like her friends, so nobody gets to visit her unless he is working. She sits at home because she is afraid to go outside without his permission.” Sally lacks the qualities of self-confidence and determination; due to this, she lets herself fall into a trap disguised as marriage. Now, she has no control over her life. Her husband decides everything for her, and she is afraid to say no to him. Sally’s lack of two important qualities lets her give herself away to her husband. Now, her fate lies solely in his
Bradburry, Ray. "The Utterly Perfect Murder." The Language of Literature. Ed. Arthur N. Applebee. Evanston, IL: McDougal Littell, 1997. 799-805. Print.
Women’s Escape into Misery Women’s need for male support and their husband’s constant degradation of them was a recurring theme in the book House on Mango Street. Many of Esperanza’s stories were about women’s dreams of marrying, the perfect husband and having the perfect family and home. Sally, Rafaela, and Minerva are women who gave me the impression of [damsel’s in distress].CLICHÉ, it’s ok though. It’s relevant They wished for a man to sweep them of their feet and rescue them from their present misery. These characters are inspiring and strong but they are unable to escape the repression of the surrounding environment. *Cisneros presents a rigid world in which they lived in, and left them no other hope but to get married. Esperanza, however, is a very tough girl who knows what she wants. She will keep dreaming and striving until she gets it. She says, "I am too strong for her [Mango Street] to keep me here" (110). Esperanza learned from all of these women that she was not going to be tied down. She said, "I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain" (88). **Especially after seeing that Sally was suffering so much. Sally’s father is making her want to leave home by beating her. Sally "said her mother rubs lard on the places were it hurts" (93). There is not enough lard in the world to be able to cure the pain within Sally’s heart. Sally, "met a marshmallow salesman at a school bazaar" (101). Pretty soon " sally got married, she has her house now, her pillowcases and her plates" (101). Her marriage seems to free her from her father, but in reality she has now stepped into a world of misery. This was supposed to help her heal; " she says she is in love, but I think she did it to escape." (101). Unlike the other women Sally has no escape, no poetry, not even papaya coconut juice, not to mention, " he does not let her look out the window" (102). That is why "she sits at home because she is afraid to go outside without his permission."(102). Rafaela’s situation also involves imprisonment in her own home. Cisneros introduced us to Rafaela, a young beautiful girl whose expectations from marriage were to obtain a sweet home to live in. Instead...
Women all around Esperanza, such as Minerva and Sally, are held hostage, within their own acceptance of an unjust cultural fate. For example, Minerva is a young girl who constantly prays for better luck, and a happier life, but enables her husband to take advantage of her, and therefore sets the path for her unsatisfactory life. “ One day she is through and lets him know enough is enough. Out the door he goes. Clothes, records, shoes. Out the window and the door locked. However, that night he comes back and sends a big rock through the window. Then he is sorry and she opens the door again. Minerva finds herself forgiving without truly seeing that her husband is sorry. She used marriage as a way out from her undesirable life, yet her married life still carries the same characteristics. And so, without fighting for a satisfactory life she settles with the hand she is dealt.
In the Irish detective novel In the Woods by Tana French, we confront the dilemma of discerning the good from the bad almost immediately after cracking open the covers—the narrator and main character, Robert Ryan, openly admits that he “…crave[s] truth. And [he] lie[s].” (French 4) But there is more to this discernment than the mere acceptance that our narrator embellishes the occasional truth; we must be ever vigilant for clues that hint at the verisimilitude of what the narrator is saying, and we must also consider its relation to Robert’s difference from the anticlimactic (essentially, falsehood) and the irrevocable (that which is unshakeable truth). That is, the fact that in distinguishing the good from the bad, we are forced to mentally
The narrator in “The Yellow Wallpaper” and Elisa Allen of “The Crysanthemums” both have husbands who fancy the idea of knowing what their wives want and need. With such attitudes and beliefs, these men contribute to the feeling of confinement that ultimately leads to the loss of sanity of their wives. The narrator’s husband also assumes that he knows what is best for his wife. He thinks isolation and confinement will cure her “nervous depression.” Nevertheless, this “cure” makes her weak; it transforms her into a woman gone mad. On the way to dinner, Elisa asks her husband about the fights and his immediate reply is, “We can go if you want, but I don’t think you would like them much.” He cannot fathom the idea that she may actually enjoy this non-feminine event.
The novel, presented as a series of disjointed, possibly problematic, narrative frames, attempts to draw attention to this fact. "...no word exists alone, and the reason for choosing each word had to be explained with a stor...
Northanger Abbey by Jane Austen expresses the powerful narrative voice. The narrative voice that she uses is different from other novels. Most authors try to hide their presence in their novels but Jane Austen does not try to hide her presence. Her presence in the novel is so clear. For example, “The advantages of natural folly in a beautiful girl have been already set forth by the capital pen of sister author, and her treatment of the subject I will only add” (Austen 81). She tries not to trick her reader as he/she reads the novel. Instead she informs the reader that the book itself is just a novel. Her purpose is not to convince the reader and correct her story, but to understand the imperfection of language because language does not always tell the truth or enough for the truth.
Many authors have different types of writing and different ways of telling the story regardless of whether it is a horror type of story, a romantic type of story or even a comedy type of story. However, in this story by Susan Glaspell, it is a fiction type story which is about Mrs. Wright who seems to have lost control of her emotions and snaps. She kills her abusive husband which is found dead with a rope around his neck while she was asleep, but nobody knows her motive of killing him. The inequality between Mrs. Wright and Mr. Wright, which is based in gender, affects Mrs. Wright’s sense of enjoyment of life, which explains Mrs. Wright’s motive for the murder. Factors like, loneliness, depression, and lack of freedom justifies how Mrs. Wright sense of enjoyment of life was negatively affected and they are the reason for Mrs. Wright to murder her husband.
Pride and Prejudice written by Jane Austen is centred on characters that either gain self awareness and knowledge or possess none at all. Happiness is found even when one has no understanding of selfhood but the most happy and satisfied people in the novel are those who have self knowledge. People that possess self knowledge understand their strengths and weaknesses and characters that gain self knowledge are able to decipher these characteristics and act upon them. As marriage was seen as a great achievement for women in their society, happiness in Pride and Prejudice relates to whether one is happy or unhappy in their marriage.
In Philip K. Dick’s science-fiction short story, "Fair Game”, Professor Anthony Douglas is suddenly pursued by aliens with unknown intentions until finally being captured and presumably eaten. Grappling with his pursuers attempts to lure him to his death, Douglas impulsively assumes his superior intellect is the target rather than his plump figure, demonstrating the distorting influence hubris has on perception. Professor Douglas’ glaring conceit contributes to the story’s ironic resolution through its distortion of Douglas’ assumption about his purpose, feelings towards his predicament and prediction about his life after his abduction.
Costello, DP. The Language of the Catcher in the Rye. Holden Caulfield. Cambridge, New York; Cambridge University Press, 1990.
Austen was raised in an unusually liberal family where her father was a part of the middle-landowning class. They had a moderate amount of luxuries, but were not considered well off. Unlike many girls of her time Austen received a fairly comprehensive education. She received this mainly through the undivided support of her family. Austen and her sisters, like most girls of their time, were homeschooled. Austen’s zealous parents encouraged the girls to play piano, read and write. Her parent’s encouragement led to her interest in writing. Austen’s father housed an extensive library filled with books which kept Austen occupied for years (“Sense and Sensibility” 119). Through her observant nature and passion to read and write, Austen was able to eloquently write of the many “hidden truths” of social and class distinction during her time. They included daily societal changes some of which foreshadowed future societal leniency. Familial support also extended societal norm of marriage. Her parents attempt...
To be a mentor is to hold influence over a person’s actions or education. Overall, “Emma” is a novel about the influence that people hold over each other, and how that influence can affect people. Conflict is built by different characters who view themselves as mentors struggling to assert their opinions over others and pupil characters who accept their mentor’s opinions without bothering to form their own.
Sigmund Freud shows that the human behavior is controlled by three categories in the brain called the id, ego, and superego. Each of these sections control a different area of behavior.