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Transformations in ovid's metamorphoses examples
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“The Proverb advises ‘Be kind to those who hurt you,’” (The Thousand and One nights 575). Metamorphoses by Ovid and The Thousand and One Nights are both texts that follow moral and social didactic practices. The purpose of these didactic practices is to instruct one in how to be a good person from the viewpoint of a specific culture or society. In Metamorphoses we have the focus on the Roman gods behavior written around 8 C.E. We see many gods acting in various inappropriate sexual ways. The Thousand and One Nights tells the story of a woman who tries to change the behavior of a King in the fourteenth century by telling him a unique story each night to put off her execution in the morning. These stories, while different in theme, both serve …show more content…
Many of the transformations in this text are literal while some are more subtle and metaphorical. The purposes of these transformations to the didactic nature are profound. You may not immediately connect Daphne being transformed into a tree as specifically instructional, however there are connotations behind both her transformation and the actions of Apollo that led to it, that can lead to great analysis of what it meant to be a good person in that society and time period. Daphne is considered innocent in this story. Being turned into a tree was a plea to save her virginity. From this perspective, remaining a virgin is deemed a quality that makes one a good person. Apollo pursuing her despite her protestations shows a character flaw that is seen as not worthy of a god or human in that time period. Even after Daphne became a tree, Apollo still claimed ownership of her declaring, “Although you cannot be my bride,” he says, “you will assuredly be my own tree” (Ovid 1082). Showing mercy and grace is the way Apollo should have handled that situation. In this instance the status of the gods do not play a role in making them inherently good or evil, though they show characteristics of what one would consider evil. Ovid seems to be placing the gods above the hierarchy and consequences for behaving in a morally unacceptable
The feelings of loneliness and betrayal are feelings that we all feel one too many. Some have these feelings for a few simple days, and then those feelings soon pass. For others, however, this is a feeling that is felt for most of their lives. Our loneliness may make us feel alone, when our loneliness is actually common. In The Metamorphosis by Franz Kafka, the topic of alienation is an ongoing theme from beginning to end. I have interest in this passage because it reveals the writers understanding of a feeling that we all get from time to time. This novella helps us relive these emotions with an understanding that we are not alone in our loneliness.
What ancient religion contains infidelity, incest, and life-time long punishments of which were almost, if not, are unbearable? Welcome to Greek Mythology! The Ancient Greeks envisioned higher powers, such as titans, gods and many other mystical wonders to account for every unexplainable thing they saw. As a result, a series of tales of betrayal, humiliation and entrancements sprouted from the imagination of the Ancient Greeks. The international bestseller, Heroes, Gods and Monsters of the Greek Myths, by Bernard Evslin, engages it’s readers, while telling the narratives of the Greek Gods.
The complex pagan religious system of the Romans mirrored that of the Greeks, but what Ovid sought to create was a solid (nearly Bible-like) account of the formation of the world and the source of the multifarious gods. Essentially, Ovid is seeking to rationalize and dogmatize the dozens of deities. Ovid believed that the relationship between the gods and man was reciprocal; they depended on each other for existence:
Many Greek gods were seen as both benefactors and tormentors, typically it depends on which god or goddess you are researching about. The seemingly contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
The Yellow Wallpaper” by Charlotte Perkins Gilman and “The Metamorphosis” by Franz Kafka both incorporate “irreal” elements throughout their works. These elements provide an alternative point of view where the lives of main characters are recreated and imagined as part of their surroundings. It’s almost as if the characters are watching their lives from an outside vantage point, rather than living in the moment, which makes it easier to cope with their difficult circumstances. These two works are complementary in establishing relationships, exposing internal conflicts, and escaping the reality that these characters yearn for in their lives.
People today live in an absurd world, where they are constantly working and on the go, they forget what matters most to them like their dreams and aspirations and become work zombies. That is why the stories of the Metamorphosis by Franz Kafka and The Death of Ivan Ilych by Leo Tolstoy speak to me, they comment on the absurdity of mundane daily life and tasks that we have become accustomed to and make you think about the life that you are living. The main characters of the two stories, Gregor Samsa and Ivan Ilych, become overwhelmed by the amount of pressures that they put on themselves and by their families. The two characters epitomize what the workers of today have become and the worst part is they never realize how unhappy they have become until it is too late. I know many of us feel the burden of working to much and not living the way we want to. These stories are very bleak and don't offer hope for the main characters, they failed to adapt and perished because of it. The stories make you feel that as if there is no escaping the absurdity of life, as is the
The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.
The difference between the way Homer and Ovid present the gods and their relation to human being is that in Homer, the gods are more tough on the humans than in The Metamorphoses. In The Iilad, some gods were focused on returning Odysseus home while some were trying to stop him in his tracks. This story also focuses more on environment and symbolism because of the way the story is written. In Metamorphoses, the gods seem to care more about human beings. They show stronger emotions towards them. You can see this through all of the theme changes that occur in the story. They penalized people who were wicked and reward those that were piety. Metamorphoses set the tone in Book I, when the gods punished Lycaon for trying to kill Jupiter in his
This displays that the gods keep humans best interest in mind. For example, the myth of The Wandering of Io, Zeus decided to be unfaithful to his wife Hera with a human named Io in order please himself . Zeus transformed Io into a cow in order to hide his affair from his wife, and protect Io from Hera’s dangerous behavior that will result from jealousy . As a human, Io is more subjective to be a victim and therefore left in harm’s way. Zeus might have done wrong by having an affair but acknowledged that Hera was his problem and not Io’s, so he turned her into a cow in order to avoid further complication for Io.
To begin with, the ancient Greeks explained the creation of the universe, in particular the Earth and its elements, by a system of anthropomorphism in which their gods are human-like and are representatives of these elements. For example, Zeus is the god of heaven while Hades is the underworld lord (Hesiod, p.145). Unlike the Christians’ god who is “flawless”, the ancient Greeks’ divinities are portrayed as humans and are far from perfect. Their gods behave like ordinary people except they are immortal and have supernatural powers. Like any human being, the Greeks’ gods have love, jealousy, sadness, etc. For instance, in Euripides’ Bacchae, Zeus falls in love with Semele, which makes Hera becomes jealous and tries to kill Semele and Dionysus (Euripides, p.209). The Greeks even have a physically imperfect god, Hephaestus. This is to say that the gods’ attitude toward mortals is affected by how people treat them as the Greeks’ gods have emotions like humans.
This was very unusual for at that time, consent in stories was assumed and gods were never held responsible for their actions. The narrator comments in one of Ovid’s stories “Majestic power and erotic love do not get on together very well.” Within the story, this quote means that Gods do not mix well with mortal love. Outside the story, I believe Ovid intended it to mean that the government should not interfere with people’s private love lives. There are many examples of rape in the stories within The Metamorphoses, including: Apollo and Daphne, Jove and Io, Jove and Europa, Ceres and Proserpina, Story of Arethusa, Story of Thetis and Peleus, and Story of Glaucus and Scylla.
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.
In the Metamorphosis by Franz Kafka, Gregor experiences unusual punishments in the form of anal regression, oedipal conflict, and masochism because of his father’s dominance in the household. There was a role switch with Gregor and his father after the metamorphosis. Gregor became the new breadwinner of the family. The conflict with him and his father resulted in Gregor regressing into the anal stage of physcosexual development. He found pleasure in disgusting items like rotten food.
The proviso scene opens, "-Like Daphne (Millamant) as lovely and as coy." alluding to a Grecian myth about a woman resisting love. Even as the first line, the mention of Daphne reveals the foreshadowing of Millamant's loss in power. In the book, Great Figures of Greek Mythology, the god Apollo loves Daphne but she does not want to be caught and calls out to her father to save her. Her father transforms Daphne into a laurel tree and "Apollo made a wreath of laurel from its leaves for his head and decreed that the tree should henceforward be sacred to him" (Clayton 65). Already we can make a strong connection between Daphne and Millamant. Even though Daphne is not "caught", she still becomes a tree that is sacred only to Apollo. Like Daphne, Millamant f...
Life is a never-ending metamorphosis. It is always changing, always transforming. Sometimes a change is followed by positive results, but on the darker side, a metamorphosis can lead to damage or suffering. But of course, the concept of metamorphosis can also be related into the wonderful yet unrealistic world of magic and sorcery. Metamorphosis can mean a rapid transformation from one object to another or a distinct or even degenerative change in appearance, personality, condition, or function. The concept of metamorphosis is commonly used in pieces of literature to describe an extreme change in character or form.