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Importance of setting in literature
Importance of setting in literature
Setting in literature and why its important
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The setting of a memory serves as its center, and images can return people to this setting. Proximity to where a memory takes place, and the time that has passed since the actual moment, determine whether the recollection is to endure. For example, moving away from one’s hometown may cause the memories of childhood to fade after years of living elsewhere. On the other hand, revisiting a place induces the remembrance of events that happened there. If space can cause both remembering and forgetting, time tends to lean towards forgetting since the images of the past become fuzzy over the years. The effects of both time and space to memory are illustrated in If on a Winter’s Night a Traveler by Italo Calvino, The Book of Laughter and Forgetting …show more content…
This is because the story utilizes Clementis’ hat as a motif for memories that still endure even if there are actions taken to erase them. Mirek’s work is focused on preserving memories of the Russian occupation because he wants to be remembered “Just as Clementis’s hat stayed on Gottwald’s head”. However, Zdena also seeks to be remembered as a part of Mirek’s life, even if he wants to erase her. This shows how he desires to be remembered in communal memory; he wants to be remembered as a part of one thing and forgotten as a part of …show more content…
Why? The letters serve as a device to go back in time and relive the memory. The same way that Gottwald’s photograph brings people back to the time when he made his speech, the words of the letters create an image that takes people to the past. They record the feelings of the writer, and just by reading the letters, Zdena had been able to feel that back then, Mirek was “capable of such an explosion of feelings”. The phrase “explosion of feelings” is even repeated in the very next paragraph, giving emphasis to how Mirek’s letters show his emotion when he wrote them. When Mirek sees the white house, he gets reminded of how he would look at Zdena’s face, and “feels immense love”. The phrase “feels immense love” is repeated in the later paragraph. In the text, repetition is used to convey how strong a memory is when it resurfaces using images, formed through words, pictures, or by seeing a place, that return people to a memory’s time and place of origin. By somehow returning the person, the memories get more vivid and alive.
Similar to the Communist Party and Mirek, the characters of the embedded stories in If on a Winter’s Night a Traveler also struggle with memories, both individual and communal. They have different intentions on what to do with memories of them, especially the collective ones. Some characters seek to erase or run away from their memories, and there are also those who are haunted, or are about to be, by their
...in it brought with it ( Takenishi 1907). She felt these memories held a lot of value, and it was important to hold onto them. As she said " someone who can just casually wipe out the memory of his own history will not be fit ... to play the role of the great hero" (Takenishi 1907). I believe she wants to preserve these memories out of respect for those who died, and possibly, as a contribution to their rite.
In conclusion, it is through these contradictions between history and memory that we learn not to completely rely on either form of representation, due to the vexing nature of the relationship and the deliberate selection and emphasis. It is then an understanding that through a combination of history and memory we can begin to comprehend representation. ‘The Fiftieth Gate’ demonstrates Baker’s conclusive realisation that both history and memory have reliability and usefulness. ‘Schindler’s List’ reveals how the context of a medium impacts on the selection and emphasis of details. ‘The Send-Off’ then explains how the contradiction between memory and history can show differing perspectives and motives.
For me, hope without memory is like memory without hope” (pg. 2, para. 3). This suggests that memory is one of the most powerful tools, one our whole race cannot live without. Wiesel uses imagery to develop the central idea. This can be seen in the following line, “Like the body, memory protects its wounds. When the day breaks after a sleepless night, one’s ghosts must withdraw; the dead are ordered back to their graves” (pg. 4, para. 10). This quote shows imagery and the central idea, the image is, after a sleepless night ghosts would withdraw and the dead go back to their graves. Wiesel also used repetition in “Hope, Despair, and Memory”. This can be seen in the following line, “After the war we reassured ourselves that it would be enough to relate a single night in Treblinka, to tell of the cruelty, the senselessness of murder, and the outrage born of indifference: it would be enough to find the right word and the propitious moment to say it, to shake humanity out of its indifference and keep the torturer from torturing ever again. We thought it would be enough to read the world a poem written by a child in the Theresienstadt ghetto to ensure
Primo Levi once said, " Human memory is a marvelous but fallacious instrument. The memories which lie within us are not carved in stone; not only do they tend to become erased as the years go by, but often they change, or even increase by incorporating extraneous features.." The memory of a human being is a fascinating matter, but it is not something that stays with us forever. Memories will often change or multiply with unnecessary information, but they are what define you as you.
Their memories will give them an ideal live to go towards or a life in which they want to progress from. If an individual chooses to run from the past in which they lived, it is still a component in their life which shaped them to be who it is they became, despite their efforts to repress those memories. Nevertheless, the positive memories of an individual’s past will also shape who they are. Both good and bad memories are able to give an individual a glimpse into their ideal life and a target in which they wish to strive for and memories in which they can aim to prevent from happening once
Through this short story we are taken through one of Vic Lang’s memories narrated by his wife struggling to figure out why a memory of Strawberry Alison is effecting their marriage and why she won’t give up on their relationship. Winton’s perspective of the theme memory is that even as you get older your past will follow you good, bad or ugly, you can’t always forget. E.g. “He didn’t just rattle these memories off.” (page 55) and ( I always assumed Vic’s infatuation with Strawberry Alison was all in the past, a mortifying memory.” (page 57). Memories are relevant to today’s society because it is our past, things or previous events that have happened to you in which we remembered them as good, bad, sad, angry etc. memories that you can’t forget. Winton has communicated this to his audience by sharing with us how a memory from your past if it is good or bad can still have an effect on you even as you get older. From the description of Vic’s memory being the major theme is that it just goes to show that that your past can haunt or follow you but it’s spur choice whether you chose to let it affect you in the
Tim O'Brien's book, The Things They Carried, he reinforces this idea that memories are powerful and can affect people in many ways.n. His usage of literary devices and other things show the juxtaposition of remembering bad memories and forgetting the good
Human memory is flexible and prone to suggestion. “Human memory, while remarkable in many ways, does not operate like a video camera” (Walker, 2013). In fact, human memory is quite the opposite of a video camera; it can be greatly influenced and even often distorted by interactions with its surroundings (Walker, 2013). Memory is separated into three different phases. The first phase is acquisition, which is when information is first entered into memory or the perception of an event (Samaha, 2011). The next phase is retention. Retention is the process of storing information during the period of time between the event and the recollection of a piece of information from that event (Samaha, 2011). The last stage is retrieval. Retrieval is recalling stored information about an event with the purpose of making an identification of a person in that event (Samaha, 2011).
The title of this piece, “Remembered Morning,” establishes what the speaker describes in the stanzas that follow as memory; this fact implies many themes that accompany works concerning the past: nostalgia, regret, and romanticism, for instance. The title, therefore, provides a lens through which to view the speaker’s observations.
Repressed memories is a topic that has been an ongoing dispute among some, however ac...
All of these interactions evoke memory, ultimately through the quest of finding reality equal to that of her life in Poland. The comparison of Eva’s exile can never live up to her Paradise and therefore her memories of her past can never be replaced but instead only can be supplemented. Eva starts the memoir in the middle of the action on the boat to Canada. We instantly become aware of the situation and before we are presented with memories of the home she is leaving, she establishes the idea of memory. After hearing the Polish anthem after departing, Eva comments, “I am suffering my first, severe attack of nostalgia or tesknota – a word that adds to nostalgia the tonalities of sadness and longing” (4).
This film challenges the audience to actively get involved with the two characters, Joel and Clem. We see both characters try and take control of their memory. First by undergoing the procedure and then especially when Joel tries to keep his memories of Clem. But the characters find out that memory is more complicated than we think it is. We can mold out memories, change our memories, repress our memories and remember things we didn’t even know we experienced. In some ways, the writers challenge us to think about our own memories. If we were given the chance would we erase some of our painful memories? I think we are unable to detangle our memories. I think that our memories are stacked and tangled with each other and deleting or tampering with those memories is dangerous and unnatural.
These doubts appear through the assumption that objects can replace mental memory. The first of the three is ephemeral monuments, which suggests that “collective memory doesn’t dwell on material objects,” and we get rid of what we don’t want to remember (Forty 5). Then there is Freud with his theory of mental process stating that repression of the ego is similar to forgetting, which is often intentional and desired (Forty 5). The third doubt is the Holocaust memorials, as they both desire to simultaneously remember and forget, challenged by the commemoration of the event without lessoning its severity (Forty 6). These problems illustrate how Western thought assumes forgetting to be more straightforward than it actually is.
The essence of memory is subjective (Lavenne, et al. 2005: 2). In Never Let Me Go memories are formed in the mind of ‘Kathy H’ which emanate her subjective views. These relate to her own emotions and prejudices as an outsider, a clone, experienced through the innocence of childhood, and the deception of adulthood from the institutions of ‘Hailsham’ and ‘the cottages.’ Which allude to Kazuo Ishiguro’s ow...
Everyone has a special place that people will never forget. Sometimes it is because there were places that people experienced great joy or comfort. A special place represents peoples’ special memories either good or bad. Memory will following people whole life, and store people’s heart deeper. Good memory will coming all time. My special place and my memory is my grandparent’s house; my grandparent’s house practically is my second home. I would never forget that special place because of things going on my grandparent’s house, which is symbolized by my grandparent’s love.